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  1. Graphic Understanding: Instruments and Interpretation in Robert Hooke's Micrographia.Michael Aaron Dennis - 1989 - Science in Context 3 (2):309-364.
    The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...)
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  • John Flamsteed and the turn of the screw: mechanical uncertainty, the skilful astronomer and the burden of seeing correctly at the Royal Observatory, Greenwich.Richard J. Spiegel - 2015 - British Journal for the History of Science 48 (1):17-51.
    Centring on John Flamsteed, the first Astronomer Royal, this paper investigates the ways in which astronomers of the late seventeenth century worked to build and maintain their reputations by demonstrating, for their peers and for posterity, their proficiency in managing visual technologies. By looking at his correspondence and by offering a graphic and textual analysis of the preface to his posthumousHistoria Coelestis Britannica, I argue that Flamsteed based the legitimacy of his life's work on his capacity to serve as a (...)
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  • Observation, working images and procedure: the ‘Great Spiral’ in Lord Rosse's astronomical record books and beyond.Omar W. Nasim - 2010 - British Journal for the History of Science 43 (3):353-389.
    This paper examines the interrelations between astronomical images of nebulae and their observation. In particular, using the case of the ‘Great Spiral’ , we follow this nebula beginning with its discovery and first sketch made by the third Earl of Rosse in 1845, to giving an account, using archival sources, of exactly how other images of the same object were produced over the years and stabilized within the record books of the Rosse project. It will be found that a particular (...)
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  • From Bentley to the Victorians: The Rise and Fall of British Newtonian Natural Theology.John Gascoigne - 1988 - Science in Context 2 (2):219-256.
    The ArgumentThe article explores the reasons for the rise to prominence of Newtonian natural theology in the period following the publication of thePrincipiain 1687, its continued importance throughout the eighteenth and first half of the nineteenth centuries, and possible explanations for its rapid decline in the second half of the nineteenth century. It argues that the career of Newtonian natural theology cannot be explained solely in terms of internal intellectual developments such as the theology of Newton's clerical admirers or the (...)
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  • Beyond the planets: early nineteenth-century studies of double stars.Mari Williams - 1984 - British Journal for the History of Science 17 (3):295-309.
    In 1837 the German-born astronomer F. G. W. Struve published his famous catalogue of double stars. For Struve this was the culmination of 12 years' detailed observation of a class of celestial objects lying exclusively beyond the solar system; for historians of astronomy it poses the problem of explaining why the study of double stars became a significant part of astronomical endeavour, as it did, during the 1820s and 1830s. For, although Struve's interest was extreme, it was shared to a (...)
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  • Ways of knowing: towards a historical sociology of science, technology and medicine.John V. Pickstone - 1993 - British Journal for the History of Science 26 (4):433-458.
    Among the many groups of scholars whose work now illuminates science, technology and medicine (STM), historians, it seems to me, have a key responsibility not just to elucidate change but to establish and explain variety. One of the big pictures we need is a model of the varieties of STM over time; one which does not presume the timeless existence of disciplines, or the distinctions between science, technology and medicine; a model which is both synchronic and diachronic, and both cognitive (...)
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  • Was There Such a Thing as Stellar Astronomy in the Eighteenth Century?M. E. W. Williams - 1983 - History of Science 21 (4):369-388.
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  • The calculating eye: Baily, Herschel, Babbage and the business of astronomy.William J. Ashworth - 1994 - British Journal for the History of Science 27 (4):409-441.
    Astronomy does not often appear in the socio-political and economic history of nineteenthcentury Britain. Whereas contemporary literature, poetry and the visual arts made significant reference to the heavens, the more earthbound arena of finance seems an improbable place to encounter astronomical themes. This paper shows that astronomical practice was an important factor in the emergence of what can be described as an accountant's view of the world. I begin by exploring the senses of the term ‘calculation’ in Regency England, and (...)
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  • Extending the Gaze: The Temporality of Astronomical Paperwork.Omar W. Nasim - 2013 - Science in Context 26 (2):247-277.
    ArgumentKeeping records has always been an essential part of science. Aside from natural history and the laboratory sciences, no other observational science reflects this activity of record-keeping better than astronomy. Central to this activity, historically speaking, are tools so mundane and common that they are easily overlooked; namely, the notebook and the pencil. One obvious function of these tools is clearly a mnemonic one. However, there are other relevant functions of paperwork that often go unnoticed. Among these, I argue, is (...)
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  • The ‘Landmark’ and ‘Groundwork’ of stars: John Herschel, photography and the drawing of nebulae.Omar W. Nasim - 2011 - Studies in History and Philosophy of Science Part A 42 (1):67-84.
    This paper argues for continuity in purpose and specific results between some hand drawn nebulae, especially those ‘descriptive maps’ by John F. W. Herschel and E. P. Mason in the late 1830s, and the first photographs made of the nebulae in the 1880s. Using H. H. Turners’ explication in 1904 of the three great advantages of astrophotography, the paper concludes that to some extent Herschel’s and Mason’s hand-drawings of the nebulae were meant to achieve the same kinds of results. This (...)
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