Recently, it has been objected that naïve realism is inconsistent with an empirically well-supported claim that mental states of the same fundamental kind as ordinary conscious seeing can occur unconsciously (SFK). The main aim of this paper is to establish the following conditional claim: if SFK turns out to be true, the naïve realist can and should accommodate it into her theory. Regarding the antecedent of this conditional, I suggest that empirical evidence renders SFK plausible but not obvious. For it (...) is possible that what is currently advocated as unconscious perception of the stimulus is in fact momentaneous perceptual awareness (or residual perceptual awareness) of the stimulus making the subject prone to judge in some way rather than another, or to act in some way rather than another. As to the apodosis, I show that neither the core of naïve realism nor any of its main motivations is undermined if SFK is assumed. On the contrary, certain incentives for endorsing naïve realism become more tempting on this assumption. Since the main motivations for naïve realism retain force under SFK, intentionalism is neither compulsory nor the best available explanation of unconscious perception. (shrink)

Many philosophers and scientists take perceptual experience, whatever else it involves, to be representational. In ‘The Silence of the Senses’, Charles Travis argues that this view involves a kind of category mistake, and consequently, that perceptual experience is not a representational or intentional phenomenon. The details of Travis’s argument, however, have been widely misinterpreted by his representationalist opponents, many of whom dismiss it out of hand. This chapter offers an interpretation of Travis’s argument from looks that it is argued presents (...) a genuine and important challenge to orthodox representational views of experience. Whilst this challenge may not be insurmountable, it places a substantial burden upon the representationalist to explain not only how experiences come to have the contents that they do, but how those contents come to feature in our conscious mental lives. (shrink)

Abstract: Wittgenstein, throughout his career, was deeply Fregean. Frege thought of thought as essentially social, in this sense: whatever I can think is what others could think, deny, debate, investigate. Such, for him, was one central part of judgement's objectivity. Another was that truths are discovered, not invented: what is true is so, whether recognised as such or not. (Later) Wittgenstein developed Frege's idea of thought as social compatibly with that second part. In this he exploits some further Fregean ideas: (...) of a certain generality intrinsic to a thought; of lack of that generality in that which a thought represents as instancing some such generality. (I refer to this below as the ‘conceptual-nonconceptual’ distinction.) Seeing Wittgenstein as thus building on Frege helps clarify (inter alia) his worries, in the Blue Book, and the Investigations, about meaning, intending, and understanding, and the point of the rule following discussion. (shrink)

Seeing is, or affords, a certain sort of awareness – visual – of one's surroundings. The obvious strategy for saying what one sees, or what would count as seeing something would be to ask what sort of sensitivity to one's surroundings – e.g. the pig before me – would so qualify. Alas, for more than three centuries – at least from Descartes to VE day – it was not so. Philosophers were moved by arguments, rarely stated which concluded that one (...) could not, or never did, see what was before his eyes. So much for the obvious strategy. It occurred to almost no one to object that this could not be right. Frege did, but no one noticed. Austin, finally, did away with that conception of good faith in philosophy which had allowed such a thing to pass, and then with those arguments themselves. Until then, philosophy was deformed. Robbed of the obvious approach, a Drang set in to gaze inward, hoping to find what it really is to see in what enabled sensitivity to pigs, or in its byproducts. Gazing inward can be science, but often merely poses as it. It can be difficult to disentangle actual science from mere preconception pretending to its rigour. Most nowadays feel rid of the grip of those barriers to the obvious approach. But, as we shall see, many so feel wrongly. The Drang still misshapes their thought. I aim here to identify the Drang at work; thereby, I hope, to rid us of it. (shrink)

In this paper, I shall investigate whether Hegel can be considered as a sort of ancestor of McDowell’s disjunctivism. If this hypothesis turns out to be plausible, then the paper offers two gains. On the one hand, it offers an innovative interpretation of the way in which Hegel conceives of our sensible epistemic access to the world. On the other hand, McDowell's own claim that his own theoretical proposal has a Hegelian sound is supported by a previously unexplored argument. I (...) organize my analysis into three parts: I sketch McDowell’s version of disjunctivism (Section 2); I analyze some passages from Hegel that I believe are important for showing some similarities between his and McDowell’s argumentative strategy (Section 3); in the conclusion (Section 4), I highlight a number of core features that Hegel seems to share with McDowell’s disjunctivism and I submit that they are sufficient to label Hegel the “grandfather” of McDowell's disjunctivism. (shrink)

Disjunctivism has triggered an intense discussion about the nature of perceptual experience. A question in its own right concerns possible historical antecedents of the position. So far, Frege and Husserl are the most prominent names that have been mentioned in this regard. In my paper I shall argue that Max Scheler deserves a particularly relevant place in the genealogy of disjunctivism for three main reasons. First, Scheler’s view of perceptual experience is distinctively disjunctivist, as he explicitly argues that perceptions and (...) hallucinations differ in nature. Second, his version of the position is philosophically interesting in its own right. This is so primarily, though not exclusively, in virtue of the positive story he tells us about perceptual content. Third, Scheler’s case proves particularly instructive to the question of whether intentionalism and disjunctivism constitute a fundamental, unbridgeable divide. (shrink)

Sometimes when we describe our own sensory experiences we seem to attribute to experience itself the same sorts of familiar properties – such as shape or colour – as we attribute to everyday physical objects. But how literally should we understand such descriptions? Can there really be phenomenal elements or aspects to an experience which are, for example, quite literally square? This paper examines how these questions connect to a wide range of different commitments and theories about the metaphysics of (...) mind. In particular, I consider whether there may be phenomenological reasons to accept or reject the idea that there are elements or aspects of conscious experience itself which instantiate familiar spatial properties. I also explore how some general theses about the nature of empirical properties can motivate different answers to these questions. (shrink)

There is a chasm in current analytic philosophy of perception between disjunctivists (and naïve realists), on the one hand, and ‘conjunctivists’ (intentionalists), on the other. For more than a decade, scholars of phenomenology have debated how classical phenomenologists such as Husserl and Merleau‐Ponty are to be located vis‐à‐vis this chasm. While there seems to be an emerging consensus that Merleau‐Ponty was a disjunctivist avant la lettre, how to interpret Husserl remains contested.

Some recently popular accounts of perception account for the phenomenal character of perceptual experience in terms of the qualities of objects. My concern in this paper is with naturalistic versions of such a phenomenal externalist view. Focusing on visual spatial perception, I argue that naturalistic phenomenal externalism conflicts with a number of scientific facts about the geometrical characteristics of visual spatial experience.

When Norm perceives a red tomato in his garden, Norm perceives the tomato and its sensible qualities.

Before the law sits a gatekeeper. To this gatekeeper comes a man from the country who asks to gain entry into the law. But the gatekeeper says that he cannot grant him entry at the moment. The man thinks about it and then asks if he will be allowed to come in sometime later on. “It is possible,” says the gatekeeper, “but not now.”—Franz Kafka..

Within current philosophy of perception John McDowell has for quite some time been defending a view inspired by Kant. Charles Travis opposes such view and counters it with his own, Frege-inspired, approach. By analysing the clash between Travis’ idea of the silence of the senses and McDowell’s idea of intuitional content, the present article aims to characterize the core of their divergence regarding the nature of perceptual judgement. It also aims at presenting their engagement as a reformulated version of the (...) debate around conceptual and nonconceptual content of perception, bringing forth some of its stakes. Such reformulated version of the debate makes it possible to bring out what a Kantian position on representation, consciousness and appearances ultimately amounts to, as well as to identify a particular angle of criticism to it. (shrink)