Literature

The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence".

I believe that as a teacher I must provide high quality content for my students. And all these should be available for free online so that bright students globally can choose which editions of a seminal text they can study. In every UG, PG examination, one is asked about the importance of the title of Shaw's play. In this paper I have illustrated by my own reading how one should and can approach the play. For scholars, my annotations referring to (...) John of Patmos may be interesting. I have deposited this paper here since I have shown the deep multiple philosophical mooring which Shaw affords but often even a discerning reader misses. (shrink)

This reflection on the Petrine Ministry is being made freely available to students during this ongoing pandemic of COVID 19. This very brief essay seeks to understand the meaning of the title of the eponymous novel by Graham Greene.

This is made open access for students worldwide. The bulleted points deal with Fowles' engagement with Victorian morals. This draft which will not be published shows how this novel is not a historical novel, though it portrays historical facts. This is for self-study during this ongoing COVID 19 pandemic. Students are advised to follow the hyperlinks embedded within the body of the text. This is a non-plagiarised paper to serve the needs of intermediate students.

-/- Letter to a friend : Creative Thinking and Intuition Letter to a friend about creative thinking and intuition (art, writing, philosophy, science, etc ) .

Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...) that defines literary conventions by the pleasurable feelings they release in the brain, and then equates them with outside experiences that people subconsciously attach to the literary work, in the same way that we can be conditioned to feel love when we view our wedding rings, can actually resolve almost every seeming contradiction in Aristotle's ideas and traditional theories of storytelling when compared to real-world results. -/- Furthermore, this approach can be extended to the other major forms of art, including painting, music and even video games, leading to a "Non-Aristotelian" theory that modifies the fundamental aspects of each of these fields, but in a natural and necessary way, which strengthens both our understanding and our ability to predict the success or failure of art in the future. -/- My work as a vlogger and writer, mostly done via my Youtube channel "StoryBrain," has been viewed over 6 million times, and written about in MovieMaker magazine, Creative Screenwriting magazine, on the front page of major sites like Reddit, Roger Ebert online, and in international newspapers like the Sydney Morning-Herald in Australia and Fotogramas in Spain. My work is also the subject of a chapter of the currently-in-release book "Neuro-Design," by Kogan Page publishing, called "The Neuro Movie Analyst." This paper is a detailed introduction to the theory of Emotional Indiscretion which I have talked about in my work. (shrink)

This paper takes the Status Loss Theory (introduced and explained in the first "How Humor Works" paper), and applies it to 40 real-world examples, including memes, radio and TV shows, movie and comic book tropes, song parodies, humor sayings, stand-up comedy cliches, known psychological quirks of humor, and more, to demonstrate the theory's potential to function as the first clear, complete, logical, and simple basis for defining, studying, and understanding humor in all of its forms.

This article shows that underlying the Museyroom passage of James Joyce's Finnegans Wake is an account of the Battle of the Little Bighorn. Joyce's passage touches on what motivated the battle, its Irish participants, its commanders, Custer's disagreements with his Crow scouts, Sitting Bull's prediction of Custer's failure, Custer's (purely fanciful) joking reply to Sitting Bull's prediction, Custer's home near Bismarck, ND, and his signature song. Other passages scattered throughout Finnegans Wake treat of casualties, a straggler, Custer's trumpeter, Custer's from-the-grave (...) denunciations of his subordinates, and the burial of the dead. The famous "Three quarks for Muster Mark!" passage describes the desolation of Last Stand Hill. And Joyce's famous final paragraph contains an account of the legend of the narrow escape of Custer's Crow scout Ashishishe, who, at the battle's close, hides in the carcass of a horse before making his escape downriver. A brief look at Joyce's choice of names closes out the article. (shrink)

In a first investigation, a Lacan-motivated template of the Poe story is fitted to the data. A segmentation of the storyline is used in order to map out the diachrony. Based on this, it will be shown how synchronous aspects, potentially related to Lacanian registers, can be sought. This demonstrates the effectiveness of an approach based on a model template of the storyline narrative. In a second and more Comprehensive investigation, we develop an approach for revealing, that is, uncovering, Lacanian (...) register relationships. Objectives of this work include the wide and general application of our methodology. This methodology is strongly based on the “letting the data speak” Correspondence Analysis analytics Platform of Jean-Paul Benzécri, that is also the geometric data analysis, both qualitative and quantitative analytics, developed by Pierre Bourdieu. (shrink)

Bringing together literary scholars, computer scientists, ethicists, philosophers of mind, and scholars from affiliated disciplines, this collection of essays offers important and timely insights into the pasts, presents, and, above all, possible futures of Artificial Intelligence. This book covers topics such as ethics and morality, identity and selfhood, and broader issues about AI, addressing questions about the individual, social, and existential impacts of such technologies. Through the works of science fiction authors such as Isaac Asimov, Stanislaw Lem, Ann Leckie, Iain (...) M. Banks, and Martha Wells, alongside key visual productions such as Ex Machina, Westworld, and Her, contributions illustrate how science fiction might inform potential futures as well as acting as a springboard to bring disciplinary knowledge to bear on significant developments of Artificial Intelligence. Addressing a broad, interdisciplinary audience, both expert and non-expert readers gain an in-depth understanding of the wide range of pressing issues to which Artificial Intelligence gives rise, and the ways in which science fiction narratives have been used to represent them. Using science fiction in this manner enables readers to see how even fictional worlds and imagined futures have very real impacts on how we understand these technologies. As such, readers are introduced to theoretical positions on Artificial Intelligence through fictional works as well as encouraged to reflect on the diverse aspects of Artificial Intelligence through its many philosophical, social, legal, scientific, and cultural ramifications. (shrink)

In the wake of modernism studies' global turn, this article considers the role of translation in fostering Iranian modernism. Focusing on the poetic translations of Bijan Elahi (1945-2010), one of Iran's most significant poet-translators, we demonstrate how untranslatability becomes a point of departure for his experimental poetics. Elahi used premodern Sufi hermeneutics to develop his modernist theory of translation, whereby the alien core of the text is recognised at the centre of the original. As he engages the translated text from (...) many angles, Elahi confounds polarities between innovation and imitation, and authorship and translation, that continue to bifurcate translation studies. In contributing to the globalization of modernist studies, this work adds to our understanding of modernism's entanglement within premodern concepts of creation, as well as to modernism's recreation of tradition from a non-European periphery. (shrink)

Although personal relevance is key to sustaining an audience’s interest in any given narrative, it has received little systematic attention in scholarship to date. Across centuries and media, adaptations have been used extensively to bring temporally or geographically distant narratives “closer” to the recipient under the assumption that their impact will increase. In this review article, we review experimental and other empirical evidence on narrative processing in order to unravel which types of personal relevance are more likely to be impactful (...) than others, which types of impact (e.g. aesthetic, therapeutic, persuasive) they have been found to generate, and where their power may become excessive or outright detrimental to reader experience. (shrink)

Poesia come cammino verso la casa che non c'è, perché è sempre con noi.

La rivolta contro le poetiche della tradizione, alla ricerca di nuove forme poetiche.

Poetry is a literary work of two different worlds, the ideal world and the factual world. This research describes the ideal world and the factual world, gap/opposition or equivalent. The method is descriptive qualitative. The research results showed an equivalent and opposition in the poetry of Surat Cinta (love letter) by WS Rendra. The equivalent is seen in the aspects of romance leading to: (1) passion, (2) love, (3) remembered and thought in the heart, (4) restless, (5) worried, and (6) (...) sad. Whereas, the opposition is seen in the aspect of expression in the form of: (1) thoughts with feelings, (2) men with women, (3) love with grief, and (4) sweetly with bitterly. The equivalent and opposition in the poetry of Surat Cinta by WS Rendra as a whole build the integrity of meaning in poetry. (shrink)

Ausgehend von den vv. 218ff. der Iphigenie bei den Taurern zeigt der Beitrag, wie in dem Drama die tragische Dimension des menschlichen Daseins als eine unwirtliche zu Tage tritt. Diese offenbart eine wirtliche Ökonomie, die diesem Dasein ein Fundament geben kann, das nicht zunächst nach dem ausgerichtet ist, was recht und billig erscheint, sondern, allem voran, im sinnstiftenden Reichtum eines tragischen Schicksals wurzelt, das dem Menschen sein Eigenes und Freies zu gewähren vermag.

Der interdisziplinär ausgerichtete Band zielt nicht auf die Korrektur oder Ergänzung des herrschenden ökonomischen Paradigmas. Vielmehr gilt es neu zu bestimmen, was ökonomisches Wissen, was seine Quellen und Methoden sein sollen. Wie lässt sich eine solche Neubestimmung im Rückgang auf Werke der Dichtung und Kunst gewinnen? Welche fruchtbaren Impulse können aus interkulturellen Aspekten hervorgehen? Sind klassische philosophische Positionen überhaupt noch relevant für aktuelle ökonomische Problemstellungen und, wenn ja, in welcher Weise? Somit wird die weithin bestehende Akzeptanz, mit der jenem Paradigma (...) und dem Problem seines Wirklichkeitsbezugs begegnet wird, in Frage gestellt. (shrink)

This is a comprehensive critique of the Heidegger problem and while putting forward a critique of Heidegger; it establishes the sanctity of Levinas. In the process of doing so; the reviewer touches on the problems of not considering Edith Stein in a book of this sort. When I got my tenure in India, one wisecrack on the board of interviewers asked me how Kit Marole influenced Shakespeare. I knew that he was just quoting Wayne C Booth's stuff on Macbeth. John (...) E Drabinski and Eric S Nelson are not those wisecrack sorts. They are serious scholars and this review gives them their due. They have shown the Janus nature of the Nazi, Heidegger who was instrumental in gassing Edith Stein, who needs to be known more throughout the academy, which COVID 19 has successfully destroyed. And we need Levinas and Stein to rebuild a world which will be mediated soon by drones and inane webinars and contactless nonsense. This reviewer suggests that we read this book with great care. And not participate in meaningless online events. (shrink)

Today's academia is obsessed about writing and speaking gobbledygook. At least most of the time. It has little time in sitting still and actually reading fiction, poetry and say, Wittgenstein. One pretends to say fancy things about these authors but one does not actually read books anymore. COVID 19 Lockdown prompted this author to answer queries from students and peers about a reading list. So prepare a wide ranging list he did which covers everything from the version of Mahabharata one (...) ought to read to novels on celibacy. But then he chose to publish at Prabuddha Bharata over all other platforms because the Ramakrishna Mission has the finances to keep this list alive 200 years hence. This was written during COVID 19 Lockdown in India at the end of April, 2020. Nirad C Chaudhuri insisted on making a good bibliography in his magnum opus. This author follows Nirad C Chaudhuri in quietly speaking about how Harold Bloom plagiarised the Late Professor John Senior's reading list. The list also comments on Romanticism and the art of writing itself. The list on Hinduism is truly contrarian. One hopes that this list survives when GoodReads and other Listopias are no longer. -/- Today's academia is obsessed about writing and speaking gobbledygook. At least most of the time. It has little time in sitting still and actually reading fiction, poetry and say, Wittgenstein. One pretends to say fancy things about these authors but one does not actually read books anymore. COVID 19 Lockdown prompted this author to answer queries from students and peers about a reading list. So prepare a wide ranging list he did which covers everything from the version of Mahabharata one ought to read to novels on celibacy. But then he chose to publish at Prabuddha Bharata over all other platforms because the Ramakrishna Mission has the finances to keep this list alive 200 years hence. This was written during COVID 19 Lockdown in India at the end of April, 2020. Nirad C Chaudhuri insisted on making a good bibliography in his magnum opus. This author follows Nirad C Chaudhuri in quietly speaking about how Harold Bloom plagiarised the Late Professor John Senior's reading list. The list also comments on Romanticism and the art of writing itself. The list on Hinduism is truly contrarian. One hopes that this list survives when GoodReads and other Listopias are no longer. -/- These COVID 19 days, while the First world is mooning over syllabi for their kids and third and fourth world folks like me are tackling Umphan; I chose to prepare a new kind of syllabus. A syllabus which is not merely a list. In these days of incessant and meaningless webinars which my students can only spread memes about and only the poor and doctors will actually travel to white nations which are killing their own; here's a list which ends with Hindu classics which are contrarian. Nirad C Chaudhuri, a much maligned man in India and a forgotten polyglot in white privileged academia said we must first prepare a bibliography. So, Figure it out. I used some of the Hindu resources on recognition mentioned here and tried to work on Stephen King; a privileged white tenure track person from Trumpland just snowballed me. Now, this list is syllabi and also just a list of a bunch of books to read during Lockdowns which will be more common in the future because COVID 19, as Dr Fauci tells us; is here to stay. Even if one COVID 19 person is there; then along with Ebola, my white privileged tenure track fiends; off you go to gagaland. We in India already know these diseases. Go figure it out. (shrink)

La letteratura e la tragedia tra mito e filosofia.

I Racconti di Edgar Allan Poe, tra orrore e ricerca della luce.

In The Hobbit, J. R. R. Tolkien constructs middle-aged Bilbo Baggins as a sheltered and emotionally immature ‘child’ during the opening chapters before tracing his development into an autonomous, self- aware adult as the tale progresses. This article examines Tolkien’s novel qua bildungsroman through both a literary lens—considering setting, dialogue, and symbolism, among other techniques—and via a psychological framework, emphasizing an Eriksonian conception of development. Additionally, Peter Jackson’s three-part film adaptation of The Hobbit is discussed throughout with ways that Jackson (...) succeeds and fails at portraying Bilbo’s childlike attributes noted. I argue that Tolkien presents a sophisticated account of Bilbo’s childish persona growing into a mature adult worldview, and that Jackson appropriately reflects much, though not all, of this development in his films. (shrink)

Walter M. Miller, Jr.’s 1959 novel A Canticle for Leibowitz is on one level a theological reflection on the human propensity to sin. Not coincidentally, the story is located in an Albertinian abbey in the former American southwest six hundred years after a nuclear holocaust, recounting three separate historical periods over the following twelve hundred years: a dark age, a scientific renaissance, and finally a time of technological achievement where a second nuclear holocaust is imminent. Miller asks the question of (...) whether humans as a species cannot avoid committing acts of sin that cumulatively and continually lead to acts of societal and technological self-destruction; his response oscillates between a fatalistic pessimism (the final extinction of the human species) and a vague optimism (the “new creature,” the mutant Rachel, or perhaps a last group of humans leaving the Earth as the curtain falls). It is my thesis in this article that theological questions about sin (as explored by Augustine and later scholars) can be fruitfully approached by analogous genetic processes; more precisely by reference to the rising science of Epigenetics, which explores how genes can express themselves differently without mutating in response to life stressors. In light of the idea of a genetic and epigenetic expression of moral rules of existence, Augustine’s thesis of original sin as something that is inherited makes new sense. In this light, it may also be possible to approach the question that the Canticle proposes: are we destined to self-destruction, or is there a way out of this destructive cycle? (shrink)

The aim of this essay is to show that Yann Martel’s Life of Pi can be read as illustrating what philosophers usually name as pragmatic arguments for religious belief. Ultimately, this seems to be the reason why, in the short prologue that accompanies the novel, Martel claims Life of Pi to be “a story to make you believe in God”. To put it briefly, these arguments claim that even conceding that the question of whether to believe that God exists or (...) that He does not exist cannot be decided upon the evidence we have, we are still justified to decide to believe in God because of the practical beneficial consequences this belief will bring to us. In Martel’s Life of Pi it is this kind of pragmatic reasoning that originates and what makes the “story with animals” preferable over the “story without animals.” I also point out that these arguments appear more convincing if they are not understood as referring to belief in the ordinary and common usage of the term, as the acceptance as being true the factual claim that the world is such that God does actually exist, but as referring to a subjective, non-truth-dependent way of understanding the world and of relating to it. I show that this is precisely the kind of conception of religious faith that is illustrated by the character of Pi through the novel. (shrink)

Wie wäre es mit einer anderen Ausg. der Reichen und Berühmten? Zuerst das Offensichtliche – die Harry-Potter-Romane sind primitiver Aberglaube, der Kinder dazu ermutigt, an Fantasie zu glauben, anstatt Verantwortung für die Welt zu übernehmen – natürlich die Norm. JKR ist genauso ahnungslos über sich und die Welt wie die meisten Menschen,aber etwa 200 Mal so destruktiv wie der durchschnittliche Amerikaner und etwa 800 Mal mehr als der durchschnittliche Chinese. Sie war verantwortlich für die Zerstörung von vielleicht 30.000 Hektar Wald, (...) um diese Müllromane zu produzieren, und die ganze Erosion, die sich daraus ergibt (nicht trivial, da esmindestens 6 und vielleicht 12 Tonnen/Jahr Boden in den Ozean für alle auf der Erde oder vielleicht 100 Tonnen pro Amerikaner ist, und so etwa 5000 Tonnen/Jahr für Rowlings Bücher und Bewegungenundihre 3 Kinder). Die Erde verliert jedes Jahr mindestens 1% ihres Oberbodens, so dass der größte Teil ihrer Nahrungsmittelanbaukapazität weg sein wird, wenn sie sich dem Jahr 2100 nähert. Dann gibt es die riesige Menge an verbranntem Brennstoff und Abfall, die gemacht werden, um die Bücher und Filme, Plastikpuppen usw. herzustellen und zu vertreiben. Sie zeigt ihren Mangel an sozialer Verantwortung, indem sie Kinder hervorbringt, anstatt ihre Millionen zu verwenden, um familienplanerisch zu sein oder den Regenwald aufzukaufen, und indem sie die konventionelle liberale Dummheit der Vorherrschaft der Dritten Welt fördert, die Großbritannien, Amerika, die Welt und die Zukunft ihres Nachkommen zerstört. Natürlich unterscheidet sie sich nicht so sehr von den anderen 7. 8 Milliarden ahnungslos - nur noiser und zerstörerischer.. Es ist das keine kostenlose Mittagessen Problem schreiben groß. Der Mob kann einfach nicht sehen, dass es nichts gibt, wie einer Person zu helfen, ohne anderen zu schaden. Rechte oder Privilegien, die Neuankömmlingen in einer überfüllten Welt gewährt werden, können die Rechte anderer nurvereist enden. Trotz der massiven ökologischen Katastrophen, die sich jeden Tag überall vor ihnen abspielen, können sie sie nicht an die hemmungslose Mutterschaft der "Vielfalt" heften, die für den größten Teil des Bevölkerungszuwachses des letzten Jahrhunderts und all das in diesem jahr erklärt. Ihnen fehlt eine Kombination aus Intelligenz, Bildung, Erfahrung und Gesunden, die erforderlich sind, um die täglichen Angriffe auf die Ressourcen und das Funktionieren der Gesellschaft auf den letztendlichen Zusammenbruch der industriellen Zivilisation zu extrapolieren. Jede Mahlzeit, jede Fahrt mit dem Auto oder Bus, jedes Paar Schuhe ist ein weiterer Nagel im Sarg der Erde. Es ist ihr wahrscheinlich nie in den Sinn gekommen, dass ein Sitz in einem Flugzeug von London nach San Francisco etwa eine Tonne Kohlenstoff produziert, der etwa 3 Quadratmeter Meereis schmilzt, und als eine der Überprivilegierten hat sie wahrscheinlich Hunderte solcher Flüge geflogen. Nicht nur die Reichen und Berühmten, sondern fast jede öffentliche Persönlichkeit überhaupt, einschließlich praktisch aller Lehrer, werden unter Druck gesetzt, politisch korrekt zu sein, was in den westlichen Demokratien heute sozialdemokratisch(neomarxistisch – d.h. verwässerte Kommunisten) bedeutet, dass die Supremacisten der Dritten Welt für die Zerstörung ihrer eigenen Gesellschaften und ihrer eigenen Nachkommen arbeiten. Diejenigen also, deren Bildung,Erfahrung, Intelligenz (und der grundlegende gesunde Menschenverstand), die ihnen verbieten sollten, überhaupt öffentliche Erklärungen abzugeben, völlig alle Medien beherrschen und den Eindruck erwecken, dass die Intelligenten und Zivilisierten Demokratie, Vielfalt und Gleichheit begünstigen müssen, während die Wahrheit ist, dass dies die Probleme und nicht die Lösungen sind und dass sie selbst die Hauptfeinde der Zivilisation sind. Siehe my Suicide by Democracy 2nd ed (2019) und andere. (shrink)

Un viaggio nell'opera filosofica, narratologica e poetologica di Ingeborg Bachmann che include i radiodrammi e i saggi radiofonici.

Una esplorazione intorno al sentimento del vivente in Leopardi che in questo primo volume è incentrata sul suo multimondo poetico.

Un itinerario poetico lungo trent'anni. Terza edizione, 2019.

The aim of this paper is to explore what insights relevant logics may provide for the understanding of literary fictional narrative. To date, hardly anyone has reflected on the intersection of relevant logics and narratology, and some could think that there is good reason for it. On the one hand, relevance has been a prominent issue in pragmatics, in the tradition of Grice, and Sperber and Wilson; thus framed, relevance is highly context-sensitive, so it seems unsuitable for formal analysis. On (...) the other hand, the very idea of a logic of narrative has been criticized, arguing that logic brings to a stasis the time of human action (Ricœur, II: 29-60), or that its emphasis on rules misses the creative, unpredictable character of literature (De Man)... First, I will briefly introduce relevant logics, with an eye to showing their interest for narratological concerns, rather than to here providing a coherent (let alone comprehensive) survey. Secondly, lest I get drawn into purely abstract discussion, I will analyse several stories in order to give some instances of the kind of topics congenial to narratology that may be addressed with a relevantist toolkit. Thirdly (and lastly), I will expand in more theoretical fashion on certain issues raised in the second section and bring them into connection with pragmatic relevance theory. (shrink)

The poem is about my PhD experience. The title and parts of the themes are derived from an incident in the Bible (Acts 19:13-20). In order to provide a deeper meaning to my story, I have deployed a biblical allusion which connects with the story of the sons of Sceva, who made unsuccessful attempts to exorcise a man from Ephesus. They failed primarily because they operated not in the spirit but in the flesh.

While this article aims to explore the connections between citizenship and ‘race’, it is the first study to use fictional tools as a sociological resource in exemplifying the deviation between citizenship in principle and practice in an Austrian context. The study involves interviews with 73 Austrians from three ethnic/racial groups, which were subjected to a directed approach to qualitative content analysis and coded based on sentences from George Orwell’s fictional book, ‘Animal Farm’. By using fiction as a conceptual and analytical (...) device, this article goes beyond the orthodox particulars of citizenship to expose the compressed entitlements of some racial/ethnic minorities. In particular, data analysis revealed two related and intertwined central themes: (a) “all animals are not equal or comrades”; and (b) “some animals are more equal than others”. All ‘animals’ may be equal in principle, whereas, in practice, their ‘race’ serves as a critical source of social (dis)advantage in the ‘animal kingdom’. Thus, since citizenship is a precondition for possessing certain rights that non-citizens are not granted, I argue that citizenship cannot only be judged by whom it, in theory, excludes (i.e., non-citizens), but also by how it treats the included (i.e., citizens) on the basis of their ‘race’. I conclude that skin colour is a specific aspect of the hierarchy of citizenship in Austria, which reinforces that ‘some animals are more equal than others’. (shrink)

Рецензия на книгу: Э.Д. Бакулина, А.В. Яблоков. Волшебный браслет. Москва, Детская литература, 1971 г.

Fiction is the favorite of most of the readers. Fiction is the reflection of the societal living and lives of human beings as observed by the writer. The writer also will have individual experiences, ideas, likes, dislikes, philosophy which influence and mold his writings. Fiction is famous as short-fiction and novel. Though fictitious, and also because fictitious, fiction takes possession of minds and hearts of readers more than any other literary genre. Their imaginations sore and they get engrossed in the (...) reading of fiction. Fiction is very good in engaging and passes time to the readers. The scholarship, study, reading, worldly knowledge and observation will make one a good fiction writer. The influence of earlier famous fiction writers will mold the writing of author. I am influenced by stories from the Ramayana and the Mahabharata, Panchatantra, Hitopadesa, Jataka Tales, Somerset Maugham, O. Henry, P.G. Wodehouse, Boris Pasternak, Sir Conon Doyle, Saratchanda Chaterjee, Sripada Subrahmanya Sastry, Satyam Sankarmanchi, mostly and many foreign and Indian fiction-writers. My style of writing is mostly in first person-the aatmaasraya narration. (shrink)

This paper explores Jean Starobinski's often tacit conception of the implied author, with a view to clarifying his intellectual legacy for literary criticism. It argues that it is plausible to trace a certain strand in the intellectual genealogy of Starobinski's literary theory from the descriptive psychology of Wilhelm Dilthey to twentieth-century psychoanalysis and phenomenology. Accordingly, the question "Who is Jean Starobinski?" is formulated in a sense which seeks to move beyond the bare facticity of biographical detail, a sense that can (...) be expected to differentiate between scholarly and purely journalistic enquiry to ask: who, exactly, is the Jean Starobinski that we encounter in his major works - works like "The Living Eye" and "Transparency and Obstruction"? It is from this vantage point that the discussion proceeds to clarify Starobinski's ambivalent relations to both Rousseau and Freud, and thereby to illuminate some of the tensions and nuances inherent in his notion of the implied author. (shrink)

This article intends to offer a general presentation of the way in which Saint Thomas Aquinas proceeded in his exegesis of sacred texts. The author concentrates on one of Aquinas’ most estimated biblical commentaries, his Lectura on the Gospel according to St. John. Aquinas combines great theological insight with an incipient development of some literary techniques. In his hermeneutics, he emphasizes the priority of the literal sense of Scripture, although this thesis does not lead him to present a purely natural (...) interpretation. The supernatural mystery of God belongs to the literal sense of Scripture. This is why God, as the principal author of Scripture, might have intended to express different truths even within a single passage. (shrink)

Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...) Die Autorinnen und Autoren des vorliegenden Bandes legen das Gewicht auf Benjamins Material, sei es Literatur, Theater, Metaphysik, Rechts- und Moralphilosophie, Zeitschriftenprojekte, soziale Bewegungen oder Stadtarchitektur. Anhand von Texten unterschiedlicher Werkphasen untersuchen sie das Verhältnis von Material und Begriff aus beiden Blickrichtungen. Dieses Vorgehen ermöglicht es, auch Licht auf theoretische Beziehungen und Arbeitszusammenhänge zu werfen, die bisher eher unbeachtet blieben. (shrink)

Messud's The Woman Upstairs as a post-9/11 craft makes use of transnational characters to emphasize the hidden bigotry and hypocrisy in the current age. The dominance of feminine figures in The Woman Upstairs highlights the significance of 'Agonistic feminine identity' in the twenty-first century America that reflects how the interactions among women are socio-politically flavored. Messud’s feminine setting in The Woman Upstairs sketches out Nora as a woman who constructs her life in accordance with the socio-cultural norms her mother and (...) the society promote. Yet women’s friendship that bridges the sociocultural gap between women of the First World and women of the Third World reveals to be a fake friendship that covers the antagonisms. Thus, although multiraciality is constantly represented in Messud’s oeuvre, the tension against the ‘others’ who are to be neocolonially subjugated in the postcolonial America is symbolically represented through Messud's ‘Wonderland’. Decoding the sociocultural behavior of women in the twenty-first century America through Chantal Mouffe’s theory of agonistic pluralism, it can be concluded that a new form of feminine identity, that can be well labeled as 'agonistic feminine identity', is constructed in the twenty first century America due to traumatic events such as the 9/11. Hence, intolerance and revenge that is flooding between the two women of two different worlds is agonistically controlled through the construction of The Woman Upstairs. Messud's The Woman Upstairs as a post-9/11 craft makes use of transnational characters to emphasize the hidden bigotry and hypocrisy in the current age. The dominance of feminine figures in The Woman Upstairs highlights the significance of 'Agonistic feminine identity' in the twenty-first century America that reflects how the interactions among women are socio-politically flavored. Messud’s feminine setting in The Woman Upstairs sketches out Nora as a woman who constructs her life in accordance with the socio-cultural norms her mother and the society promote. Yet women’s friendship that bridges the sociocultural gap between women of the First World and women of the Third World reveals to be a fake friendship that covers the antagonisms. Thus, although multiraciality is constantly represented in Messud’s oeuvre, the tension against the ‘others’ who are to be neocolonially subjugated in the postcolonial America is symbolically represented through Messud's ‘Wonderland’. Decoding the sociocultural behavior of women in the twenty-first century America through Chantal Mouffe’s theory of agonistic pluralism, it can be concluded that a new form of feminine identity, that can be well labeled as 'agonistic feminine identity', is constructed in the twenty first century America due to traumatic events such as the 9/11. Hence, intolerance and revenge that is flooding between the two women of two different worlds is agonistically controlled through the construction of The Woman Upstairs. (shrink)

In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...) doing philosophy. This strange and elusive book introduces the difficult and counter-intuitive notion of repetition. Repetition is a category of performativity that aims to activate the subjectivity of the reader. This performative effect is achieved by confronting the reader with an “unresolved”existential problem that is not yet drawn into clarity but is staged in all its confusions and contradictions. Kierkegaard’s pseudonym Constantius relies here on a performative writing strategy that is animated by a dialectic of advance and withdrawal. In the last and third step, I will analyze Constantius’s own reflection on the performative dimension of his text. Constantius has left several clues behind, each of which suggests that he deliberately developed a performative writing strategy. (shrink)