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Suppose someone hears a loud noise and at the same time sees a yellow flash. It seems hard to deny that the person can experience loudness and yellowness together. However, since loudness is experienced by the auditory sense whereas yellowness is experienced by the visual sense it also seems hard to explain how. |
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This chapter distinguishes between two kinds of ordinary multisensory experience that go beyond mere co-consciousness of features (e.g., the experience that results from concurrently hearing a sound in the hallway and seeing the cup on the table). In one case, a sensory experience in one modality creates a perceptual demonstrative to whose referent qualities are attributed in another sensory modality. For example, when you hear someone speak, auditory experience attributes audible qualities to a seen event, a person’s speaking motions. The (...) |
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Hermann Lotze argued that the fact that consciousness simultaneously “holds objects together as well as apart” such that they can be compared implies (a) that there is a simple thinker and (b) that consciousness is an ‘indivisible unity.’ I offer a reconstruction and evaluation of Lotze’s Argument from Comparison. I contend that it does not deliver (a) but makes a good case for (b). I will relate Lotze’s argument to the contemporary debate between “top-down” and “bottom-up” views of the unity (...) |
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In his Psychologie vom empirischen Standpunkt Brentano proposed a view of consciousness that neither has room nor need for a subject of mental acts, a soul. Later he changed his mind: there is a soul that appears in consciousness. In this paper I will argue that Brentano’s change of view is not justified. The subjectless view of consciousness can be defended against Brentano’s argument and it is superior to its predecessor. |
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This is the written version of a reply to Michael Tye's "Transparency, Qualia Realism, and Representationalism," given at the 40th Oberlin Colloquium in Philosophy. It argues that, given one standard way of understanding these theses, qualia realism is trivially true and transparency theses are trivially false. I also discuss four objections to Tye's claim that the phenomenal character of the experience of red just is redness, and conclude by arguing that philosophers of perception should state their claims as about the (...) |
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It is commonly believed that human perceptual experiences can be, and usually are, multimodal. What is more, a stronger thesis is often proposed that some perceptual multimodal characters cannot be described simply as a conjunction of unimodal phenomenal elements. If it is the case, then a question arises: what is the additional mode of combination that is required to adequately describe the phenomenal structure of multimodal experiences? The paper investigates what types of audio–visual experiences have phenomenal character that cannot be (...) |
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Cross-modal perceptual illusions occur when a stimulus to one modality impacts perceptual experience associated with another modality. Unlike synaesthesia, cross-modal illusions are intelligible as results of perceptual strategies for dealing with sensory stimulation to multiple modalities, rather than as mere quirks. I argue that understanding cross-modal illusions reveals an important flaw in a widespread conception of the senses, and of their role in perceptual experience, according to which understanding perception and perceptual experience is a matter of assembling independently viable stories (...) |
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It is tempting to hold that perceptual experience amounts to a co-conscious collection of visual, auditory, tactual, gustatory, and olfactory episodes. If so, each aspect of perceptual experience on each occasion is associated with a specific modality. This paper, however, concerns a core variety of multimodal perceptual experience. It argues that there is perceptually apparent intermodal feature binding. I present the case for this claim, explain its consequences for theorizing about perceptual experience, and defend it against objections. I maintain that (...) |
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Recent work on non-visual modalities aims to translate, extend, revise, or unify claims about perception beyond vision. This paper presents central lessons drawn from attention to hearing, sounds, and multimodality. It focuses on auditory awareness and its objects, and it advances more general lessons for perceptual theorizing that emerge from thinking about sounds and audition. The paper argues that sounds and audition no better support the privacy of perception’s objects than does vision; that perceptual objects are more diverse than an (...) |
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This paper presents forms of multimodal perceptual experience that undermine the claim that each aspect of perceptual experience is modality specific. In particular, it argues against the thesis that all phenomenal character is modality specific (even making an allowance for co-conscious unity). It concludes that a multimodal perceptual episode may have phenomenal features beyond those that are associated with the specific modalities. |
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Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...) |
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If we assume that the operation of each sense modality constitutes a different experience – a visual experience, an auditory experience, etc – we are faced with the problem of how those distinct experiences come together to form a unified perceptual encounter with the world. Michael Tye has recently argued that the best way to get around this problem is to deny altogether that there are such things as purely visual (and so forth) experiences. Here I aim to show not (...) |
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