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What role does environmental change play in Jakob von Uexküll’s thought? And what role can it play in a up-to-date Uexküllian framework? Admittedly, in hindsight it appears that the Umwelt theory suffers from its reliance on Uexküll’s false premise that the environment (including its mixture of species) is generally stable. In this article, the Umwelt theory of Uexküll is reviewed in light of modern findings related to environmental change, especially from macroevolution. Uexküll’s thought is interpreted as a distinctive theory of (...) |
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Evolutionary biologists, evolutionary epistemologists, and biosemioticians have demonstrated that organisms not merely adapt to an external world, but that they actively construct their environmental, sociocultural, and cognitive niches. Denis Noble demonstrates that such is no different for those organisms that engage in science, and he lays bare several crucial assumptions that define the scientific dogmas and practices of evolutionary biology. |
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RESUMO O objeto de estudo do presente artigo é o conceito de entoação visual negra formulado pelo multiartista Arthur Jafa no vídeo-ensaio Love Is the Message, the Message Is Death (2016). Com o objetivo de descobrir a singularidade do cinema negro na composição fílmica, o artista construiu um experimento e examina como memórias encarnadas afloram sob forma de cantos e danças, realinhando formas culturais tradicionais que a travessia diaspórica dispersou. Conclui-se, assim, que a singularidade estético-política do cinema negro emerge na (...) |
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In the South Korean film, The Parasite, the underling family, in an act of desperation, uses deceptive means to infiltrate the rich family. The term parasite refers nominally to the underling family, and their efforts to befriend and inhabit the class territory and social hierarchy of the rich family. How can this be of use for education? To answer this, we ask: what can we learn from Parasite to inform contemporary philosophy of education? Primarily, this experimental piece written from different (...) |
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Irigaray's critique of the phallocentric subject's implicit dependence on the maternal-feminine “outside” is compelling. Her postulation of nonhierarchical sexual difference gives the relational world of woman specificity and Irigaray brings the subject's worldview to earth as merely the relation of the male human to the world. But the focus of her transvaluation remains largely anthropocentric; and she maintains too many aspects of the privilege of the subject's sovereignty as proper to male subjectivity. I suggest that, we need to extend Irigaray (...) |
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Este artículo analiza el sentido que el concepto de mundo circundante (Umwelt) asume en Jakob von Uexküll, examina las distintas formulaciones que presenta en el desarrollo de su obra, y destaca las sucesivas redefiniciones que afectan a sus dos componentes: el mundo perceptible (Merkwelt) y el mundo de efectos (Wirkungswelt, Wirkwelt). Teniendo en cuenta el significativo impacto que el concepto de Umwelt tuvo en la filosofía continental, el propósito del estudio es reconstruir su sentido en función de las fuentes primarias (...) |
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The aim of the paper is to develop the concept of perceptual relation and to apply it to digital environments. First, the meaning of perceptual relation is phenomenologically analyzed and defined as the interaction between the whole and its parts, which is theorized by the founders of Gestalt psychology. However, this relation is not considered as an intrinsic, but as an extended one, implying also the relation with the surrounding world (Umwelt). Subsequently, this concept of extended relation is applied to (...) |
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Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 213 Seiten: 435-455. |
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ABSTRACT The purpose of this paper is to study the idea of black visual intonation in the video-essay Love Is the Message, the Message Is Death (2016) by visual artist Arthur Jafa. With the aim at discovering the singularity of black cinema in filmic composition, the artist carried out an experiment to examine how embodied memories emerge in the form of songs and dances, recovering traditional cultural features that the Afro-Atlantic diaspora dissipated. We find that the aesthetic-political singularity of black (...) |
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In this article, creativity is defined as a semiotic phenomenon, as a process in which the boundaries of habits and norms of social communication are exceeded and by which the challenges offered by the environment are solved. Here it is indicated that there is a direct link between attention and animal creativity and shown that there are at least two possibilities for creativity to work – one that needs attention and one which doesn’t. Animal creativity can work through several different (...) |
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In the case of living beings – the very concept of “level” of organization becomes obscure: it suggests a value-based assessment, assigning notions like “lower” and “higher” with rather vague criteria for constructing the ladder of perfection, complexity, importance, etc. We prefer therefore the term “domain”, entities ranking equal. Domains may represent natural entities as well as purely human constructs developed in order to gain understanding of some facets of living things; living, evolved beings as well as those abstract constructs, (...) |
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The Umwelt investigated in this essay is a textualized world that a person dwells in, perceives, and experiences, as presented through classical Chinese poetry. It is a world formed and shared among other things and creatures in nature and it is a network of renewed correlations not so much descriptive of qualities as evocative of an environing world in which one feels himself as being-there disposed and attuned to things. What is universal is also mediated by the experience of a (...) |
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Since 2007, Tomás Saraceno has been developing a project that aims to break out of the anthropocentric understanding of communication and coexistence with other animal organisms. In this article, I point out the importance of using modern visualization technologies to analyze and investigate the structure of communication frameworks and their modalities in the animal world, specifically using the example of spiders. The visualization of what is normally invisible to the eye and inaudible to the ear rearticulates the realm of the (...) |
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