A Hypertextual Novel That Dramatizes the Process of Its Creation and Proposes Techniques to Increase Creativity

Biological Theory 5 (2):102-105 (2010)
Download Edit this record How to cite View on PhilPapers
ABSTRACT "Why can’t I decide to be happy?" This is the question that encapsulates the meaning behind Gabriele’s story, the main character of the novel Il film delle emozioni (The Movie of Emotions; Calabretta 2007a, in Italian). Gabriele is a victim of his negative emotions, and is completely in the power of his self-blame and self-devaluative thinking, which he learns to change only at the end of the novel, thanks to creativity and to the artistic expression of his own traumatic experiences (see Sparrow and Wegner 2006). The novel tells of Gabriele’s several attempts at writing, first, the script of an autobiographical "educational" movie on emotion regulation; and then at transforming it into a novel. In reality, it reveals itself as a book popularizing the most recent scientific knowledge on psychology of emotions; as a dramatization of a scientist’s life—of his interior, interpersonal, and social conflicts (as well as political ones); and as a dramatization of the creative process of writing. As we will see in this article, The Movie of Emotions is a very particular novel that has much to do with creativity viewed in three different aspects—creativity in the novel’s structure, creativity in the process of the novel’s creation, and proposed techniques to increase creativity.
PhilPapers/Archive ID
Revision history
Archival date: 2014-06-24
View upload history
References found in this work BETA

Add more references

Citations of this work BETA

No citations found.

Add more citations

Added to PP index

Total views
118 ( #29,827 of 48,886 )

Recent downloads (6 months)
7 ( #47,436 of 48,886 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks to external links.