Abstract

Ralph Ellison consistently relied on a small set of terms in order to guide his writing practice and his interpretation of literature, history, and society. Following Kenneth Burke, an acquaintance of Ellison, I call this his terministic screen. Perhaps the most important elements of Ellison’s terministic screen are consciousness–conscience and purpose–passion–perception. The first set of terms represents what he saw as our democratic obligations: the pursuit of a progressively clearer consciousness of democratic ideals and a more refined conscientiousness in pursuing these ideals. The second set of terms provided a narrative framework for showing how consciousness and conscience are attained or evaded. This essay analyzes the intellectual history of these terms and how they function in Ellison’s essays and novels. Special attention is given to Ellison’s unfinished second novel.