The Development of the Sense of 'the End of Art’ in Arthur Danto

Rivista di Estetica 68 (2):131-148 (2018)
  Copy   BIBTEX

Abstract

The striking title The End of Art managed to draw attention to the philosophical work of Arthur Danto. However, the lack of a systematic development which could support this thesis made him face harsh criticism. However, strong foundations for his statements can be deduced from his writings. In this paper, I analyse how to understand the thesis of the ‘end of art’. It should be approached not as a monolitical notion but as a complex concept that combines three different senses: 1) the ‘end of art’ in the Hegelian sense: the conversion of art into philosophy, 2) the ‘end of art’ in the historiographical sense: as the end to the narratives of the history of art, and 3) the ‘end of art’ as the beginning of a new period in history, where Danto’s philosophy of art would be fully valid.

Author's Profile

Raquel Cascales
Universidad de Navarra

Analytics

Added to PP
2019-04-03

Downloads
347 (#49,784)

6 months
105 (#41,555)

Historical graph of downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.
How can I increase my downloads?