Our commonsense notion of reality is supported by two critical assumptions for which we have little understanding: The conscious experience which underpins the observations integral to the scientific method and language, which is the method by which all theories, scientific or otherwise, are communicated. This book examines both of these matters in detail and arrives at a new theoretical foundation for understanding how nature undertakes the task of building the universe. -/- Creating Reality is a synthesis of Darwin’s The Origin (...) of Species and Douglas Hofstadter’s Gödel, Escher, Bach (GEB). It is an intellectual journey that addresses the most profound questions facing science and philosophy today and delivers the greatest transformation in the way we view the world since Darwin’s masterpiece. The book is targeted at anyone up for the cerebral challenge of thinking deeply about how we make sense of the world and our existence. The book is thoroughly researched and referenced, drawing from the most highly credential sources. -/- When we take stock of where we are in our understanding of nature, it seems that three important questions stand out for which we have few answers. More than just questions, they represent gaps in our comprehension of what makes the universe tick. These are the thematic focal points of this book: -/- • What is the nature of belief? (An examination of truth as a function of language). • What is consciousness? • What is the relationship between mathematics and the physical world? -/- The exploration of these three questions unravels the mystery behind the principal means by which we come to have knowledge of the world. So our journey begins by asking the more generic question: How do we come to know the world? The book makes no assumptions about this thing called ‘reality’ and takes a fresh look at the presuppositions underlying commonsense notions of reality. (shrink)

Homo deceptus is a book that brings together new ideas on language, consciousness and physics into a comprehensive theory that unifies science and philosophy in a different kind of Theory of Everything. The subject of how we are to make sense of the world is addressed in a structured and ordered manner, which starts with a recognition that scientific truths are constructed within a linguistic framework. The author argues that an epistemic foundation of natural language must be understood before laying (...) claim to any notion of reality. This foundation begins with Ludwig Wittgenstein’s Tractatus Logico-Philosophicus and the relationship of language to formal logic. Ultimately, we arrive at an answer to the question of why people believe the things they do. This is effectively a modification of Alfred Tarski’s semantic theory of truth. The second major issue addressed is the ‘dreaded’ Hard Problem of Consciousness as first stated by David Chalmers in 1995. The solution is found in the unification of consciousness, information theory and notions of physicalism. The physical world is shown to be an isomorphic representation of the phenomenological conscious experience. New concepts in understanding how language operates help to explain why this relationship has been so difficult to appreciate. The inclusion of concepts from information theory shows how a digital mechanics resolves heretofore conflicting theories in physics, cognitive science and linguistics. Scientific orthodoxy is supported, but viewed in a different light. Mainstream science is not challenged, but findings are interpreted in a manner that unifies consciousness without contradiction. Digital mechanics and formal systems of logic play central roles in combining language, consciousness and the physical world into a unified theory where all can be understood within a single consistent framework. (shrink)

I discuss the account of logical consequence advanced in Wittgenstein's Tractatus. I argue that the role that elementary propositions are meant to play in this account can be used to explain two remarkable features that Wittgenstein ascribes to them: that they are logically independent from one another and that their components refer to simple objects. I end with a proposal as to how to understand Wittgenstein's claim that all propositions can be analysed as truth functions of elementary propositions.

This article explores the extent to which Heidegger promises a novel understanding of the concept of time. Heidegger believes that the tradition of philosophy was mistaken in interpreting time as a moveable image of eternity. We are told that this definition of time is intelligible only if we have eternity as a point of departure to understand the meaning of time. Yet, Heidegger believes that we are barred from such a viewpoint. We can only understand the phenomenon of time from (...) our mortal or finite vantage point. Contrary to the tradition of philosophy, Heidegger argues that time does not find its meaning in eternity, time finds its meaning in death. The article takes Heidegger's position to task. It argues that it is not evident why Heidegger's account of time should in any way be superior to the traditional conception of time. Drawing on the criticism raised by Lévinas and Blanchot, that death — like eternity — is never at our disposal to understand the phenomenon of time, it shows that although Heidegger is aware that death is never an event in our life, he nonetheless claims that it is the awareness of our finitude that informs our understanding of time. Yet if Heidegger does not see it as a problem that death is never at our disposal, then it becomes questionable whether Heidegger's initial critique launched against the tradition of philosophy still holds, because it is no longer evident why it matters that eternity, as a point of departure, is never at our disposal to understand the phenomenon of time. (shrink)

W. B. Yeats's great celebration of the human imagination, ‘Byzantium’, of which these are the first and last verses, is concerned with the tension, reconciliation and movement between two types of sensibility, the sensual and the spiritual, that of natural life and that of transcendent symbol, in this poem imaged as ‘the fury and the mire of human veins’ and as ‘bird or golden handiwork . . . of changeless metal’. In it, as Richard Ellmann puts it, ‘the teeming images, (...) “that dolphin-torn, that gong-tormented sea”, flood up to the marbles of Byzantium itself, where they are at last brought under control by “the golden smithies of the Emperor”’ – himself, inter alia , an image of poet. (shrink)

Karl Popper’s description of the open society in terms of respect, rather than mere tolerance, appears to be highly relevant today. Although he never explicitly addressed the issues of multiculturalism and valuepluralism in contemporary societies, Popper’s idea of respect provides an effective way to approach them. For, on the one hand, it may help to reframe current debates about multiculturalism in clearer terms. On the other, it provides a critical assessment of the widespread relativism that presents itself as a sort (...) of panacea of all theoretical and practical problems posed by the cohabitation of groups sharing different values and worldviews. On closer scrutiny, political relativism – just as its epistemological counterpart – is not only entirely inadequate but also dangerous for the very existence of the open society. A serious look at the present situation suggests, rather, the adoption of a principle of reciprocity that is consistent with Popper’s critical pluralism and might prove to be effective in addressing the problems faced by a multicultural society. (shrink)