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The realism in perception

Noûs 16 (1):42-55 (1982)

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  1. Levinas's Philosophy of Perception.Matt E. M. Bower - 2017 - Southern Journal of Philosophy 55 (4):383-414.
    Levinas is usually discussed as a philosopher wrestling with the nature of our experience of others, ethical obligation, and the divine. Unlike other phenomenologists, such as Husserl and Heidegger, he is not often mentioned in discussions about issues in philosophy of mind. His work in that area, especially on perception, is underappreciated. He gives an account of the nature of perceptual experience that is remarkable both in how it departs from that of others in the phenomenological tradition and for how (...)
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  • The problem of presentations: how it is that one object is perceptually given in multiple ways.Konrad Werner - 2022 - Synthese 200 (3):1-25.
    This paper answers a philosophical challenge that emerges when we problematize the seemingly trivial "fact" that, on the one hand, through our senses we are presented with a realm that is not of our own making; while, on the other hand, various perceivers are acquainted with diverse presentations of this realm, depending on their perspective and cognitive machinery. The challenge is dubbed here the problem of presentations. The paper draws on the idea of situation-dependent properties proposed by Susanna Schellenberg. However, (...)
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  • The ins and outs of perception.David Woodruff Smith - 1986 - Philosophical Studies 49 (March):187-211.
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  • Is this a dagger I see before me?David Woodruff Smith - 1983 - Synthese 54 (January):95-114.
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  • Content and context of perception.David Woodruff Smith - 1984 - Synthese 61 (October):61-88.
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  • Acta cum fundamentis in re.Barry Smith - 1984 - Dialectica 38 (2‐3):157-178.
    It will be the thesis of this paper that there are among our mental acts some which fall into the category of real material relations. That is: some acts are necessarily such as to involve a plurality of objects as their relata or fundamenta. Suppose Bruno walks into his study and sees a cat. To describe the seeing, here, as a relation, is to affirm that it serves somehow to tie Bruno to the cat. Bruno's act of seeing, unlike his (...)
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