Plato

Plato's view on time, a key aspect of his doctrine of forms, is influenced by his reception of Parmenides, but the way in which Plato takes up and modifies Parmenides' view is a matter of ongoing scholarly debate. In this article, the author analyzes Plato's revision of Parmenidean time by exploring four temporalities: the eternal present, timeless eternity, the enduring present, and the instant between time and eternity. Through this examination, she uncovers the common origin of both eternal present of (...) Parmenides' fragment B8 and the flowing present of the phenomenal realm in the instant (ἐξαίφνης) in the Parmenides. This perspective on time offers a promising solution to Plato's problem of participation, bridging the gap between the eternal being of the form and the being in time of the particulars. (shrink)

The objective of this article is to offer an interpretation of the utopian society described in Plato's Republic from a simplified theory of fractals. Plato conceptualizes his Republic as a static society in terms of structure and its components, the people, as having a behavior that can be programmed as linear and not dynamic (LNDS). Based on this analogy, real social functioning (NLDS) is conceptualized, applying the concept of fractal and its corresponding fracton, as the force of attraction that acts (...) in social groups. Thus, social groups obey a fractal geometry, a geometry that reproduces the pyramidal shape, the apex being the crystallization of authority, power or leadership. Modern society, in analogy with Plato's Republic, is also a fractal production machine, replicating pyramid-shaped hierarchical structures and the respective fractons. Individuals are the basic unit of all these fractals. They are the building blocks of all groups at all levels of society. But replication is not self-similar due to fluctuations in cognition and behavior. (shrink)

The notion of Providence is born with the Greek word prόnoia which, however, originally meant "premeditation" (of a crime) or "design" of an artefact, and had nothing to do with religion. It was Plato in the Timaeus who adopted the word from the common language to indicate the rational and benevolent principle that inspired the anonymous God, which he defined as dēmiourgόs (also this word originally meant a professional technician, for example, a doctor or an architect) in his work of (...) shaping the cosmos. The doctrine of divine Providence was taken up by Middle Platonism, and with it the need to "justify" the divinity for the presence of evil in the world, what Leibniz will call "theodicy". Stoicism also supported Providence, but here there is no "theodicy" because in Stoic philosophy rationality and beneficial purpose are intrinsic to the cosmic process and therefore there is no external architect to be charged and absolved. Christian authors of the first centuries recycled the arguments of the Platonists in support of Providence, despite the fact that the word prόnoia never appears in the New Testament, nor is there any Hebrew equivalent in the Tanak. Perhaps there is some compatibility problem between the philosophical theory of Providence and the biblical-Christian view of God. (shrink)

Two Socratic dialogues often considered “comic”—Ion and Hippias Major—have also been contested as to their Platonic authenticity. Plato’s dialogues; while certainly engaging, can also seem grim in their philosophical intensity: At least one author has contended that the dialogue more firmly established as genuinely by Plato, Symposium; has some comic elements: This article goes a step further in suggesting that this dialogue does not merely have comic elements but is in fact a comedy. It draws on several texts in the (...) literature on Greek comedy over the past century and suggests that; although the dialogue sets itself serious philosophical challenges, its structure; style; and method are deeply steeped in comedic modes from around Plato’s day. This is not to presume whether Plato was deliberately writing a comedy. In general, writers are often strongly influenced by literary fashions of the day, so it would not be far stretching the matter to understand the work as comedic. Thereby, the article offers, via textual analysis, an argument for how the dialogue is a comedy along withcounter-arguments against such a notion. In the end, indeed, acknowledging it is a comedy promises to open up new angles on interpreting that dialogue. (shrink)

É relativamente recente a perspectiva revisionista dos intentos filosóficos de Platão. Apesar disso, a ideia de um filósofo preocupado apenas em construir um edifício sistemático e hermético tem se mostrado cada vez menos sustentável, principalmente quando se observam as diversas fontes que apontam para interesses que não se restringem à filosofia, bem como para o desenvolvimento dos aspectos dramáticos presentes no corpus platônico como um todo. A ideia de que a literatura tem uma influência na obra platônica parece clara e (...) um consenso entre os estudiosos, visto as inúmeras referências que Platão faz, por exemplo, à poesia épica nas figuras de Homero e Hesíodo. Mas pouco parece ter sido dito a respeito do inverso: da influência que Platão poderia ter exercido na literatura posterior. Visando lidar com esse obscurecimento, o presente estudo tem como intento primordial identificar e analisar a possível existência de elementos platônicos em dois romances do período imperial grego, a saber, em Quéreas e Calírroe de Cáriton de Afrodísias e em Dáfnis e Cloé de Longo. Em seguida, intenta demonstrar de que modo Platão, ao exercer uma clara influência na literatura posterior, deixou atrás de si não somente o já reconhecido legado filosófico, mas contribuiu substancialmente para o desenvolvimento da atividade literária, efetuando uma síntese complexa entre filosofia e literatura, ao mesmo tempo em que nos leva a questionar a suposta rigidez inflexível que as distinguem. (shrink)

There is a way of teaching philosophy as a way of life that is focused on delivering content. In this paper, I consider a different way. It is focused on giving students the experience of philosophy as a way of life—in particular, the experience of being in love with wisdom. The main question of my paper is what it might be to teach philosophy in a way that prioritizes giving students the chance to fall in love with wisdom. I do (...) not so much argue for an answer as invite the reader to follow me along a path of metaphor, reflections on teaching philosophy, and quotations. (shrink)

Plato's educational model (paidèia) differentiates the level of education according to the students' skills. Thus, a basic education includes, in addition to gymnastics and fighting (the exercise of the body), music (the exercise of the spirit), without being imposed by force because a free man must be free in the conquest of knowledge. If the student has skills, he is educated in mathematics to become a strategist, and in astronomy to raise the soul. From these, the best are selected to (...) become good leaders, studying philosophy and dialectics. Women will have the same rights and duties as men. According to Socratic principles, in order to do justice, one must know what is good, and this is best known to the philosopher. Plato detailed this concept, highlighting the distinction between the philosopher (who seeks the principles of truth without claiming to possess it) and the sophist (who lets himself be guided by opinion as the only valid parameter of knowledge). Plato considers philosophers to be ideal leaders for two main reasons: because they know what is right, and because they do not want to lead. -/- DOI: 10.13140/RG.2.2.17459.71200. (shrink)

Abu Nasr Muhammad Alfarabi, the medieval Muslim philosopher and the founder of Islamic Neoplatonism, is best known for his political treatise, Mabadi ara ahl al-madina al- fadhila (Principles of the Opinions of the Inhabitants of the Virtuous City), in which he proposes a theory of utopian virtuous city. Prominent scholars argue for the Platonic nature of Alfarabi’s political philosophy and relate the political treatise to Plato’s Republic. One of the most striking similarities between Alfarabi’s Mabadi ara ahl al-madina al- fadhila (...) and Plato’s Republic is that in both works the theory of virtuous city is accompanied by a theory of soul. It is true that Alfarabi’s theory of soul differ considerably from that of Plato’s Republic. However, we propose that notwithstanding the differences, the two theories of soul do play an identically important role in the respective theory of virtuous city. The present article explores the relationship between the soul and the city in Plato’s Republic and Alfarabi’s Mabadi ara ahl al-madina al- fadhila, and intends to show that in both works the coexistence of the theory of soul and the city is neither coincidental nor a casual concurrence of two themes. Rather, the concept of soul serves as a foundation on which Plato and Alfarabi erect their respective theory of perfect association. Thus, Alfarabi’s treatise resembles Plato’s Republic not only in the coexistence of the theory of soul and the city, but also in the important role of the concept of soul in the theory of virtuous city. (shrink)

The Republic was written approximately between 380 and 370 BC. The title Republic is derived from Latin, being attributed to Cicero, who called the book De re publica (About public affairs), or even as De republica, thus creating confusion as to its true meaning. The Republic is considered an integral part of the utopian literary genre. The second title, Peri dikaiou (περὶ δικαίου, On Justice), may have been included later. The central theme of the book is justice, argued with the (...) help of several Platonic theories, including the allegorical myth of the cave, the doctrine of Ideas, dialectics, the theory of the soul, and the design of an ideal city. The Republic is considered by many academics to be the greatest philosophical text ever written, being the most studied book in top universities. -/- DOI: 10.13140/RG.2.2.21273.90723. (shrink)

Plato's philosophy is in line with the pre-Socratics, sophists and artistic traditions that underlie Greek education, in a new framework, defined by dialectics and the theory of Ideas. For Plato, knowledge is an activity of the soul, affected by sensible objects, and by internal processes. Platonism has its origins in Plato's philosophy, although it is not to be confused with it. According to Platonism, there are abstract objects (a notion different from that of modern philosophy that exists in another realm (...) distinct from both the external sensible world and the internal world of consciousness, and is the opposite of nominalism). An essential distinction for Plato in his philosophy is the theory of Forms, the distinction between perceptible but unintelligible reality (science) and imperceptible but intelligible reality (mathematics) Geometry was Plato's main motivation, and this shows the influence of Pythagoras. Forms are perfect archetypes whose real objects are imperfect copies. -/- DOI: 10.13140/RG.2.2.21536.05121. (shrink)

Historical and cultural approaches to climate generally consider climate to be a stabilising concept between weather and culture. Different historical and cultural concepts of climate signify different ways of learning to live with the weather. However, anthropogenic climate change evidences the limit of this approach: instead of stabilising, climates ephemeralise together with the ways we have come to adapt to them. Changing climates require a concept of climate that captures how climates are experienced both as stable and ephemeral. To create (...) such a concept, I engage in an exercise of counterfactual etymology, reconstructing the concept of climate that might have emerged from the Ancient Greek term hora as opposed to klima. Central to my re-creation of phenomenological climate are Plato's myths, through which I highlight the methodological kinship between myth and phenomenology. Drawing on a later dialogue, Philebus, I provide an ontological account of climates as both stable and ephemeral. I conclude by situating my approach to climate and its changes in recent work on the relationship between weather and climate, arguing for the necessity of phenomenological climate in order to make sense of what changes with climate change. My turn to Ancient Greek philosophy and its application to the phenomenology of climate and its changes sounds out a novel approach to research in historical geography. (shrink)

Defende-se que, em Platão, haveria um ataque ao estilo de arte realista, uma novidade à época. Será apresentada uma definição do que seria esse realismo, apresentando exemplos da arte visual, mas também, brevemente, da poesia. Será destacada a comunhão de áreas filosóficas na crítica platônica, pois não só a estética, como a epistemologia, a ontologia e a ética estão presentes no ideário que define a arte como um simulacro do real. Será abordada a questão da mímēsis e a diferença de (...) perspectiva entre as Leis e os livros III e X da República. (shrink)

Plato drew on the philosophical work of some of his predecessors, especially Socrates, but also Parmenides, Heraclitus, and Pythagoras, to develop his own philosophy, which explores most important fields, including metaphysics, ethics, aesthetics, and politics. With his professor Socrates and his student Aristotle, he laid the foundations of Western philosophical thought. Plato is considered one of the most important and influential philosophers in human history, being one of the founders of Western religion and spirituality. The philosophy he developed, known as (...) Platonism, is based on the theory of Forms known by pure reason as a solution to the problem of universals. Plato's philosophy is in line with the pre-Socratics, sophists and artistic traditions that underlie Greek education, in a new framework, defined by dialectics and the theory of Ideas. For Plato, knowledge is an activity of the soul, affected by sensible objects, and by internal processes. In The Republic of Plato, the highest form is considered to be the Form of Good, the source of all other Forms that could be known by reason. The central theme of the book is justice, argued with the help of several Platonic theories, including the allegorical myth of the cave, the doctrine of ideas, dialectics, the theory of the soul, and the design of an ideal city. His dialectic is a type of knowledge, with an ontological and metaphysical role, which is reached by confronting several positions to overcome opinion (doxa), a shift from the world of appearances (or "sensible") to intellectual knowledge (or " intelligible ”) to the first principles. Plato's educational model (paidèia) differentiates the level of education according to the students' skills. According to Socratic principles, in order to do justice, one must know what is good, and this is best known to the philosopher. Plato detailed this concept, highlighting the distinction between the philosopher (who seeks the principles of truth without claiming to possess it) and the sophist (who lets himself be guided by opinion as the only valid parameter of knowledge). -/- CONTENTS -/- Plato - Biography - Travels - Socrates - Academy - Plato's work - - Classifications of works - - - Chronological - - - Tetralogy - - - Trilogies - - - Lexical grouping Plato's philosophy - Soul - The function of the myth - Ideas - Theory of Forms - Ontology - Epistemology - Ethics - Politics - The philosophical state - Art - Unwritten doctrines: One and the Dyad The Republic - Characters - Summary - Topics - - Justice and righteousness (Book I) - - The Ideal State (Books II-III) - - The city-soul analogy. Harmony of the parties (Books IV-V) - - Form Theory (Metaphor of the Line and the Myth of the Cave, Books VI-VII) - - Family and State (Books VIII-IX) - - Myth of Er (Book X) Dialectics Education Philosopher-king Bibliography -/- DOI 10.13140/RG.2.2.29990.19520 . (shrink)

This book offers an original philosophical perspective on exemplarity. Inspired by Wittgenstein’s later work and Derrida’s theory of deconstruction, it argues that examples are not static entities but rather oscillate between singular and universal moments. There is a broad consensus that exemplary cases mediate between singular instances and universal concepts or norms. In the first part of the book, Mácha contends that there is a kind of différance between singular examples and general exemplars or paradigms. Every example is, in part, (...) also an exemplar, and vice versa. Furthermore, he develops a paracomplete approach to the logic of exemplarity, which allows us to say of an exemplar of X neither that it is an X nor that it is not an X. This paradox is structurally isomorphic to Russell’s paradox and can be addressed in similar ways. In the second part of the book, Mácha presents four historical studies that exemplify the ideas developed in the first part. This part begins with Plato’s Forms, understood as standards/paradigms, before considering Kant’s theory of reflective judgment as a general epistemological account of exemplarity. This is then followed by analyses of Hegel’s conceptual moment of particularity and Kuhn’s concept of paradigm. The book concludes by discussing the speculative hypothesis that all our knowledge is based on paradigms, which, following the logic of exemplarity, are neither true nor false. (shrink)

Plato's entire body of work has survived intact to this day, decisively influencing Western culture. For Plato, dialogue is the only tool capable of highlighting the research character of philosophy, the key element of his thinking. Certainly the written word is more precise and in-depth than the oral one, but the oral discourse allows an immediate exchange of views on the subject under discussion. The main protagonist of the dialogues is Socrates, except for the last dialogues where he is assigned (...) a secondary role, disappearing completely in Laws and Epinomis. Platonic dialogues have been grouped by many commentators in various classifications. According to some, a classification would be chronological: the first dialogues would be characterized by the strong influence of Socrates, those of maturity in which he would have developed the theory of ideas, and the last period in which he felt the need to defend his own conception from attacks on the address of his philosophy, realizing a deep self-criticism of the theory of Ideas. -/- DOI: 10.13140/RG.2.2.27508.01922. (shrink)

My dissertation argues that Plato composed the figure of Socrates as a three- dimensional literary character who experiences and confronts emotions in ways that other studies have overlooked. By adopting a dramatic, non-dogmatic mode of reading the dialogues and emphasizing the literary elements of the texts and their dramatic connections, this dissertation offers a new and compelling portrait of Socrates in the dialogues that relate his finals weeks of life: Theaetetus, Euthyphro, Apology, Crito, and Phaedo. This study in turn provides (...) new insights into the genre of Plato’s texts and demonstrates how he exploited the dramatic nature of the prose dialogue to capture social-historical realities surrounding the trial and execution of Socrates. By emphasizing emotional and interpersonal aspects of Plato’s texts, my dissertation shows that Plato’s dialogues are profitably read through a literary lens to recover their complex reconstruction of Socrates’ place and time in history. (shrink)

The main biographical source about Plato, according to the testimony of the Neoplatonic Simplicius, was written by the disciple Xenocrates, but unfortunately it has not reached us. The earliest biography of Plato to date, De Platone et dogmate eius, is by a second-century Latin author, Apuleius. All of Plato's other biographies were written more than five hundred years after his death. The Greek historian Diogenes (2nd and 3rd centuries) is the author of a series of biographies of Greek philosophers (The (...) Lives of Philosophers) in which he refers to the life of Plato. He also wrote a funeral praise for Plato. Other early biographers of Plato are Olympiodorus the Younger in the sixth century and an anonymous source. An important source about Plato's life is his philosophical dialogues is his thirteen letters (possibly false though, with the possible exception of Letters VII and VIII), the writings of Aristotle, an excerpt from the Epicurean Philodemus of Gadara's History of Philosophers (Syntaxis ton philosophon), 1st century BC, Prolegomena's anonymous writings on Platonic philosophy traditionally attributed to Olympiodorus, Suda, 10th century and Plutarch's Life of Dio, 1st-2nd Century. -/- DOI: 10.13140/RG.2.2.15396.96647. (shrink)

How can we think or say what is not? If we equate what-is-not with nothing, then a thought of nothing is no thought at all; if we don’t, we are condemned to admit that what-is-not is, seemingly incurring in self-refutation. In this paper, I address this paradox through the lenses of Parmenides, Plato, Russell, and the early Wittgenstein.

Socrates’ burial is dismissed as philosophically irrelevant in Phaedo 115c-e although it had previously been discussed by Plato’s older contemporaries. In Antisthenes’ Kyrsas dialogue describes a visit to Socrates’ tomb by a lover of Socrates who receivesprotreptic advice in a dream sequence while sleeping over Socrates’ grave. The dialogue is a metaphysical explanation of how Socrates’ spiritual message was continued after death. Plato underplays this metaphorical imagery by lampooning Antisthenes philosophy and his work and subsequently precludes him from an active (...) role in the Phaedo. A similar case is the exclusion of Euclides of Megara. Fragments of a lost Socratic dialogue depict Apollodorus citing an unnamed Megarian in order to justify care for the remains of the dead. Similar mistaken notions explain Kyrsas’ belief when he lusts after Socrates even though he was dead. In spite of these disputes, the philosophers each attempted to present Socrates’ moral influence as a force that continued after his death and burial. (shrink)

This is a defence of the authenticity of Plato’s Epistula vii against the recent onslaught by Frede and Burnyeat (2015). It focusses on what Ep. vii has to say about writing and the embedded philosophical Digression and evaluates this in the context of other mainly late dialogues. In the Cratylus, Socrates ends with resignation regarding the potential of language study as a source of truth. This is also the case in Ep. vii, where the four means of knowledge (names, definitions, (...) images (diagrams) and knowledge/insight/true opinion) do not offer the essence of reality due to the weakness of language, in this case owing to a diagram with contrary properties. Consequently, name and definition are impermanent and conventional. Contra Burnyeat, definition is not impossible but useful in the acquisition of knowledge. Only after dialectical examination comes a flash of insight into reality. So, reality (truth) must, as in the Cratylus, be studied directly. Significantly for Plato (as opposed to Socrates), the epistemology is illustrated by a mathematical case. Hence it is relevant to look at mathematical procedure in middle and late dialogues. Moreover, the possible role of division is considered. Finally, the critique of writing justified by the Digression is placed in the context of the general aversion to the written word. The epistemology of the Digression is shown to be a fair and competent synopsis of the later Plato’s epistemology. Hence, there seems to be no reason thus far to doubt that Ep. vii is a genuine work of Plato. (shrink)

This is a defence of the authenticity of Plato’s Epistula vii against the recent onslaught by Frede and Burnyeat (2015). It focusses on what Ep. vii has to say about writing and the embedded philosophical Digression and evaluates this in the context of other mainly late dialogues. In the Cratylus, Socrates ends with resignation regarding the potential of language study as a source of truth. This is also the case in Ep. vii, where the four means of knowledge (names, definitions, (...) images (diagrams) and knowledge/insight/true opinion) do not offer the essence of reality due to the weakness of language, in this case owing to a diagram with contrary properties. Consequently, name and definition are impermanent and conventional. Contra Burnyeat, definition is not impossible but useful in the acquisition of knowledge. Only after dialectical examination comes a flash of insight into reality. So, reality (truth) must, as in the Cratylus, be studied directly. Significantly for Plato (as opposed to Socrates), the epistemology is illustrated by a mathematical case. Hence it is relevant to look at mathematical procedure in middle and late dialogues. Moreover, the possible role of division is considered. Finally, the critique of writing justified by the Digression is placed in the context of the general aversion to the written word. The epistemology of the Digression is shown to be a fair and competent synopsis of the later Plato’s epistemology. Hence, there seems to be no reason thus far to doubt that Ep. vii is a genuine work of Plato. (shrink)

In recent years some scholars have sought to apply the techniques of modern analytic philosophy to Plato’s writings. This has involved recasting portions of the dialogues as concisely stated deductive arguments, exploring questions relating to validity as well as to truth, exposing contradictions and equivocations, and making explicit all essential assumptions. The rationale behind this approach, as Gregory Vlastos has explained, is that ‘By means of these techniques we may now better understand some of the problems Plato attempted to solve (...) and we are, therefore, better equipped to assess the merits of his solutions.’ Even in Plato’s more literary dialogues it has proven useful to consider what views may have been established through the use of argument. The clearest instance is the Symposium where attention to details of setting and characterization combines with the presentation of philosophical arguments to produce an extraordinary account of love and its relation to beauty. -/- . (shrink)

Plato refers frequently to the views held by the early Greek thinkers we today call ‘the Presocratics’, typically while lining up witnesses for or against a philosophical thesis. His characters speak approvingly of the doctrines of Parmenides and the Pythagoreans but repudiate in the strongest terms the teachings of ‘atheistic materialists’ such as the Milesian inquirers into nature we today regard as the founders of Western philosophy and science. The chief failings of the materialists lay in not acknowledging the priority (...) of soul over matter and not believing that a cosmic intelligence has arranged all things for the best. On occasion, Plato states a view held by a thinker he has elsewhere criticized and he is not above borrowing the ideas of others without identifying his source. Thus, while Plato’s dialogues are an invaluable source of information for the views of earlier thinkers, his representations must be read with caution. (shrink)

In his monumental work Das Gastmahl des Platon (1869) the artist Anselm Feuerbach depicted the scene in Plato’s Symposium in which a drunken Alcibiades, accompanied by a band of revelers, enters the dining chamber of the house of the poet Agathon. We have reason to attribute three aims to the artist: (1) to recreate a famous scene from ancient Greek literature, making extensive use of recent archaeological discoveries in southern Italy; (2) through the depiction of a senate and dignified Agathon, (...) to convey a sense of the nobility of the ancient Greeks; and (3) to express in visual terms the contrast of reason with desire. As he set out to accomplish these objectives Feuerbach displayed considerable indifference to the details in Plato’s depiction. Thus, what Das Gastmahl offers us is less Plato’s symposium and more Feuerbach’s symposium, a visually striking but in several respects unfaithful recreation of the Platonic original. -/- . (shrink)

A course on the afterlife of Plato’s Symposium can accomplish two worthwhile objectives. It can afford students an opportunity to study a philosophical and literary masterpiece, and it can introduce them to some of the main currents in modern European culture. One recent iteration of such a course addressed six questions: (1) Why might Plato have chosen to write a dialogue about a ‘drinking party’? (2) Why did Plato present multiple speeches on the nature of Eros? (3) Why have some (...) philosophers found fault with Socrates’ view of Eros? (4) How was this view embraced by the Neoplatonic thinkers Proclus and Plotinus? (5) How did Ficino’s de Amore bring the notion of a ‘Platonic Love’ to a series of European poets and artists? and (6) How did the view of love put forward in the Symposium inspire English poets from Ben Johnson and Sir Philip Sidney to Keats and Shelley? -/- . (shrink)

In Republic VI, Plato’s Socrates attempts to explain the nature of human understanding by means of a simile of a line divided into four unequal segments. Socrates directs Glaucon to accept as names for the four states ‘rational knowledge’ for the highest, ‘understanding’ for the second, ‘belief’ for the third, and for the last, ‘perception of images.’ He then directs Glaucon to arrange the four states in a proportion, ‘considering that they participate in saphēneia in the same degree to which (...) their objects participate in reality.’ Although saphêneia here is usually translated as ‘clarity, ’I argue that neither ‘clarity’ nor ‘truth’ nor ‘knowledge’ provides an entirely satisfactory translation. Rather, in this context saphêneia is best understood as ‘a full, accurate, and sure awareness.’ Plato’s simile, properly understood, provides not only an explanation of his rationalist theory of knowledge but also a coherent line of argument in support of that theory. (shrink)

Book 1 of Plato’s Laws, and particularly the image of the puppet introduced near its end, has been traditionally interpreted as presenting the moral psychology model that underlies the educational system delineated by the Athenian Stranger, which construes virtue as consonance between the non–rational and the rational elements of the soul. But a different and competing conception of virtue looms large in Laws 1, virtue as victory of the best part of the soul in psychic conflict. This paper argues that (...) the Athenian’s conception of education as the correct conformation of originally conflicting psychic forces requires the simultaneous presence of the harmony and the conflict models of virtue in Laws 1. Education is in turn defined by calculation, the rational activity which persuasively leads the conflicting non–rational forces towards a consonant reciprocal rapport. By strategically developing his understanding of education and calculation in Laws 1, the Athenian shows how the harmony model of virtue overcomes the conflict model, while at the same time recognising that there is some truth to the conflict model after all and integrating it within the harmony model. (shrink)

This article is part of a larger project that explores how to channel people’s passion for popular arts into legal social justice by reconceiving law as a kind of poetry and justice as dance, and exploring different possible relationships between said legal poetry and dancing justice. I begin by rehearsing my previous new conception of social justice as organismic empowerment, and my interpretive method of dancing-with. I then apply this method to the following four “ethico-political choreographies of justice”: the choral (...) dance of souls qua winged chariot-teams, a dancingly beautiful friendship with the community, a tightrope-dance of the cool, and humans dancingly reimagined as positioned actors in fluidly moving groups. I then synthesize these analyses into “dancing justice,” defined as the dynamic equilibrium sustained by a critical mass of a community’s members comporting themselves like social dancers. (shrink)

The question of ontological foundation has undergone a noteworthy revival in recent years: metaphysicians today quarrel about how exactly to understand the asymmetrical and hyperintensional relationship of grounding. One of the reasons for this revival is that the old quantificationalist meta-ontology inherited from Quine has been effectively criticised by leading philosophers favourable to a meta-ontology, the aim of which is to come to know “which facts/items ground (constitute the base of) which other facts/items”, thus to examine the relation of ontological (...) dependence between beings (e.g. chemical properties depend on physical properties, the economic situation on the behaviour of individuals etc.), i.e. to explore the hierarchical structure of reality. I shall not discuss here the relationship of grounding in itself, but make some historical-formal remarks on the properties of the ultimate ontological foundational item itself and its aporetic nature. To do so I explore various more or less exotic philosophical ecosystems in the following order: Heidegger (Seyn), Plato (ἕν), Wáng Bi (道, dào). On the way I shall propose a new interpretation both of certain hypotheses in the Parmenides and of the nature of the opposition between Wáng Bì and Guō Xiàng in regard to the logical grammar of the expression “nothing (無, wú)” (transl. J. Dudley). (shrink)

In this paper, I suggest a way of resolving the whole-part dilemma suggested in the Parmenides. Specifically, I argue that grabbing the second horn of the dilemma does not pose a significant challenge. To argue for this, I consider two theses about Forms, namely, the oneness and indivisibility theses. More specifically, I argue that the second horn does not violate the oneness thesis if we treat composition as identity and that the indivisibility thesis ought to be reinterpreted given Plato’s later (...) dialogues. By doing so, I suggest a com-positional understanding of Plato’s theory of Forms, which can resolve the whole-part dilemma. (shrink)

Plato’s Phaedrus, perhaps his most enigmatic and structurally convoluted dialogue, could easily be said to inaugurate a pointed critique of mass media that persists to the present day. Indeed, in certain corners of media theory, the origin myth of writing furnished in the Phaedrus (in which the Egyptian god Theuth presents writing as a gift to King Thamus) has in turn come to serve as a kind of origin myth for media theory: a primaeval pharmacopoeia of media effects. And yet, (...) this is an origin myth that can only underwrite not only its own non-originarity and non-truth, insofar as its very status as a written text ensures that it will never meet the criteria that it itself establishes for a reasoned account of things (logos). It remains perpetually orphaned, unable to defend itself, irrevocably cut off from its ‘father’, the speaking subject, and thus from the vitality of living discourse. But this paradox, I argue, is not a failing of the dialogue, but is a device intended to encourage the reader’s active involvement in the text’s status as medium. The Phaedrus is not just diagnostic, but therapeutic. (shrink)

Plato was the first philosopher who gave an account for the highly controversial claim that both genders are principally equal in respect to their talents and abilities. Consequently, one may advocate the thesis that in Plato’s view, the gender differences are rather the outcomes of social, cultural and political influences, than of natural factors. The aim of this paper is to elucidate the meaning and validity of Plato’s arguments for the gender equality in the Republic, which will be supplemented with (...) some important remarks on this same subject-matter from the Laws, in order to find out what social and political implications they have. In doing this, I will argue against some interpretations of prominent Plato scholars who criticize or reject his account of the social role that women should have in Plato’s ideal city. Additionally, I will discuss the claim, advocated by George Vlastos, that Plato is a feminist in a modern sense of the term. (shrink)

I analyze figures and themes of Plato’s “Allegory of the Cave” evident in chapter thirty-six of the Quran. I argue that the two texts share (1) a neck fetter fixing the head; (2) a spatial organization of barriers before and behind and cover- ing above; (3) a theme of failure to see the truth and assault upon those who tell the truth, and (4) a theme of transcendent reality as a context of meaning. I argue that the Quran displays an (...) inheritance of some Platonic thought in Arabic at least two centuries prior to any known translation of Plato. (shrink)

In this paper I focus on a passage of Plato’s Laws that so far has been the object of little study (V 731d-732b). In the Laws, the origin of all evil is neither an ontological principle, as in the Judaeo-Christian tradition, nor a simple lack of knowledge (àghnoia) or a lack of knowledge combined with the false presumption of knowledge (amathìa). Rather, in this passage amathìa itself is traced back to “excessive self-love” (sphòdra heautoû philìa). I show that this “excess” (...) has a specific “anthropological” relevance, because it is not limited to the intellectual sphere or to the will, but directly concerns the human way of loving. The thesis that I argue for in this paper is that this “excess” is a possibility implicit in the human being qua àplestos, and should therefore be interpreted in an “anthropological” sense: it does not indicate a simple “lack” of balance, but rather a possibility and a risk to which humans expose themselves when they exceed the homeostatic balance of needs typical of non-human animals. Finally, I trace the various steps of this “anthropology of excess” back to its origin: the image of the leaky jar found in the Gorgias. (shrink)

For Plato, philosophy depends on, or is perhaps even identical with, dialectic. Few will dispute this claim, but there is little agreement as to what Platonic dialectic is. According to a now prevailing view it is a method for inquiry the conception of which changed so radically for Plato that it "had a strong tendency ... to mean ‘the ideal method’, whatever that may be" (Richard Robinson). Most studies of Platonic dialectic accordingly focus on only one aspect of this method (...) that allegedly characterizes one specific period in Plato’s development. -/- This volume offers fresh perspectives on Platonic dialectic. Its 13 chapters present a comprehensive picture of this crucial aspect of Plato’s philosophy and seek to clarify what Plato takes to be proper dialectical procedures. They examine the ways in which these procedures are related to each other and other aspects of his philosophy, such as ethics, psychology, and metaphysics. Collectively, the chapters challenge the now prevailing understanding of Plato’s ideal of method. -/- New Perspectives on Platonic Dialectic will appeal to scholars and advanced students interested in Plato, ancient philosophy, philosophical method, and the history of logic. (shrink)

This essay offers an original interpretation and defense of the doctrine of flux, as it is presented in Plato’s Theaetetus. The methodology of the paper’s analysis is in the style of rational reconstruction, and it is highly analytic in scope, in the sense that I will focus on the text itself, and only on certain parts of it too, while ignoring the rest of Plato’s extensive corpus, and without worrying about whether, how, and to what extent the interpretation of the (...) view coheres well with the other elements of the secret doctrine view discussed in the dialogue, as well. In the first part of the essay, I’ll offer my interpretation of the doctrine. Then, in the second part of the essay, I’ll examine two potential criticisms of the doctrine, including Socrates’s infamous linguistic paradox, and show how my interpretation of Heraclitean flux metaphysics is able to circumvent both. (shrink)

The paper explores broader socio-historical circumstances which led to the famous Plato’s argument in favor of gender equality in Republic V. The author will critically discuss some of the most relevant interpretations of the argument given by G. Vlastos, J. Annas, A. W. Saxonhouse, and other contemporary philosophers. While some influences of Pythagoreanism or even Spartan practices must be admitted, Plato’s argument appears to be quite original and “revolutionary” for the 4th century B.C. Athens. Of particular importance is to recognize (...) the instrumentalist character of Plato’s and ancient Greek feminism in general, through careful comparisons with the contemporary era. (shrink)

Analysis of the Deductions in Plato's Parmenides.

Analysis of Heidegger on Plato's Doctrine of Truth, the Cave Allegory.

Analysis of the Deductions in Plato's Parmenides.

Philosophy, right from its inception in antiquity, has always been a source of ideas, and inspiration for the transformation of society. In attempt to solve societal problems, philosophers ask critical questions and suggest rational answers to them just like some fundamental theories postulated by great thinkers in the past had been usefully applied to solve contemporary problems. Hence, using analytic method, this work makes vivid through criticism from the light of Plato’s notion on politic, the reason why Nigeria is where (...) she where and even in worst state of degenerating and decaying in all levels caused by wrong administration of her political system. The people can only live a good life if and only if the state is in good hands; those who hold common good at heart. (shrink)

Commentators have often been puzzled by the structure of the Symposium; in particular, it is unclear what the relationship is between Socrates’ speech and that of the other symposiasts. This chapter seeks to make a contribution to that debate by highlighting parallels between the first four speeches of the Symposium and the goals of the early education in the Republic. In both dialogues, I contend, we see Plato concerned with educating people through (a) activating and cultivating spirited motivations, (b) becoming (...) lawful and taking virtue as a goal, (c) harmonizing the opposing forces in their soul, and (d) minimizing the appetites and making them orderly. While these are familiar points from the moral education of the Republic, I argue that they also map onto the first four speeches of the Symposium respectively. Because in the Republic this moral education is necessary to make progress on the epistemic ascent, we can speculate that there is a similar point to be made in the Symposium – without first training our character adequately, we will not be able to climb the ladder of love. While the positive effects of Eros described in the early speeches of the Symposium are only imitations of the ideal education regime of Kallipolis, they nevertheless improve one’s character in such a way that better prepares the soul for philosophy. Finally, I argue that the importance of this moral education is dramatized at the end of the Symposium through Agathon’s amicable refutation by Socrates on the one hand, and the drunken entrance of Alcibiades on the other. Agathon shows potential for philosophy whereas Alcibiades is the exemplar of what happens when somebody comes to philosophy without a harmonized soul. (shrink)

When people now talk about a relationship as being “Platonic”, they mean that the relationship is a non-sexual friendship. But what did Plato himself say about different kinds of relationship, and how did his name come to be associated with non-sexual relationships? While Plato’s Symposium has been the center of attention for his views on love, I argue that the Phaedrus and Laws VIII provide a much clearer account of Plato’s views. In these dialogues, Plato distinguishes between two kinds of (...) love and three kinds of lover. The two kinds of love are fundamentally oriented towards different objects: one kind of love is focused on the body of the beloved and seeks to extract as much bodily pleasure from them as possible, whereas the other kind of love is focused on the soul and seeks to benefit the beloved by improving their character. There is a lover for each kind of love, and a third kind of lover who is torn between these two opposing objects of love. Notably, in the kind of love directed towards the soul, the lovers will not engage in sexual activity. I argue that this is because Plato thinks that the natural function of sex is the procreation of good children and that engaging in such an intensely pleasurable activity risks making the lovers intemperate and lacking in self-control. Thus Plato thinks that the best kind of relationship is one of love (and not just friendship) but is nonetheless non-sexual. (shrink)