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  1. Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.
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  • La perception de la musique.Robert Francès - 1984 - Paris: J. Vrin.
    Depuis la premiere edition de cet ouvrage en 1958, l'interet porte a la perception de la musique n'a cesse de croitre. Le domaine de recherche tel qu'il se presente aujourd'hui est, heureusement, degage des clivages institutionnels. Il associe psychologues, acousticiens, theoriciens de la musique, informaticiens, neuro-scientifiques et tous ceux qui contribuent au progres de cette discipline [...] L'ouvrage de R. Frances, par l'influence qu'il a exerce, est devenu un classique. Il analyse de maniere detaillee, entre autre, les effets de l'harmonie (...)
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  • Impaired artificial grammar learning in agrammatism.Morten H. Christiansen, M. Louise Kelly, Richard C. Shillcock & Katie Greenfield - 2010 - Cognition 116 (3):382-393.
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  • Aspects of the Theory of Syntax.Noam Chomsky - 1965 - Cambridge, MA, USA: MIT Press.
    Chomsky proposes a reformulation of the theory of transformational generative grammar that takes recent developments in the descriptive analysis of particular ...
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  • The effect of harmonic context on phoneme monitoring in vocal music.E. Bigand, B. Tillmann, B. Poulin, D. A. D'Adamo & F. Madurell - 2001 - Cognition 81 (1):B11-B20.
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  • Semantic priming: perspectives from memory and word recognition.Timothy P. McNamara - 2005 - New York: Psychology Press.
    Semantic priming has been a focus of research in the cognitive sciences for more than 30 years and is commonly used as a tool for investigating other aspects of perception and cognition, such as word recognition, language comprehension, and knowledge representations. Semantic Priming: Perspectives from Memory and Word Recognition examines empirical and theoretical advancements in the understanding of semantic priming, providing a succinct, in-depth review of this important phenomenon, framed in terms of models of memory and models of word recognition. (...)
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  • Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  • Implicit learning of tonality: A self-organizing approach.Barbara Tillmann, Jamshed J. Bharucha & Emmanuel Bigand - 2000 - Psychological Review 107 (4):885-913.
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  • Plans, affordances, and combinatory grammar.Mark Steedman - 2002 - Linguistics and Philosophy 25 (5-6):723-753.
    The idea that natural language grammar and planned action are relatedsystems has been implicit in psychological theory for more than acentury. However, formal theories in the two domains have tendedto look very different. This article argues that both faculties sharethe formal character of applicative systems based on operationscorresponding to the same two combinatory operations, namely functional composition and type-raising. Viewing them in thisway suggests simpler and more cognitively plausible accounts of bothsystems, and suggests that the language faculty evolved in the (...)
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  • Musical structure modulates semantic priming in vocal music.Bénédicte Poulin-Charronnat, Emmanuel Bigand, François Madurell & Ronald Peereman - 2005 - Cognition 94 (3):B67-B78.
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  • Artificial syntactic violations activate Broca's region.Karl Magnus Petersson, Christian Forkstam & Martin Ingvar - 2004 - Cognitive Science 28 (3):383-407.
    In the present study, using event-related functional magnetic resonance imaging, we investigated a group of participants on a grammaticality classification task after they had been exposed to well-formed consonant strings generated from an artificial regular grammar. We used an implicit acquisition paradigm in which the participants were exposed to positive examples. The objective of this studywas to investigate whether brain regions related to language processing overlap with the brain regions activated by the grammaticality classification task used in the present study. (...)
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  • Artificial syntactic violations activate Broca's region.K. Petersson - 2004 - Cognitive Science 28 (3):383-407.
    In the present study, using event-related functional magnetic resonance imaging, we investigated a group of participants on a grammaticality classification task after they had been exposed to well-formed consonant strings generated from an artificial regular grammar. We used an implicit acquisition paradigm in which the participants were exposed to positive examples. The objective of this studywas to investigate whether brain regions related to language processing overlap with the brain regions activated by the grammaticality classification task used in the present study. (...)
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  • Implicit learning out of the lab: the case of orthographic regularities.Sébastien Pacton, Pierre Perruchet, Michel Fayol & Axel Cleeremans - 2001 - Journal of Experimental Psychology: General 130 (3):401.
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  • A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
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  • The dynamics of attending: How people track time-varying events.Edward W. Large & Mari Riess Jones - 1999 - Psychological Review 106 (1):119-159.
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  • The role of knowledge in discourse comprehension: A construction-integration model.Walter Kintsch - 1988 - Psychological Review 95 (2):163-182.
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  • Time, our lost dimension: Toward a new theory of perception, attention, and memory.Mari R. Jones - 1976 - Psychological Review 83 (5):323-355.
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  • Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.
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  • Linguistic complexity: locality of syntactic dependencies.Edward Gibson - 1998 - Cognition 68 (1):1-76.
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  • Foundations of Language: Brain, Meaning, Grammar, Evolution.Ray Jackendoff - 2002 - Oxford University Press UK.
    Already hailed as a masterpiece, Foundations of Language offers a brilliant overhaul of the last thirty-five years of research in generative linguistics and related fields. "Few books really deserve the cliché 'this should be read by every researcher in the field'," writes Steven Pinker, author of The Language Instinct, "but Ray Jackendoff's Foundations of Language does." Foundations of Language offers a radically new understanding of how language, the brain, and perception intermesh. The book renews the promise of early generative linguistics: (...)
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  • La perception de la musique.R. Francès - 1961 - Revue Philosophique de la France Et de l'Etranger 151:387-388.
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