The human being’s mastery of itself, on which the self is founded, practically always involves the annihilation of the subject in whose service that mastery is maintained, because the substance which is mastered, suppressed, and disintegrated by self-preservation is nothing other than the living entity.

In every known human society, some kind—usually many kinds—of art is practiced, frequently with much vigor and pleasure, so that one could at least hypothesize that “artifying” or “artification” is a characteristic behavior of our species. Yet human ethologists and sociobiologists have been conspicuously unforthcoming about this observably widespread and valued practice, for a number of stated and unstated reasons. The present essay is a position paper that offers an overview and analysis of conceptual issues and problems inherent in viewing (...) art and/or aesthetics as adaptive, and it presents a speculative account of a human behavior of art. (shrink)

This is a Big Book from one of Canada's preeminent philosophers. It aims at nothing less than to define what characterizes modernity, and then to tell us what is wrong with it. Like many a Big Book, it is predictably full of interesting things, and equally predictably disappointing, not to say feeble, in some of the central theses for which it argues. But then what more, in philosophy, can we really expect? It's what we tell our students: you don't have (...) to be right, and you don't have to make me agree with you, but you do have to produce interesting arguments and show that you have thought seriously about the issues. (shrink)