Several authors claim that, according to Wittgenstein, ethics has no particular subject matter and that, consequently, there is and can be no such thing as meta-ethics. These authors argue that, for Wittgenstein, a sentence’s belonging to ethics is a classification by use rather than by subject matter and that ethics is a pervasive dimension of life rather than a distinguishable region or strand of it. In this article, I will critically examine the reasons and arguments given for these claims. In (...) my view, a Wittgensteinian perspective does not exclude the possibilities of doing meta-ethics and of there being a particular subject matter of moral philosophy. These alleged impossibilities are not the distinguishing marks of Wittgensteinian moral philosophy. What distinguishes Wittgensteinian moral philosophy from traditional moral philosophy is, rather, its emphasis on alternative ways of thinking about the subject matter of moral philosophy. (shrink)

H.-J. Glock has made important contributions to discussions of rationality, reasons, and rules. This chapter addresses four conceptions of rationality that Glock identifies. One of these conceptions of rationality is that rationality consists in responsiveness to reasons. This chapter goes on to consider the idea that reasons became prominent in normative ethics because of their usefulness in articulating moral pluralism. The final section of the chapter connects reasons and rules and contends that both are ineliminable.

Many metaethicists endorse a cognitive constraint which links the reasons for which we act or hold attitudes (motivating reasons) to normative reasons (reasons that speak in favour of an action or attitude). As traditionally formulated, this constraint (known as the Taking Condition) requires that an agent’s motivating reasons are mentally represented by her as corresponding normative reasons. In response to the charge that the Taking Condition is overly demanding, Errol Lord and Kurt Sylvan have proposed a reformulation which eschews the (...) need for normative representation (Lord and Sylvan 2019 [“Prime Time (for the Basing Relation).” In Well-Founded Belief, edited by J. Adam Carter, and Patrick Bondy, 141–173. London and New York: Routledge]). As they argue, agents must treat their motivating reasons as normative reasons, where this notion picks out a specific set of dispositions rather than a representational state. I argue that this proposal seriously distorts our understanding of the relation between an action or attitude and the reasons for which we perform or hold it. On the plausible assumption that an account of motivating reasons should not stray too far from this understanding, this response to the over-demandingness charge thus fails. I also provide some directions on how friends of the Taking Condition should instead respond this charge. (shrink)

This paper situates Wittgenstein in what is known as the causalism/anti-causalism debate in the philosophy of mind and action and reconstructs his arguments to the effect that reasons are not a species of causes. On the one hand, the paper aims to reinvigorate the question of what these arguments are by offering a historical sketch of the debate showing that Wittgenstein's arguments were overshadowed by those of the people he influenced, and that he came to be seen as an anti-causalist (...) for reasons that are in large part extraneous to his thought. On the other hand, the paper aims to recover the arguments scattered in Wittgenstein's own writings by detailing and defending three lines of argument distinguishing reasons from causes. The paper concludes that Wittgenstein's arguments differ from those of his immediate successors; that he anticipates current anti-psychologistic trends; and that he is perhaps closer to Davidson than historical dialectics suggest. (shrink)

There has been much debate over whether to accept the claim that meaning is normative. One obstacle to making progress in that debate is that it is not always clear what the claim amounts to. In this paper, I try to resolve a dispute between those who advance the claim concerning how it should be understood. More specifically, I critically examine two competing conceptions of the normativity of meaning, rejecting one and defending the other. Though the paper aims to settle (...) a dispute among proponents of the claim that meaning is normative, it should be of interest to those who challenge it. After all, before one takes aim, one’s target needs to be in clear view. (shrink)

The paper attempts a novel defense of the main claim of Wittgenstein's Private Language Argument, i.e. that 'inner' ostensive definition is impossible. Part 1 traces Wittgenstein's target to the idea that 'ostensive definition' is a mental act, an idea that makes it tempting to think that its objects might just as well be private as public. Part 2 discusses a recent interpretation and defence of Wittgenstein's position due to Stroud and McGinn. On their view, private ostensive definition establishes no pattern (...) of use because it fails to specify the type of inner episode that is being ostended. But not explicitly specifying a type is harmless so long as the ostension in fact brings it about that the subject's usage is sensitive to it. Part 3 proposes a new argument. Private ostensive definition does sustain a pattern of use, but that use is semantically indeterminate: nothing in it (or in the subject's mind) settles which of two alternative schemes of reference applies. The conclusion discusses Wittgenstein's best-known remarks on the subject from the perspective of this new argument. (shrink)

The present work aims at providing an evaluation of musical formalism, as it was intended by Eduard Hanslick in his treatise On the Musically Beautiful, in the light of Ludwig Wittgenstein's remarks on aesthetics and music. After a short historical introduction concerning the origins of the concept of absolute music within the framework of Romantic aesthetics and the writings of authors such as Wilhelm Heinrich Wackenroder, E. T. A. Hoffmann and Arthur Schopenhauer, I suggest a definition of formalism on the (...) basis of Hanslick's account of music. I compare, then, Hanslick's view on music with Wittgenstein's reflections on music and aesthetics, referring to both Wittgenstein's early philosophy – especially to the Tractatus Logico-Philosophicus – and to the later writings – namely to the Philosophical Investigations and the Lectures on Aesthetics. The outcome of the comparison between Hanslick's and Wittgenstein's views on music leads the discussion to an evaluation of the plausibility of the dichotomy between formalism and anti-formalism, and to a reflection on the objects, aims and methods of aesthetics. (shrink)

Rachael Wiseman has argued that we cannot make sense of G.E.M. Anscombe’s Intention unless we recognise that it is an “exemplification of [Wittgenstein’s] grammatical investigation”. While Wiseman is alive to the Wittgensteinian nature of Anscombe’s method, and to her deep Wittgensteinian sympathies, she is not preoccupied with the question of influence. This is the question I am concerned with in the current paper. I argue that in focusing on the concept of intention, Anscombe was homing in on a pivotal concept (...) in Wittgenstein’s later philosophy, and that most of the basic elements of her account were being worked out by Wittgenstein during the period when she was his pupil. However, as Anscombe worked through Wittgenstein’s idea’s afresh, in her own more systematic and analytic mode of philosophical investigation, she often cast ideas that were sometimes merely nascent in Wittgenstein’s work in a new light. Moreover, some of her most seminal ideas had their origin in concerns which she did not share with Wittgenstein and were entirely original to her. (shrink)

According to Wittgenstein, mathematical propositions are rules of grammar, that is, conventions, or implications of conventions. So his position can be regarded as a form of conventionalism. However, mathematical conventionalism is widely thought to be untenable due to objections presented by Quine, Dummett and Crispin Wright. It has also been argued that only an implausibly radical form of conventionalism could withstand the critical implications of Wittgenstein’s rule-following considerations. In this article I discuss those objections to conventionalism and argue that none (...) of them is convincing. (shrink)

This thesis seeks to demonstrate the continuing relevance of Wittgenstein’s approach to the problem of freedom of the will, primarily as expounded in his “Lectures on Freedom of the Will”. My overall aim is to show how Wittgenstein works to reconfigure the debates about freedom of the will so that it can be confronted as the kind of problem he thinks it ultimately is: an ethical and existential problem. Not published until 1989, the LFW have received scant critical attention. I (...) argue that Wittgenstein’s approach is highly distinctive in a way that makes it significantly less vulnerable than its closest cousins to certain powerful lines of critical attack. Chapter One brings out the distinctiveness of the LFW, especially vis-à-vis a putatively Wittgensteinian form of compatibilism, exemplified by Kai Nielsen. Albeit in different ways, Wittgenstein and Nielsen are both concerned to show why being caused to act, e.g. by the laws of nature, does not equate to being compelled to act, e.g. against one’s will. Unlike Nielsen, however, Wittgenstein further recognises that showing the compatibility of freedom and natural laws establishes no more than the logical consistency of holding people responsible, given determinism, and so cannot itself constitute a defence of our practices. Chapter Two introduces, as a still closer comparison with Wittgenstein, P. F. Strawson’s practice-based defence of interpersonal, ‘reactive’ attitudes. I argue that the same correlation between a belief in freedom of the will and the primitive expression of ‘reactive’ attitudes/feelings is central also to the LFW. However, I further argue that certain major lines of criticism of Strawson’s practice-based defence of our current practices, familiar in the critical literature, do not in the same way threaten Wittgenstein’s defence of a broader practice-based approach, one that encompasses both reactive and non-reactive attitudes. Chapters Three and Four deal with the difficulties arising from the recognition that our most entrenched and ‘natural’ attitudes are non-reactive rather than reactive, including attitudes that are properly called ‘fatalistic’. Chapter Three develops a response to Galen Strawson’s criticism that if reactive and non-reactive attitudes are both equally expressive of human nature, then any merely descriptive approach to these attitudes will be incapable of resolving the fundamental question of which of these sorts of attitude we ought to adopt. Finally, Chapter Four examines Wittgenstein’s sustained interest in forms of life, especially religious forms of life, which appear to give equal weight to both reactive and non-reactive attitudes. (shrink)

This work is an investigation into the analytical debate on pictorial representation and the theory of pictorial art. My main concern are a critical exposition of the questions raised by the idea that it is resemblance to depicted objects that explains pictorial representation and the investigation of the phenomenon of abstract painting from an analytical point of view in relation to the debate on depiction. The first part is dedicated to a survey of the analytical debate on depiction, with special (...) attention to the fortunes and misfortunes of the resemblance theory of depiction. In the first chapter I give an outline of the main contemporary theories on offer, contextualised within an historical background that stretches from Plato to Descartes. I have decided to focus on the theory of resemblance more than on other approaches on depiction, because much of my research is dedicated to an analysis and implementation of one of the theories that have recently sought to re-discover the resemblance paradigm, although with certain important modifications. Namely, the second chapter is dedicated to the exposition of John Hyman’s basic resemblance theory of depiction, to the elucidation of its presuppositions and to the discussion of some criticisms and objections that the theory has raised. The third and the fourth chapter are dedicated to the implementation of Hyman’s theory in relation to the phenomenon of abstract painting. There are two peculiarities about Hyman’s theory: first, it is in counter-tendency in comparison with all the other accounts of depiction on offer, in that it does not need to conceive of pictorial representation as of representation of particulars or kinds of objects that we can easily identify. Second, it is a theory that gives art a prominent role: Hyman illustrates his claims with many examples taken from the history of figurative art. The second part of my work is inspired by the idea that the basic resemblance theory can be applied to abstract paintings as well. Developing an analysis of abstract painting from an analytical point of view is a task that very few authors have tried to accomplish so far – as far as I am aware. However, it is evident that the task abstract painters have set themselves is interestingly akin to the task philosophers try to accomplish when arguing about depiction. It is widely agreed that one of the main topics of contemporary art is art itself and that one of the main topics of abstract painting is the art of painting itself, the art of producing pictures, the exploration of its limits and its conventions. With these considerations in mind, I have sought to sketch my proposal for a basic resemblance theory of abstract painting, critically engaging with philosophers such as Richard Wollheim, Kendall Walton, Lambert Wiesing and with art-critics and historians such as Clement Greenberg and Ernst Gombrich. (shrink)

The later Wittgenstein advanced a revolutionary but puzzling conception of how philosophy ought to be practised: Philosophical problems are not to be coped with by establishing substantive claims or devising explanations or theories. Instead, philosophical questions ought to be treated ‘like an illness’. Even though this ‘non-cognitivism’ about philosophy has become a focus of debate, the specifically ‘therapeutic’ aims and ‘non-theoretical’ methods constitutive of it remain ill understood. They are motivated by Wittgenstein’s view that the problems he addresses result from (...) misinterpretation, driven by ‘urges to misunderstand’. The present paper clarifies this neglected concept and analyses how such ‘urges’ give rise to pseudo-problems of one particular, hitherto little understood, kind. This will reveal ‘therapeutic’ aims reasonable and ‘non-theoretical’ methods necessary, in one clearly delineated and important part of philosophy. I.e.: By developing a novel account of nature and genesis of one important class of philosophical problems, the paper explains and vindicates a revolutionary reorientation of philosophical work, at the level of both aims and methods. (shrink)

One of the unconventional features of Wittgenstein’s _Tractatus Logico-Philosophicus_ is its use of an elaborated and detailed numbering system. Recently, Bazzocchi, Hacker und Kuusela have argued that the numbering system means that the _Tractatus_ must be read and interpreted not as a sequentially ordered book, but as a text with a two-dimensional, tree-like structure. Apart from being able to explain how the _Tractatus_ was composed, the tree reading allegedly solves exegetical issues both on the local and the global level. This (...) paper defends the sequential reading against the tree reading. After presenting the challenges generated by the numbering system and the two accounts as attempts to solve them, it is argued that Wittgenstein’s own explanation of the numbering system, anaphoric references within the _Tractatus_ and the exegetical issues mentioned above do not favour the tree reading, but a version of the sequential reading. This reading maintains that the remarks of the _Tractatus_ form a sequential chain: The role of the numbers is to indicate how remarks on different levels are interconnected to form a concise, surveyable and unified whole. (shrink)

Kalhat has forcefully criticised Wittgenstein's linguistic or conventionalist account of logical necessity, drawing partly on Waismann and Quine. I defend conventionalism against the charge that it cannot do justice to the truth of necessary propositions, renders them unacceptably arbitrary or reduces them to metalingustic statements. At the same time, I try to reconcile Wittgenstein's claim that necessary propositions are constitutive of meaning with the logical positivists’ claim that they are true by virtue of meaning. Explaining necessary propositions by reference to (...) linguistic conventions does not reduce modal to non‐modal notions, but it avoids metaphysical accounts, which are incapable of explaining how we can have a priori knowledge of necessity. (shrink)

El Tractatus de Wittgenstein es una obra desconcertante para quien la ha leído. Una vez recorridas sus complejas tesis filosóficas, sus últimos pasajes declaran que sus proposiciones se esclarecen cuando son reconocidas como sinsentidos. El libro debe ser leída como una escalera para ser arrojada una vez que hemos subido por ella. Al respecto, hay por lo menos dos posturas al respecto en la literatura: mientras la tesis de inefabilidad sostiene que el propósito del Tractatus es comunicar algún tipo de (...) verdad inexpresable a través del reconocimiento de su sinsentido, de acuerdo con la tesis terapéutica su propósito es exclusivamente identificar el sinsentido de la obra para determinar lo que resulta expresable. En este artículo defiendo una tercera opción según la cual la metáfora de la escalera ―compuesta de tres peldaños sobre la naturaleza del mundo, el lenguaje, y el sujeto― se debe entender desde su significado paradójico. El Tractatus no es una obra que intente comunicar un conocimiento teórico y, sin embargo, arrojar la obra al sinsentido lleva al lector al descubrimiento práctico de una posición ética para ‘ver correctamente el mundo’ a partir de la paradoja de un límite. Palabras clave : Sinsentido; Límite; Sujeto; Lenguaje; Escalera.: Wittgenstein’s Tractatus is a baffling work for someone who has read it. Once we have gone throughout its complex philosophical thesis, its last two passages claim that its propositions are cleared up by being recognized as senseless. The book must be read as ladder to be thrown away once we have climbed it up. In this respect, there are at least two accounts in the literature: while the ineffability view contends that the purpose of the Tractatus is to communicate some kind of inexpressible truths throughout the recognition of its senselessness, according to the therapeutic view its purpose is exclusively to identify the senseless of the work to determine what really is sayable. This article argues a third view in which the metaphor of the ladder ―having three rungs about the nature of the world, language, and the Self― must be understood from its paradoxical meaning. The Tractatus is not a work trying to communicate a theoretical knowledge and, therefore, throwing it away to the senseless takes the reader to the practical discovery of an ethical position to ‘see the world rightly’ from the paradox of a limit. Key Words : Senseless; Limit; Subject; Language; Ladder. (shrink)