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  1. Merleau-Ponty and the art of perception.Duane Davis (ed.) - 2016 - Albany: State University of New York Press.
    Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened (...)
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  • ‘L'enfer, c'est les autres’: Goffman's Sartrism. [REVIEW]P. D. Ashworth - 1985 - Human Studies 8 (2):97 - 168.
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  • Feminist Phenomenology and the Woman in the Running Body.Jacquelyn Allen-Collinson - 2011 - Sport, Ethics and Philosophy 5 (3):297 - 313.
    Modern phenomenology, with its roots in Husserlian philosophy, has been taken up and utilised in a myriad of ways within different disciplines, but until recently has remained relatively underused within sports studies. A corpus of sociological-phenomenological work is now beginning to develop in this domain, alongside a longer-standing literature in feminist phenomenology. These specific social-phenomenological forms explore the situatedness of lived-body experience within a particular social structure. After providing a brief overview of key strands of phenomenology, this article considers some (...)
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  • Sporting embodiments: Sports studies and the (continuing) promise of phenomenology.Jacquelyn Allen-Collinson - 2017 - In M. Giardina & M. Donnelly (eds.), Physical Culture, Ethnography and the Body: Theory, Method and Praxis.
    Whilst in recent years sports studies have addressed the calls ‘to bring the body back in’ to theorisations of sport and physical activity, the ‘promise of phenomenology’ remains largely under-realised with regard to sporting embodiment. Relatively few accounts are grounded in the ‘flesh’ of the lived sporting body, and phenomenology offers a powerful framework for such analysis. A wide-ranging, multi-stranded, and interpretatively contested perspective, phenomenology in general has been taken up and utilised in very different ways within different disciplinary fields. (...)
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  • Short reviews.Helmut R. Wagner & John Sallis - 1979 - Human Studies 2 (1):357-365.
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  • ‘Being in the World’: The event of learning.Marianna Papadopoulou & Roy Birch - 2009 - Educational Philosophy and Theory 41 (3):270-286.
    This paper employs an eclectic mix of paradigms in order to discuss constituting characteristics of young children's learning experiences. Drawing upon a phenomenological perspective it examines learning as a form of 'Being' and as the result of learners' engagement with the world in their own, unique, intentional manners. The learners' intentions towards their world are expressed in everyday activity and participation. A social constructivist perspective is thus employed to present learning as situated in meaningful socio-cultural contexts of the everyday, lived (...)
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  • The postulate of adequacy: Phenomenological sociology and the paradox of science and sociality.Raymond McLain - 1979 - Human Studies 4 (1):105 - 130.
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  • Beauvoir, the Scandal of Science, and Skepticism as Method.Abigail Klassen - 2013 - Hypatia 28 (4):835-851.
    In The Ethics of Ambiguity (herein the Ethics), Simone de Beauvoir declares that science condemns itself to failure if it takes as its task the total disclosure of being (Beauvoir 1948/1976, 130). I suggest that the Ethics actually parallels the spirit of some scientific programs, specifically those that utilize positive skepticism as method. I draw out connections among the Ethics, Maurice Merleau-Ponty's Phenomenology of Perception (Merleau-Ponty 1945/1962) to which Beauvoir's works show much likeness, and Francis Bacon's The New Organon (Bacon (...)
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  • Feminist Phenomenology and the Film World of Agnès Varda.Kate Ince - 2013 - Hypatia 28 (3):602-617.
    Through a discussion of Agnès Varda's career from 1954 to 2008 that focuses particularly on La Pointe Courte (1954), L'Opéra-Mouffe (1958), The Gleaners and I (2000), and The Beaches of Agnes (2008), this article considers the connections between Varda's filmmaking and her femaleness. It proposes that two aspects of Varda's cinema—her particularly perceptive portrayal of a set of geographical locations, and her visual and verbal emphasis on female embodiment—make a feminist existential-phenomenological approach to her films particularly fruitful. Drawing both directly (...)
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  • Sporting embodiment: sports studies and the (continuing) promise of phenomenology.Jacquelyn Allen-Collinson - 2009 - Qualitative Research in Sport and Exercise 1 (3):279-296.
    Whilst in recent years sports studies have addressed the calls ‘to bring the body back in’ to theorisations of sport and physical activity, the ‘promise of phenomenology’ remains largely under-realised with regard to sporting embodiment. Relatively few accounts are grounded in the ‘flesh’ of the lived sporting body, and phenomenology offers a powerful framework for such analysis. A wide-ranging, multi-stranded, and interpretatively contested perspective, phenomenology in general has been taken up and utilised in very different ways within different disciplinary fields. (...)
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