Vivarium 59 (4):360-369 (
2021)
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Abstract
In hindsight, it is not surprising that the exegesis of Aristotle’s Sophistici elenchi
developed into one of the most substantial parts of the Latin commentary tradition.
To make a long story short, in its customary capacity as the art of arts
and the science of sciences, medieval logic was primarily concerned with discerning
the true from the false in arguments as they occur in natural, ordinary
speech as opposed to the more formalised parlance later logicians will resort to.
It makes perfect sense, then, that medieval logicians paid special attention to
everything that threatens sound reasoning and that prevents us from speaking
the truth. Indeed, they were second to none and better than most at exposing
and elucidating arguments’ flaws and shortcomings. After all, as John Buridan –
faithful to a long and illustrious tradition – aptly put it, «rooting out errors» is
logic’s first order of business. As early as the 1140s, Aristotle’s Sophistici elenchi
provided the most fertile ground for such keen interest in fallacies; which, in
turn, explains etc.
This much is uncontroversial or, at any rate, can withstand any amount of
scrutiny we care to throw at it. Courtesy – first and foremost – of Sten Ebbesen,
whose long-standing interest in medieval writings on bad arguments has
turned the Byzantine and Latin aftermath of Aristotle’s Sophistici elenchi into
well-charted territory, by all standards. The Anonymus Cantabrigiensis has
played no small part in shaping this picture. As a matter of fact, time and again
over the last forty years or so, quotes and insights from the anonymous work
have kept showing up in Ebbesen’s editions and studies: since he first discovered
the commentary in the late 1970s and brought it to the general attention,
Ebbesen has routinely drawn on the Anonymus as an early witness of the circulation
of Aristotelian logical works and related texts, as a convenient illustration
of major trends and distinctive features of the Latin literature on fallacies,
and as a sensible interpreter in his own right.