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  1. Efficient Communication in Written and Performed Music.Laurent Bonnasse-Gahot - 2020 - Cognitive Science 44 (4):e12826.
    Since its inception, Shannon's information theory has attracted interest for the study of language and music. Recently, a wide range of converging studies have shown how efficient communication pervades language, from phonetics to syntax. Efficient principles imply that more resources should be assigned to highly informative items. For instance, average information content was shown to be a better predictor of word length than frequency, revisiting the famous Zipf's law. However, in spite of the success of the efficient communication framework in (...)
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  • The Beat to Read: A Cross-Lingual Link between Rhythmic Regularity Perception and Reading Skill.Annike Bekius, Thomas E. Cope & Manon Grube - 2016 - Frontiers in Human Neuroscience 10.
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  • Syntax in language and music: what is the right level of comparison?Rie Asano & Cedric Boeckx - 2015 - Frontiers in Psychology 6.
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  • Information‐Theoretic Properties of Auditory Sequences Dynamically Influence Expectation and Memory.Kat Agres, Samer Abdallah & Marcus Pearce - 2018 - Cognitive Science 42 (1):43-76.
    A basic function of cognition is to detect regularities in sensory input to facilitate the prediction and recognition of future events. It has been proposed that these implicit expectations arise from an internal predictive coding model, based on knowledge acquired through processes such as statistical learning, but it is unclear how different types of statistical information affect listeners’ memory for auditory stimuli. We used a combination of behavioral and computational methods to investigate memory for non-linguistic auditory sequences. Participants repeatedly heard (...)
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  • Is there a domain-general cognitive structuring system? Evidence from structural priming across music, math, action descriptions, and language.Joris Van de Cavey & Robert J. Hartsuiker - 2016 - Cognition 146 (C):172-184.
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  • Music Cognition and the Cognitive Sciences.Marcus Pearce & Martin Rohrmeier - 2012 - Topics in Cognitive Science 4 (4):468-484.
    Why should music be of interest to cognitive scientists, and what role does it play in human cognition? We review three factors that make music an important topic for cognitive scientific research. First, music is a universal human trait fulfilling crucial roles in everyday life. Second, music has an important part to play in ontogenetic development and human evolution. Third, appreciating and producing music simultaneously engage many complex perceptual, cognitive, and emotional processes, rendering music an ideal object for studying the (...)
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  • Auditory expectation: The information dynamics of music perception and cognition.Marcus T. Pearce & Geraint A. Wiggins - 2012 - Topics in Cognitive Science 4 (4):625-652.
    Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond.
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  • Exploring Cognitive Relations Between Prediction in Language and Music.Aniruddh D. Patel & Emily Morgan - 2017 - Cognitive Science 41 (S2):303-320.
    The online processing of both music and language involves making predictions about upcoming material, but the relationship between prediction in these two domains is not well understood. Electrophysiological methods for studying individual differences in prediction in language processing have opened the door to new questions. Specifically, we ask whether individuals with musical training predict upcoming linguistic material more strongly and/or more accurately than non-musicians. We propose two reasons why prediction in these two domains might be linked: Musicians may have greater (...)
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  • Statistical learning and Gestalt-like principles predict melodic expectations.Emily Morgan, Allison Fogel, Anjali Nair & Aniruddh D. Patel - 2019 - Cognition 189 (C):23-34.
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  • Cognitive representation of “musical fractals”: Processing hierarchy and recursion in the auditory domain.Mauricio Dias Martins, Bruno Gingras, Estela Puig-Waldmueller & W. Tecumseh Fitch - 2017 - Cognition 161 (C):31-45.
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  • The relationship between the neural computations for speech and music perception is context-dependent: an activation likelihood estimate study.Arianna LaCroix, Alvaro F. Diaz & Corianne Rogalsky - 2015 - Frontiers in Psychology 6:144900.
    The relationship between the neurobiology of speech and music has been investigated for more than a century. There remains no widespread agreement regarding how (or to what extent) music perception utilizes the neural circuitry that is engaged in speech processing, particularly at the cortical level. Prominent models such as Patel’s Shared Syntactic Integration Resource Hypothesis (SSIRH) and Koelsch’s neurocognitive model of music perception suggest a high degree of overlap, particularly in the frontal lobe, but also perhaps more distinct representations in (...)
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  • The cerebral, extra-cerebral bodily, and socio-cultural dimensions of enculturated arithmetical cognition.Regina E. Fabry - 2020 - Synthese 197 (9):3685-3720.
    Arithmetical cognition is the result of enculturation. On a personal level of analysis, enculturation is a process of structured cultural learning that leads to the acquisition of evolutionarily recent, socio-culturally shaped arithmetical practices. On a sub-personal level, enculturation is realized by learning driven plasticity and learning driven bodily adaptability, which leads to the emergence of new neural circuitry and bodily action patterns. While learning driven plasticity in the case of arithmetical practices is not consistent with modularist theories of mental architecture, (...)
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