A significant discrepancy in Wittgenstein's studies is whether Philosophical Investigations contains any trace of positive philosophy, notwithstanding the author's apparent anti-theoretic position. This study argues that the so-called ‘Chapter on philosophy’ in the Investigations §§89–133 contains negative and positive vocabulary and the use of various voices through which Wittgenstein employs his primary method of language-games, thus providing a surveyable understanding of several philosophical concepts, such as knowledge and time. His positive philosophy aims to reorient our attention from understanding the theories (...) on these concepts to understanding the concepts themselves, regardless of any theorisation. (shrink)

This paper argues that the problematic of rule following in Wittgenstein's Philosophical Investigations and Heidegger's analysis of anxiety in Being and Time have analogous structures. Working through these analogies helps our interpretation of both of these authors. Contrasting sceptical and anti-sceptical readings of Wittgenstein helps us to resolve an interpretive puzzle about what an authentic response to anxiety looks like for Heidegger. And considering the importance of anxiety to Heidegger's conception of authenticity allows us to locate in Wittgenstein's later philosophy (...) a covert appeal to something resembling Heideggerian authenticity. (shrink)

This article provides a survey of Wittgenstein’s remarks in which he discusses various kinds of technology. I argue that throughout his career, his use of technological examples displays a thematic unity: technologies are invoked in order to illustrate a certain mechanical conception of the mind. I trace how his use of such examples evolved as his views on the mind and on meaning changed. I also discuss an important and somewhat radical anti-mechanistic strain in his later thought and suggest that (...) Wittgenstein’s attitude to mechanistic explanations in psychology was ultimately quite ambivalent. (shrink)

Guarding against reliance on his own biography and romantic tendencies in Bildungsroman literature, I draw parallels to Ludwig Wittgenstein’s use of the journey trope and place-based inquiry in the Philosophical Investigations, as an exploration of concept development and confusion that exhorts and guides readers in traversing the borderlands of their own cultural–linguistic practices. l recall Wittgenstein’s journey in search of himself: his retreat from Cambridge to a remote hut in Norway, leading him on a philosophical search for meaning. This self-transformative (...) (Bildung) process of writing the Philosophical Investigations offers new ways for thinking the concept of ‘place’: not the bounding limit of things/beings; rather, working through the linguistic turn in philosophy, as potentially meaningful ‘sites’ in conceptually familiar/unfamiliar landscapes of native languages. The Investigations also carries ancient Heraclitian and Homeric tropes of homecoming and authenticity: ‘searching ourselves’ and ‘becoming who we are’, as found in Wittgenstein’s call to ‘know our way about’—rediscovering the grammatical order operating out of view but pervading the world as we see and know it, as well as setting its limits. Awareness of different languages of place is crucial to appreciating Indigenous discourses of Land-based education—a topic central to discussions of incorporating Indigenous knowledge while decolonizing education. Rethinking Bildungsroman literature in postcolonial terms—through the lens of reconciliation, renaissance, and resurgence —I call for careful listening to Indigenous peoples’ storied landscapes instead of fact-checking them: recognizing their sovereign right to self-govern their own education and resources. The goal is not to assess the truths of Land-based education, as in some epistemological inquiries, nor to make them accessible as pedagogical resources or instruments for non-Indigenous educators. The aim rather is to promote respect for its deep, nearly inaccessible context within Indigenous grammars and ways of life. (shrink)

“The ethical is no fact of the matter.” On Wittgenstein’s ethical paradox discusses Wittgenstein’s “Lecture on Ethics” of 1929. In this lecture to the Heretics Society at Cambridge he proposes an ethical paradox based on two incompatible types of facts, the natural facts offered by science and the supernatural facts, which he claims to be the core of ethics. The paradox is partly due to his Tractarian belief that ethics has no descriptive content. Yet, although it has no descriptive content (...) the ethical is represented by a feeling which has a metaphysical and an undeniable factual character too, as Wittgenstein claims. This kind of fact is his personal, private if not solipsistic feeling. The paper tries to clarify this highly controversial type of feeling. It seems probable that the change from the Tractatus to the Philosophical Investigations resolves the ethical paradox along the new therapeutical lines of PU. It is argued that this is not the case. The content of the ethical paradox remains unchanged. (shrink)

This paper shows that Wittgenstein's later explorations of the meaning of expressive moral judgements reach far deeper than has so far been noticed. It is argued that an adequate description of the meaning of expressive moral judgements requires engaging in a grammatical investigation that focuses on three interwoven components within specific language-games. First, the ethical reactions expressed by moral words and the additional purpose they may fulfil. Second, the features of the actions which are bound up with moral words and (...) are constitutive of our moral evaluations. And, finally, the forms of life in which expressive moral judgements and moral language-games are embedded. (shrink)

This article develops a logical (or semantic) response to scepticism about the existence of an external world. Specifically, it is argued that any doubt about the existence of an external world can be proved to be false, but whatever appears to be doubt about the existence of an external world that _cannot_ be proved to be false is nonsense, insofar as it must rely on the assertion of something that is logically impossible. The article further suggests that both G. E. (...) Moore and Ludwig Wittgenstein worked towards the same solution but left their work unfinished. (shrink)

This paper discusses the meta-ethical implications of Wittgenstein’s later moral philosophy. According to Lovibond and Brandhorst, Wittgenstein provided a novel conception of moral facts, properties and objects by adopting deflationism. Lovibond argues that Wittgenstein’s seamless conception of language together with his non-foundational epistemology and non-transcendent understanding of rationality involves a change of perspective towards a plausible and non-mystificatory moral realism. Meanwhile, Brandhorst argues that Wittgenstein’s provides a deflationist conception of moral truths from which we obtain a deflationist conception of moral (...) facts. This paper argues, on the contrary, that the attribution of deflationism does not do justice to Wittgenstein’s later work. It is concluded, therefore, that the appeal to deflationism does not afford or substantiate the exegetical claims made by Lovibond and Brandhorst. (shrink)

The aim of this paper is twofold. Firstly, it analyses the similarities that stem from Wittgenstein’s (Philosophical Investigations (1953)) and Brandom’s (Making it Explicit (1994)) commitment to pragmatics in the philosophy of language to account for moral utterances. That is, the study of the meaning of moral utterances is carried out resorting to the study of the acts being performed in producing or exhibiting these utterances. Both authors offer, therefore, a pragmatic solution in order to account for the meaning of (...) our moral vocabulary and discursive practices. Secondly, it argues that both approaches lead to differing understandings of the role of “truth” and “falsity” in moral discourse. On the one hand, Wittgenstein’s remarks on ethics demonstrate a dismissive attitude towards the notions of truth and falsity in moral discourse. On the other hand, Brandom seems to be committed to a weak version of moral cognitivism: he takes assertions (which express beliefs, i.e. doxastic commitments) as the fundamental linguistic activity in the game of giving and asking for reasons and provides an anaphoric theory of truth to account for “truth” and “falsity” in our discourse. Additionally, it analyses how these differences bear on the Frege–Geach problem. (shrink)

Using new archival material, this article reconstructs the editorial history of Philosophical Grammar, an edition that Rush Rhees crafted from Wittgenstein's papers. Contrasting the often‐held view that Rhees, in editing Philosophical Grammar, arbitrarily interfered with Wittgenstein's Big Typescript, the article illuminates the work, motives and reasons that underlie Rhees’ editing. Although recent philological evidence supports his editorial decisions, Rhees, at the time, made them based on his desire to do justice to his understanding of Wittgenstein's philosophical orientation. Against this background, (...) purely text‐philological criticism of Philosophical Grammar seems to come from a philosophical culture that was alien to Rhees. (shrink)

Pleasants has developed the idea of basic moral certainties. Analogous to Wittgenstein's basic empirical certainties, they are best described as universal moral certainties which are natural and nonpropositional, and show unreflectively in the way we act. A clear-cut example is the wrongness of killing innocent human beings. Philosophers have levelled three damaging criticisms against Pleasants' proposal by (i) offering counterexamples to his proposed example of moral certainty, (ii) highlighting some disanalogies between moral certainties and Wittgenstein's basic empirical certainties and, lastly, (...) (iii) showing the lack of arguments and evidence offered by Pleasants to substantiate the claim that moral certainties are natural. To address these criticisms, Laves has revised Pleasants' proposal by providing numerous amendments. In this paper, I develop some concerns about Laves' proposed amendments and indicate that, at present, they are unable to fully overcome the criticisms levelled against the idea of basic moral certainty. Whether Laves' proposal can escape these troubles demands further attention. (shrink)

The prominent literary theorist, Terry Eagleton, is one of a limited number of Marxist theorists to have taken Wittgenstein’s ideas seriously. He wrote the script for Derek Jarman’s film about Wittgenstein and his work in cultural theory is clearly indebted, to some extent, to Wittgenstein. His Ideology: an Introduction employs the Wittgensteinian notions of ‘family resemblance’ and ‘forms of life’ and he also leans on Wittgenstein’s remarks about epistemological matters in it. Among the novels inspired by Wittgenstein there is one (...) by Eagleton—Saints and Scholars—that has a semi-fictionalised version of Wittgenstein meeting in Dublin with James Connolly, Nikolai Bakhtin and Leopold Bloom. Eagleton has clearly both endeavoured to understand Wittgenstein as a person and engaged with Wittgenstein’s philosophical work. In this paper I will argue that Eagleton’s interpretation of Wittgenstein, in his paper ‘Wittgenstein’s Friends’, is defective in various respects, but I will conclude that the project of uniting the insights of Wittgenstein and Marx is nonetheless a sound one. (shrink)

In April 1939, G. E. Moore read a paper to the Cambridge University Moral Science Club entitled ‘Certainty’. In it, amongst other things, Moore made the claims that: the phrase ‘it is certain’ could be used with sense-experience-statements, such as ‘I have a pain’, to make statements such as ‘It is certain that I have a pain’; and that sense-experience-statements can be said to be certain in the same sense as some material-thing-statements can be — namely in the sense that (...) they can be safely counted on. When Moore later read his paper to Wittgenstein, Wittgenstein took violent exception to it, and the two entered into a heated exchange. The only known notes of this exchange are a previously unpublished verbatim record of part of it, taken by Norman Malcolm. This paper is an edition of Malcolm’s notes. These notes are valuable for both philosophical and scholarly reasons. They give us a glimpse of a sustained exchange between Wittgenstein and a real-life interlocutor; they contain a defence by Wittgenstein of the idea that a word’s use can illuminate its meaning; and they provide evidence of Wittgenstein’s philosophical engagement with the topic of certainty, and with Moore’s thought on it, long before he began to write the notes which make up On Certainty, in 1949. (shrink)

In 2003 I published a survey of Wittgenstein’s lectures in Public and Private Occasions. Much has been learned about his lectures since then. This paper revisits the earlier survey and provides additional material and corrections, which amount to over 25%. In case it is useful, I have provided interlinear pagination from the original publication.

Although certainty is a fundamental notion in epistemology, it is less studied in contemporary analytic epistemology than other important notions such as knowledge or justification. This paper focuses on Wittgensteinian certainty, according to which the very basic dimension of our epistemic practices, the elements of our world-pictures, are objectively certain, in that we cannot legitimately doubt them. The aim of the paper is to offer the best philosophical way to clarify Wittgensteinian certainty, in a way that is consonant with Wittgenstein's (...) fundamental insights. The paper critiques two alternative proposals for clarifying Wittgensteinian certainty that are philosophically unsatisfying: the rule view and the proposition view. Finally, it instead shows how viewing world-pictures as pictures, in the sense of unclear conceptions, is a more philosophically fruitful approach to understanding world-pictures. (shrink)

This article examines work by the artist Eduardo Paolozzi related to the philosopher Ludwig Wittgenstein, arguing that Paolozzi’s print series As Is When, executed in 1964-65, together with work from nearly three decades later (Manuscript from Cassino), can be seen as a comprehensive examination of Wittgenstein’s earlier and later philosophy. Further, this article argues that Paolozzi’s take on Wittgenstein forms a new aesthetic ontology of “film”, embedding its reading of Wittgenstein in a reified Platonic cave, whose escaped philosopher finds himself (...) basking only in the light of the artificial sun of the flickering cinema light. (shrink)