Art as a Form of Negative Dialectics: 'Theory' in Adorno's Aesthetic Theory

Journal of Speculative Philosophy 11 (1):40 - 52 (1997)
Download Edit this record How to cite View on PhilPapers
Abstract
Adorno’s dialectical approach to aesthetics is perhaps understood better in terms of his monumental work, 'Aesthetic Theory,' which attempts to relate the speculative tradition in philosophical aesthetics to the situation of art in twentieth-century society, than in terms of purely theoretical claims. This paper demonstrates that Adorno embraces the Kantian thesis concerning art’s autonomy and that he criticizes transcendental philosophy. It also discusses how Adorno provides the outlines for a dialectical conception of artistic truth in relation to his argument with Hegel. Adorno’s assessment of the Enlightenment is linked to his interpretation of twentieth-century literature. The conclusion of this paper emphasizes the political implications of Adorno’s position when the philosopher approaches art as a sign of historical truth.
PhilPapers/Archive ID
MELAAA-4
Upload history
Archival date: 2016-10-14
View other versions
Added to PP index
2011-05-29

Total views
1,794 ( #1,744 of 58,426 )

Recent downloads (6 months)
154 ( #3,393 of 58,426 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.