Fragment B 1 of Parmenides describes a youth's journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides' Greek text is beset with many difficulties, most notably the phrase kata pant' atê at B 1.3. There, the neuter accusative plural panta ('all things') combines with the feminine nominative singular atê (heavenly sent blindness') to render translation impossible. Some have proposed emending the text to read a<s>tê ('down to all (...) cities'), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel 'far from the beaten path of men.' I argue in defense of the reading kata pant' a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides' era. (shrink)

Debate concerning virtual reality is often drawn in terms of sharply defined dichotomies--for example, between "real" (or "actual") and "virtual," "authentic" and "inauthentic," and "natural" and "artificial." In this paper we offer an alternative approach by suggesting a conception of a virtual world that highlights a continuity and commonality with our sense of everyday reality. We accomplish this in part by an examination of the English picturesque garden as if it were a virtual world partially constructed out of ideas and (...) objects collected during travels to foreign lands on the Grand Tour. Such foreign travel transformed not only the English person's sense of self, but also altered the English landscape. We conclude that in one sense the "real" England is also a "virtual" reality. (shrink)

This dissertation deals with the tragic vision that motivates certain key aspects of Theodor W. Adorno’s philosophy. While in the formative early work, the Dialectic of Enlightenment, co-written with Max Horkheimer, the tragic views are clear, in later works, such as the Aesthetic Theory and the Negative Dialectics, they are only implicit. The study reconstructs the tragic vision found in the Dialectic of Enlightenment and uses it as a key to understand Adorno’s mature philosophy. A tragic vision is born when (...) specific philosophical convictions regarding agency and morality coalesce with certain ethical and political conditions. A tragic vision forms the grounds for tragic views. For Adorno, the key convictions rise out of the failures of reason and culture to enable the eradication of unnecessary suffering by creating the kind of conditions in which human beings could flourish. These convictions give rise to a view of humanity as blind to its own shortcomings and thus doomed to perpetuate suffering in the name of progress and growth. Adorno’s persistent negativism prevents him from offering practical solutions for changing the world, but he does offer a scathing critique of the modern world that continues to resonate with new generations of readers. The analysis of the tragic vision presented in this dissertation will highlight the fundamental philosophical and ethical commitments underlying Adorno’s views and will thus allow both situating his work into a larger cultural context and juxtaposing it with the work of other philosophers, as well as other writers, thereby opening new vistas for research not just on Adorno but on continental philosophy, social theory, and the domain of arts and letters at large. (shrink)

The idea that thinking is a form of talking to oneself was discussed in classical Greece, analyzed by the Medievals and treated as a central issue by the American pragmatists. But whether inner speech is a language unto itself, distinct from outer language, has not been determined. To this end I ask how Saussure's defining ideas about language apply to inner speech. I show that Saussure's ideas, while partly usable, are mainly a poor fit. Inner speech is a variety of (...) language, or perhaps of dialect, with its own unique structure. Given that it is a unique window into human consciousness, I briefly discuss some of the research areas on which it sheds light. (shrink)

The interlink between myth and wisdom in Hellenic heritage is characteristically embodied in the Platonic philosophizing as regards the education and enculturation of the human psyche. As is read in the end of The Republic , the myth of Er turns out to be a philosophical rewriting of poetry to a large degree. For it engagingly reveals Plato’s moral inculcation, philosophical instruction and poetic wisdom in particular, all of which are intended to guide human conduct along the right track for (...) the bliss of the postmortem cycle, and put philosophy learning into first priority for the choice of the future life. Moreover, the transmigrate experience in the mystic overtone of “the Orphic-Pythagorean conglomerate” is discussed with a intercultural reference to the Buddhist doctrines of samsara and karma. (shrink)

In this paper I examine the role of tragedy in the ancient emergence of philosophical interiority and in the recent return of exteriority that marks the birth of theory. I argue that tragedy names a kind of epistemic threshold between systems of knowledge predicated on exteriority and interiority. I conclude by arguing that Derrida's late effort to articulate a messianic model of the tragic in Specters of Marx and elsewhere, his effort to “think the ghost,” both confirms and complicates tragedy's (...) place in the history of theory. (shrink)

ABSTRACTThis response to Analogical Investigations concentrates on the legacy of Lloyd's polarity and analogy, other theories of metaphor, and relations between theories of metaphor and theories of nature.

(2004). Is There a History of Educational Philosophy? John White vs the historical evidence. Educational Philosophy and Theory: Vol. 36, No. 1, pp. 35-56.

Heraclitus is generally recognised as the first of the Greek thinkers to develop a psychology, but the understanding of his psychology is held back by the assumptions that his soul is a life-principle and is ‘comprehensive’ of the various faculties we regard as psychological. The fragment that best displays the revolutionary character of Heraclitus’ soul doctrine, from a properly psychological viewpoint, is B 85. I offer an extended analysis of this fragment in order to bear out the claims, firstly, that (...) psyche or ‘soul’ for Heraclitus is the intelligence alone, divine in origin, and secondly that thumos (primarily as the seat of desire) is a better candidate for his biological life-principle, whose exigencies are at odds with those of soul. I also offer some reflections on why, despite Heraclitus’ multifaceted influence on fifth-century thought, and despite the coherence of his psychology, this ‘revolution’ never quite took hold. (shrink)

How are we to understand Solon's departure from Athens "for the sake of theôria" immediately after the introduction of his laws ? Previous accounts have taken theôria to mean "sightseeing," but the goal of Solon's departure-to avoid explaining or changing the laws-is guaranteed by certain religious features of theôria: the theôros plays the role of civic guardian and must not add to or subtract from an oracle he conveys to the city, and during the theôria the city itself must remain (...) pure and avoid disturbances. Solon adapts these features of theôria to establish his laws as a pseudo-oracular discourse, as a purification of the city, and as a permanent civic medium. The beginning of Solon's open-ended journey thus gives ideological finality to the laws at the middle of the city. This reading of Solon's theôria coheres with other instances of the creative adaptation of ritual in archaic Greek politics. It also develops our understanding of the discourse on theôria as regulating the laws that constitute the political sphere. (shrink)

This essay is about mathematics as a written or literate language. Through historical and anthropological observations drawn from the history of Greek mathematics and the oral tradition preceding the rise of literacy in Greece, as well as considerations on the nature of alphabetic writing, it is argued that three essential linguistic features of mathematical discourse are jointly possible only through written, alphabetic language. The essay concludes with a discussion of how both alphabetic principles and issues related to literacy faced by (...) the Greeks in the axiomatization of geometry play a central role in some specific metamathematical theories. Drawing extensively on the work of ArpSd Szatx5, Eric Havelock, and Albert Lord, the implications developed between Szab6's history of Greek mathematics and Havelock and Lord's theories of writing and oral traditions (Homer's in particular) are the author's own, as are the applications to modern logic. (shrink)

The purpose of this article is to argue that the ethical concepts and principles that made Peter Drucker a leading figure in management can be analysed in the terms of the oldest Western worldview, ancient heroism. A description of the salient features of heroism is offered first, followed by an overview of Drucker’s ‘Management by Objectives’ framework. These expositions show that ancient heroism is an important component of MBO and reveal its strengths and weaknesses.

In this article, I analyze the role of Heracles' famous body in the representation of madness and its aftermath in Euripides' Heracles. Unlike studies of Trachiniae, interpretations of Heracles have neglected the hero's body in Euripides. This reading examines the eruption of that body midway through the tragedy as a part of Heracles that is daemonic and strange, but also integral to his identity. Central to my reading is the figure of the symptom, through which madness materializes onstage. Symptoms were (...) contested sites of interpretation in the late fifth century, supporting both conventional narratives about human suffering and new stories advanced by contemporary medicine and ethics. In exploring the imaginative possibilities of these new stories, I do not privilege a “secular” over a “divine” reading. Rather I aim to offer a model of interaction between medicine and tragedy that sees the cross-breeding of worldviews as productive of innovative drama. (shrink)

The traditional “realist” conception of physics, according to which human concepts, laws and theories can grasp the essence of a reality in our absence , seems incompatible with quantum formalism and it most fruitful interpretation. The proof rests on the violation by quantum mechanical formalism of some fundamental principles of the classical ontology. We discuss if the conception behind Einstein’s idea of a reality in our absence, could be still maintained and at which price. We conclude that quantum mechanical formalism (...) is not formulated on those terms, leaving for a separated paper the discussion about the terms in which it could be formulated and the onto-epistemological implications it might have. (shrink)

Theoria originally implied a kind of active observation, combining perception with asking questions and listening to local stories and myths. This is travel treated not as a metaphor in discourse, but as both source and goal of discourse, or movement as a format for conveying information seen and heard. This would be travel as paraphor or travel and discourse carried one alongside the other as a context for intellection. This article articulates travel as paraphor using Greg Ulmer’s concept of the (...) ‘popcycle’ to analyze the architect Le Corbusier’s ecstatic moment in the monastery at Val d’Ema, outside Florence, revealing thespatial practice of theoria within the architect’s travel tour. (shrink)

Are the ideas of democracy and isonomy an absolute achievement of civilization, or just a tuning moment in a complex system of metamorphosis? Is this something universal or an aesthetic approach? Could our concept of art, in its deepest sense, be responsible for democracy? Or, could our concept of democracy exist because of art? This paper is a reflection on these questions. Normally, a scientific text should give answers but would this principle be universal? Inside our planetary metamorphosis all values (...) are changing as always but now at high speed. High speed gives us both the sensation of confusion, which was typical in other historical moments, as when Carmina Burana was elaborated in the Middle Ages, and the possibility to take a step back and have, in the eye of the cyclone, dynamic elements showing us change in process. In this paper, democracy and isonomy are taken as the content of a path towards civilization, in a new environment. (shrink)

Even for those who do not believe in a life after death, the idea of the afterlife that a past culture held can serve as a marker in the evolution of human consciousness. Like a demarcation that begins a process of map-making, the description of the time and space of the life after death starts a process of exploring the nature of consciousness and the cultural ideas of individuation that derive from it. World literature is the chronicle of this cultural (...) process of individuation, and literary works of the past serve as milestones on the historical path of the moral and psychological development of humanity. (shrink)