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  1. Individual differences are more important than the emotional category for the perception of emotional expressions.Elena Moltchanova & Christoph Bartneck - 2017 - Interaction Studies 18 (2):161-173.
    Emotional facial expression are an important communication channel between artificial characters and their users. Humans are trained to perceive emotions. Robots and virtual agents can use them to make their inner states transparent. Literature reported that some emotional types, such as anger, are perceived as being more intense than others. Other studies indicated that gender influences the perception. Our study shows that once the individual differences amongst participants are included in the statistical analysis, then the emotion type has no further (...)
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  • Internally and externally generated emotions in people with acquired brain injury: preservation of emotional experience after right hemisphere lesions.Christian E. Salas Riquelme, Darinka Radovic, Osvaldo Castro & Oliver H. Turnbull - 2015 - Frontiers in Psychology 6:121484.
    The study of emotional changes after brain injury has contributed enormously to the understanding of the neural basis of emotion. However, little attention has been placed on the methods used to elicit emotional responses in people with brain damage. Of particular interest are subjects with right hemisphere [RH] cortical lesions, who have been described as presenting impairment in emotional processing. In this article, an internal and external mood induction procedure [MIP] was used to trigger positive and negative emotions, in a (...)
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  • Impulsive action: emotional impulses and their control.Nico H. Frijda, K. Richard Ridderinkhof & Erik Rietveld - 2014 - Frontiers in Psychology 5.
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  • Determinants of the shape of emotion intensity profiles.Philippe Verduyn, Iven Van Mechelen & Evelien Frederix - 2012 - Cognition and Emotion 26 (8):1486-1495.
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  • The determinants of subjective emotional intensity.Joep Sonnemans & Nico H. Frijda - 1995 - Cognition and Emotion 9 (5):483-506.
    What determines the subjective intensity of emotions? Four major groups of determinants are hypothesised: concerns (strength and relevance), appraisal, regulation, and individual differences. During six weeks subjects reported an emotion every week and answered questions on a computer. It appears that all four groups of supposed determinants are correlated with emotional intensity, the concern variables show the highest correlations. The importance of the determinants is not always the same, there are differences between the emotions and between the dimensions of emotional (...)
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  • Emotion Experience and its Varieties.Nico H. Frijda - 2009 - Emotion Review 1 (3):264-271.
    Emotion experience reflects some of the outcomes of the mostly nonconscious processes that compose emotions. In my view, the major processes are appraisal, affect, action readiness, and autonomic arousal. The phenomenology of emotion experience varies according to mode of consciousness (nonreflective or reflective consciousness), and to direction and mode of attention. As a result, emotion experience may be either ineffable or articulate with respect to any or all of the underlying processes. In addition, emotion experience reflects the degree to which (...)
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  • The relation between rumination and temporal features of emotion intensity.Maxime Résibois, Elise K. Kalokerinos, Gregory Verleysen, Peter Kuppens, Iven Van Mechelen, Philippe Fossati & Philippe Verduyn - 2017 - Cognition and Emotion 32 (2):259-274.
    Intensity profiles of emotional experience over time have been found to differ primarily in explosiveness and accumulation. However, the determinants of these temporal features remain poorly understood. In two studies, we examined whether emotion regulation strategies are predictive of the degree of explosiveness and accumulation of negative emotional episodes. Participants were asked to draw profiles reflecting changes in the intensity of emotions elicited either by negative social feedback in the lab or by negative events in daily life. In addition, trait, (...)
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  • The Anatomy of Disappointment: A Naturalistic Test of Appraisal Models of Sadness, Anger, and Hope.Linda J. Levine - 1996 - Cognition and Emotion 10 (4):337-360.
    ignette and autobiographical recall studies have often been used to test models of the appraisals associated with specific emotions. Recently, critiques of both methodologies have called into question the applicability of appraisal theory to naturally-occurring emotional responses. This study examined supporter's responses to Ross Perot's withdrawal from the 1992 presidential race to assess the extent to which appraisal models accurately capture responses to a naturally-occurring event. Supporters in Riverside County, California (N = 227) completed questionnaires concerning their interpretations of the (...)
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  • Curiosity about a positive or negative event prolongs the duration of emotional experience.Michihiro Kaneko, Yuka Ozaki & Kazuya Horike - 2017 - Cognition and Emotion 32 (3):600-607.
    Some researchers claim that uncertainty prolongs the duration of emotional experiences because uncertainty toward an emotion-eliciting event prolongs attention to that event. However, some results contradict this claim. We assumed that curiosity rather than uncertainty prolongs the duration of emotional experience via attention, and that attention and emotional experience are prolonged only when uncertainty elicits curiosity. This assumption is based on the information gap theory, which proposes that curiosity increases with uncertainty, but that curiosity decreases at a certain level of (...)
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  • Temporal Dynamics of Emotional Processing in the Brain.Christian E. Waugh, Elaine Z. Shing & Brad M. Avery - 2015 - Emotion Review 7 (4):323-329.
    Emotion theorists have long held that a fundamental characteristic of an emotion is how its constituent processes change and interact over time. Assessing these temporal dynamics of emotion in the brain is critical for understanding the neural representation of emotions as well as advancing theories of emotional processing. We review the neuroimaging research on three temporal dynamic features of emotion: time of onset, duration, and resurgence and show how assessing these temporal dynamics in the brain have led to improved understanding (...)
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  • Determinants of Emotion Duration and Underlying Psychological and Neural Mechanisms.Philippe Verduyn, Pauline Delaveau, Jean-Yves Rotgé, Philippe Fossati & Iven Van Mechelen - 2015 - Emotion Review 7 (4):330-335.
    Emotions are traditionally considered to be brief states that last for seconds or a few minutes at most. However, due to pioneering theoretical work of Frijda and recent empirical studies, it has become clear that the duration of emotions is actually highly variable with durations ranging from a few seconds to several hours, or even longer. We review research on determinants of emotion duration. Three classes of determinants are identified: features related to the (a) emotion-eliciting event (event duration and event (...)
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  • Exploring alternative deterrents to emotional intensity: Anticipated happiness, distraction, and sadness.Paul J. Silvia & Jack W. Brehm - 2001 - Cognition and Emotion 15 (5):575-592.
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  • Drawing mixed emotions: Sequential or simultaneous experiences?Pilar Carrera & Luis Oceja - 2007 - Cognition and Emotion 21 (2):422-441.
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  • Social sharing of emotion following exposure to a negatively valenced situation.Olivier Luminet, Patrick Bouts, Frédérique Delie, Antony S. R. Manstead & Bernard Rimé - 2000 - Cognition and Emotion 14 (5):661-688.
    Three experimental studies are reported in which we tested the prediction that negative emotion elicits the social sharing of the emotional experience. In two experiments, participants arrived at the laboratory with a friend and then viewed one of three film excerpts (nonemotional, moderate emotion, or intense emotion) alone. Afterwards, the participants who saw the film had an opportunity to interact with the friend and their conversation was recorded. In both experiments participants who had seen the intense emotion excerpt engaged in (...)
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  • Intensity profiles of emotional experience over time.Philippe Verduyn, Iven Van Mechelen, Francis Tuerlinckx, Kristof Meers & Hermina Van Coillie - 2009 - Cognition and Emotion 23 (7):1427-1443.
    A full understanding of emotions and emotion characteristics can only be reached when their dynamic nature is taken into account. As such, a primary objective of the present study is to describe and account for variability in temporal profiles of experienced emotional intensity. Participants were asked to make detailed drawings of intensity profiles of recently experienced episodes of anger, sadness, joy and affection. Functional data analysis revealed three features that together accounted for 84% of the total variability: (i) steepness at (...)
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  • Moods as multiple-object directed and as objectless affective states: An examination of the dispositional theory of moods.Matthias Siemer - 2005 - Cognition and Emotion 19 (6):815-845.
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  • Emotional Reactivity and Regulation in Preschool-Age Children Who Do and Do Not Stutter: Evidence From Autonomic Nervous System Measures.Victoria Tumanova, Blair Wilder, Julia Gregoire, Michaela Baratta & Rachel Razza - 2020 - Frontiers in Human Neuroscience 14:600790.
    Purpose:This experimental cross-sectional research study examined the emotional reactivity and emotion regulation in preschool-age children who do (CWS) and do not stutter (CWNS) by assessing their psychophysiological response during rest and while viewing pictures from the International Affective Picture System (Lang et al.,2008).Method:Participants were 18 CWS (16 boys and two girls; mean age 4 years, 5 months) and 18 age- and gender-matched CWNS. Participants' psychophysiological responses were measured during two baselines and two picture viewing conditions. Skin conductance level (SCL) and (...)
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  • Development and Validation of the Yonsei Face Database.Kyong-Mee Chung, Soojin Kim, Woo Hyun Jung & Yeunjoo Kim - 2019 - Frontiers in Psychology 10.
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  • A dimensional approach to vocal expression of emotion.Petri Laukka, Patrik Juslin & Roberto Bresin - 2005 - Cognition and Emotion 19 (5):633-653.
    This study explored a dimensional approach to vocal expression of emotion. Actors vocally portrayed emotions (anger, disgust, fear, happiness, sadness) with weak and strong emotion intensity. Listeners (30 university students and 6 speech experts) rated each portrayal on four emotion dimensions (activation, valence, potency, emotion intensity). The portrayals were also acoustically analysed with respect to 20 vocal cues (e.g., speech rate, voice intensity, fundamental frequency, spectral energy distribution). The results showed that: (a) there were distinct patterns of ratings of activation, (...)
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  • Variability in anger intensity profiles: Structure and predictive basis.Joke Heylen, Philippe Verduyn, Iven Van Mechelen & Eva Ceulemans - 2015 - Cognition and Emotion 29 (1):168-177.
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