Abstract

Kuda Lumping, or ébég, is a deep spiritual traditional art form from Indonesia. Communities, especially in Java, are increasingly focused on preserving it. The dance is not just entertainment, but also has a spiritual dimension with frequent possessions. It involves dancers, horse-shaped vehicles made of animal skin or bamboo, and spiritual figures. As an intangible cultural heritage, Kuda Lumping serves to bind communities, educate, perform rituals, and express art. Evolving interpretations regarding its profane and sacred aspects will be unveiled through cultural research. This research utilizes a literature review method with hermeneutics as an interpretative tool to understand related texts. Data is collected through readings and analyzed using content analysis. Hermeneutics, as a social-humanistic approach, focuses on the internal aspects of humans. In conclusion, Kuda Lumping expresses its spiritual function, provides entertainment and education, and conveys messages about awareness and goodness. Preservation requires attention to choreography and philosophy. Government, artists, society, and academics play an important role in promoting and developing this dance while considering the Tri Tangtu concept.