Although Wittgenstein’s most extensive discussion of aspect‐recognition appears in Part II of the Philosophical Investigations, aspect‐recognition was of interest to Wittgenstein almost from the beginning of his engagement with philosophy at Cambridge in 1912. However, the nature of that interest changes upon his return to Cambridge in 1929, and that change in turn is connected with the inter‐related ideas that philosophical clarity rests on recognising aspects of our grammar and that mathematical proof leads us to recognise new aspects of mathematical (...) expressions. (shrink)

Some people have stressed that there is a close analogy between meaning experiences, i.e., experiences as of understanding concerning linguistic expressions, and seeing-in experiences, i.e., pictorial experiences of discerning a certain item – what a certain picture presents, viz. the picture’s subject – in another item – the picture’s vehicle, the picture’s physical basis. Both can be seen as fusion experiences, in the minimal sense that they are experiential wholes made up of different aspects. Actually, two important similarities between such (...) experiences may lead one to think that they are experiences of the same type. In this paper, however, I will try to show that notwithstanding such similarities, these experiences are typologically different. For there are two dissimilarities between such experiences that are more relevant on this typological concern than their similarities. Indeed, unlike meaning experiences, seeing-in experiences are first of all recognitional experiences of a sort that makes them perceptual experiences as well. Moreover, again unlike meaning experiences, seeing-in experiences are fusion experiences in the substantial sense that the experiential whole is more than the sum of its experiential parts taken in isolation, for when such parts figure in that whole, they interact with each other. In a nutshell, unlike meaning experiences, seeing-in experiences are proper fusion experiences. (shrink)

Wittgenstein's theory of aspect perception has been taken up by scholars interested in the ways that people take in and interpret visual stimuli. Within this field of inquiry, Wittgenstein proposes the notion of “aspect blindness,” the failure of a person to see a particular aspect or expression. An important turn in the use of Wittgenstein's aspect perception has not always been in the ways that deviating perspectives fail to “see” in the same way that the normative category “sees,” but in (...) the ways that those on the constructed margins turn a critical eye on the failure of normative “seeing.” Using this framework, this article turns to critique the racism and “aspect blindness” embedded in whiteness. It examines Enlightenment scientific racism and the racialized hierarchies used as the justification for excluding some people from the category of humanity. The work finishes by linking with insights developed within the Black Lives Matter movement. (shrink)

The present article aims at investigating the political aspects of Wittgenstein’s later philosophy, focusing mainly on the Philosophical Investigations. This theme remains rather marginal within Wittgensteinian scholarship, facing the key challenge of the sparsity of explicit discussions of political issues in Wittgenstein’s writings. Based on the broader anthropological and synecdochic character of Wittgenstein’s later philosophy, the main objective of the article is to make explicit the implicit political import of some of the main themes of the Philosophical Investigations. This is (...) done by correlating them with certain political concepts and issues, such as reification, mystification, emancipation, self-institution and the common. In such a way, a new light is shed on Wittgenstein’s influence on and his relevance to contemporary political theory, while at the same time the first steps are taken for the enrichment of the discussion regarding personal and social autonomy and the critique of late capit... (shrink)

We argue that all general concepts are family resemblance concepts. These include concepts introduced by ostension, such as colour(s). Concepts of colour and of each of the specific colours are family resemblance concepts because similarities concerning an open‐ended range of colour or of appearance features crop up and disappear. After discussing the notion of “same colour” and Wittgenstein's use of the phrase “our colours”, we suggest family resemblance concepts in one tradition can often be extended to family resemblance concepts in (...) another tradition, illustrated by Wittgenstein's use of the words Spiel and “game”. (shrink)

In “Correspondence to Reality in Ethics”, Mario Brandhorst examines the view of ethics that Wittgenstein took in his later years. According to Brandhorst, Wittgenstein leaves room for truth and falsity, facts, correspondence and reality in ethics. Wittgenstein's target, argues Brandhorst, is objectivity. I argue that Brandhorst's arguments in favour of truth, facts, reality and correspondence in ethics invite similar arguments in favour of objectivity, that Brandhorst does not recognise this because his conception of objectivity is distorted by a Platonist picture (...) and that he misinterprets the passage which he takes to support a Wittgensteinian case against objectivity. (shrink)

Wendy Lee-Lampshire writes that Wittgenstein’s conception of language has something valuable to offer feminist attempts to construct epistemologies firmly rooted in the social, psychological and physical situations of language users. However, she also argues that his own use of language exemplifies a form of life whose constitutive relationships are enmeshed in forms of power and authority. For example, she interprets the language game of the builders as one of slavery, and questions how we read and respond to it. She asks: (...) “Who are ‘we’ as Wittgenstein’s reader?” This is an important question, and how we answer offers insight not only into our own philosophical practices, but also into Wittgenstein’s use of language games. With the words “Let us imagine...”, Wittgenstein invites readers to participate in creative, collaborative, and improvisational language games that alter not only the texts themselves, but our relationship with others. (shrink)

This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...) between bad and vacuous modern music is analogous to Schenker's distinction between the compositional fallacies of the progressive and the reactionary composers of his time. Concomitantly, Wittgenstein's philosophically problematic notion of good modern music transcended the conceptual framework of both Schenker and Spengler. In this context, I examine Wittgenstein's remarks on Gustav Mahler as well as his remark on the music of the future as monophony, which, I conclude, should be understood ultimately as an ellipsis of his much later view of musical meaning and intelligibility. (shrink)

The purpose of this paper is twofold: (1) to clarify Ludwig Wittgenstein’s thesis that colours possess logical structures, focusing on his ‘puzzle proposition’ that “there can be a bluish green but not a reddish green”, (2) to compare modeltheoretical and gametheoretical approaches to the colour exclusion problem. What is gained, then, is a new gametheoretical framework for the logic of ‘forbidden’ (e.g., reddish green and bluish yellow) colours. My larger aim is to discuss phenomenological principles of the demarcation of the (...) bounds of logic as formal ontology of abstract objects. (shrink)

This paper examines the appeal, made by some philosophers, to Wittgenstein’s notion of aspect-blindness in order to better understand autistic perception and social cognition. I articulate and assess different ways of understanding what it means to say that autists are aspect-blind. While more attention to the perceptual dimensions of autism is a welcome development in philosophical explorations of the condition, I argue that there are significant problems with attributing aspect-blindness to autists. The empirical basis for the attribution of aspect-blindness to (...) autists is questionable, but, even if it turns out that future empirical work on autistic perception and social cognition decisively supports the attribution of some forms of aspect-blindness to autists, the descriptive and explanatory fruitfulness of the notion of aspect-blindness is limited in important ways. To better capture autistic experience, we should broaden our framework to include conceptualizing autists as engaging in forms of aspect-perception. (shrink)

The aim of this study was to examine the role of aesthetic practice in elementary school and the consequences for children’s meaning-making in science. More specifically, we intended to scrutinise what science learning emerges within the process, to target the consequences of adopting art practice in science class and to explore these two dimensions as a whole in order to better understand how children make meaning when exploring animals’ ecology. The data, comprising audio recordings, photographs of children’s drawings and field (...) notes, were collected in one school which we visited on three occasions over a period of four consecutive days. The school is located in Sweden, and the children participating in the study were between 6 and 7 years old. In this particular study, the children were involved in exploring animals’ ecology. Data was analysed by means of practical epistemology analysis, taking its stance in Deweyan pragmatic philosophy on learning and meaning-making. The results reveal that art practice was important for children’s cognitive and aesthetic learning in science. The entanglement of science learning and art-in-the-making was shown to be of significance for broadening and deepening children’s science repertoire. In addition, children’s imagination and creativity was a vital part of their meaning-making when exploring a complex phenomenon, such as the spinneret, the “spider-thread machine”. All along the process, the young learners, in transaction with the contextual features, developed agency meaning that the children owned the problems and developed action strategies through art and speech. (shrink)

We argue that all general concepts are family resemblance concepts. These include concepts introduced by ostension, such as colour. Concepts of colour and of each of the specific colours are family resemblance concepts because similarities concerning an open-ended range of colour or of appearance features crop up and disappear. After discussing the notion of “same colour” and Wittgenstein's use of the phrase “our colours”, we suggest family resemblance concepts in one tradition can often be extended to family resemblance concepts in (...) another tradition, illustrated by Wittgenstein's use of the words Spiel and “game”. (shrink)

This paper examines the view of ethical language that Wittgenstein took in later years. It argues that according to this view, ethics falls into place as a part of our natural history, while every sense of the mystical or supernatural that once surrounded it is irrevocably lost. Moreover, Wittgenstein argues that ethical language does not correspond to reality “in the way” in which a physical theory does. I propose an interpretation of this claim that shows how it sets his view (...) apart from a “realist” theory of ethics. The reality of which he speaks is the reality of human life. (shrink)

What we observe, through our usually limited lens, is that differential growing of space determines forms -characterized by their shape, size and coloration. As non-Euclidean geometrical mathematics have proclaimed: forms are manifestations of the curvature of space. Physics and other natural laws impose mathematical structural restrictions to biological forms. The molecules comprising any living form become arranged in specific ways in response to physical forces as well as chemical and biochemical conditions. Over time, such forms inherit additional historical restrictions that (...) make up their meaning, their semiotics. Color does not escape from this orthogenic reality. In this study, we present the colored pattern of the connexivum of Triatoma maculata, an insect vector of the etiologic agent of Chagas disease. This model is used as an example to appreciate mimicry under a heterodox and provocative approach. We unveil that beyond 1) mathematical and 2) historical semiotic restrictions of T. maculata mimesis of a yellowish-black alternating pattern, there are also 3) artistic interpretations; where metaphysics of life, beyond human perspective, is included. (shrink)

In this paper, I describe the main lines of modern error theory, a systemic theory which regards errors not as the results of someone’s negligence, but as parts of a complex system. Bearing in mind that errors must be considered as such by an observer or attributor, I expose Wittgenstein’s conception of the attributor responsible for discerning if a strange event constitutes an error or an anomaly. Subsequently, I illustrate this conception of the attributor by describing some traits of the (...) role played by many attributors in business organizations, specifically in the production line of a car manufacturer’s plant, when carrying out the rootcause analysis of problems that arise in the plant. Finally, I reveal a paradox whereby if the attributor denies the possibility that anomalies may happen without being able to explain their source within the system that he or she takes as reference, then the very idea of system no longer makes sense. (shrink)