Abstract

A course on the afterlife of Plato’s Symposium can accomplish two worthwhile objectives. It can afford students an opportunity to study a philosophical and literary masterpiece, and it can introduce them to some of the main currents in modern European culture. One recent iteration of such a course addressed six questions: (1) Why might Plato have chosen to write a dialogue about a ‘drinking party’? (2) Why did Plato present multiple speeches on the nature of Eros? (3) Why have some philosophers found fault with Socrates’ view of Eros? (4) How was this view embraced by the Neoplatonic thinkers Proclus and Plotinus? (5) How did Ficino’s de Amore bring the notion of a ‘Platonic Love’ to a series of European poets and artists? and (6) How did the view of love put forward in the Symposium inspire English poets from Ben Johnson and Sir Philip Sidney to Keats and Shelley?