Theodor W. Adorno

A Democratic-party counterstrategy against consolidation of power by the Republication party in the USA.

The Free Market as the synthesis of totalitarianism and anarchism --- The most efficient market is the most politically-concentrated market --- There really needs to be a single consolidated global military as a result of eradicating the military other AND a single consolidated global police as a result of eradicating the military arsenal AND simply total internalization of relations of power as a result of eradicating the polis AND the principle of radical economic sustainability which is simultaneously that of radical (...) political preservation as the single principle of total internalization of relations of power only---man is something that shall be overcome. (shrink)

Waiting for Godot’s many commentators have emphasized the absurdity of hope in the play, but there has not been an account of how the play reprises hope’s historical transformation and weakening in modernity. This essay provides that account, arguing that Beckett’s Waiting for Godot sponsors a form of hope appropriate to the predicaments of modern societies. Godot stages the blockage of hope by reflecting the obsolescence and fragmentation of the religious and progressive legitimations for the concept that used to be (...) broadly convincing. Despite this blockage, however, Godot does not give in to nihilism. It, rather, models a form of responsible, self-aware hope appropriate to an historical situation where hope does not admit of rational justification. To develop this interpretation of the play and to defend its minimalist conception of hope, the essay draws on Theodor W. Adorno’s Negative Dialectics and aesthetics. (shrink)

Myths—symbolically dense narratives in wide cultural circulation that resist critical scrutiny—are often thought to be counterproductive to political discourse, but they are also ubiquitous in contemporary culture and society. Just two years apart, Jürgen Habermas and Hans Blumenberg developed contrasting visions of how we ought to respond to the myths in our society. By reconstructing their disagreement, this paper uncovers the distinctive challenge of balancing a commitment to political emancipation with the opacity of myths to critical reason. I argue for (...) an alternative approach to myths than those in the theoretical mainstream, taking Blumenberg’s relatively neglected position as a starting point. Blumenberg invites us to pay closer attention to the cognitive needs that necessitate the generation of myths while simultaneously reminding us of our own creative agency to reinvent them. (shrink)

From Karl Marx to the early Frankfurt School theorists, into other critical traditions through the twentieth and into the twenty-first century, critical social theorising has both implicitly and explicitly concerned itself with matters pertaining to nature as part of differing critiques of the destructive unfolding of late-industrial capitalism (and beyond). Horkheimer himself notes, in a defining essay that gave shape to Frankfurt School Critical Theory, Traditional and Critical Theory (1937), that “[the subject of critical thinking] is rather a definite individual (...) in his real relation to other individuals and groups, in his conflict with a particular class,and, fi nally, in the resultant web of relationships with the social totality and with nature” (Horkheimer 1937 [1972]: 211) [emphasis added]. What, one may ask, is meant by this concept of ‘nature’? In Western philosophical thought, there are countless definitions and conceptions of the term, from the Greek and Roman philosophers, through different Christian theologies, the scientific turn of philosophical thought, the reaction by the Romanticists, into the more secular context of modern and postmodern philosophy and related paradigms. Nature is often placed into tension with culture, with nature referring to the separation of human from non-human (ecological environments, animals, plants, minerals, bacteria, weather patterns, etc.). However, more recent writings in the social sciences have questioned this duality as obfuscating their crucial interconnections. (shrink)

The article employs the concept of the “Resonance Relationship” to examine the theoretical and practical tensions inherent in the process of artistic creation as it pertains to the practice of film montage. A re-reading of the film Blow-Up will facilitate an examination of the interplay between the two conceptual poles of control and uncontrollability as they manifest in artistic practices. The study will be supported by an analysis of various perspectives on interrelated issues, including the “photographic zoom” as described by (...) Walter Benjamin, Walter Murch’s approach to montage, and the concept of the “aporia of art” as articulated by Theodor W. Adorno in his Aesthetic Theory. (shrink)

This paper aims to develop an understanding of how the culture industry still operates in the postcolonial era. To this end, the first part of this paper will look at Adorno and Horkheimer’s reading of modernity, touching on how instrumental reasoning can lend itself to barbarism, along with an exposition of Adorno’s analysis of the culture industry. The second part will present decolonial theory, its critique of European modernity and, particularly, its focus on neo-imperialism. This theory will then be put (...) alongside critical theory, analyzing their differences concerning racial issues and how their critique of capitalism may represent a meeting point between the two theories. Finally, the conclusion will consider all previous elements to explain the connection between the Culture industry and its current strategy in former colonial areas. (shrink)

Losurdo analyzes the debate which took place in 1954 between Galvano Della Volpe and Palmiro Togliatti (the General Secretary of the Italian Communist Party) over the relationship between Marxism and liberalism. Della Volpe championed the standard position that liberalism enshrined formal (negative) freedom which Marxism seeks to preserve while also extending social rights (or positive freedom). Togliatti recognized the main problem with this view: the majority of people who lived under the rule of states which purportedly adhered to Western liberalism (...) were colonized peoples who did not share in the experience of exasperation with the merely formal nature of bourgeois negative freedom, because it was never extended to them in the first place (pp. 94–95)! In a sense, we can say that the problem with Marxism in its Eurocentric form is that it is too charitable towards liberalism. It attributes to liberalism achievements that it is innocent of (p. 216). Losurdo remarks on the irony of the date of this debate, for 1954 was the year of the Battle of Điện Biên Phủ when the Việt Minh forces defeated the French in a war of independence which was fought, at least partly, in the name of the formal bourgeois freedom which Western liberal states had, according to Della Volpe and other Western Marxists, already actualized in the world. (shrink)

The importance of psychoanalysis for Critical Theory is unabated, but controversial. Regressive reactions to the crises of capitalism are currently reviving the debate about its relevance for the Frankfurt School. The interview with Amy Allen follows the focus of her book Critique on the Couch (2020) through questions about the significance of psychoanalysis for Critical Theory as well as the implications of her arguments for a theory of the subject and a critique of eurocentric concepts of progress.

This article aims to read feminist new materialisms (Barad), together with ‘postulated’ linguistic or cultural primacy of Queer Theory (Butler), to show how both are engaged in similar critical-ethical endeavours. The central argument is that the criticism of Barad and new materialisms misses Butler’s materialistic insights due to a narrow interpretation of Butler's alleged social-constructivist position. There is, therefore, a specific focus on where they both make similar ethical appeals. Moreover, the article relies on Adorno's negative dialectic to highlight an (...) interpretation of Barad and Butler as being part of the same dialectical movement, in which materialism and idealism fluctuate in their mutual criticisms, thus continuing the procession towards 'new knowledge' and emancipation, or freedom, through their motions back and forth. (shrink)

El artículo explora el texto juvenil de Adorno “La idea de historia natural” como un protoprograma investigativo centrado en la problemática de la apariencia. A partir del marco teórico-metodológico y normativo de la teoría crítica, la hipótesis del artículo sostiene que el texto del joven Adorno brinda insumos importantes para entender su proyecto intelectual como una sofisticada teoría de la apariencia, capaz de desvelar las estructuras que soportan las formas aparentes de la realidad moderna. En primer lugar, se contextualiza la (...) aparición del escrito, seguido de un análisis de la influencia de Lukács y Benjamin en la concepción de la segunda naturaleza en Adorno. Posteriormente, se aborda la apariencia como un “verdadero problema histórico-natural” y se rastrea la presencia de este tema a lo largo de la obra del filósofo frankfurtiano, sugiriendo que ésta podría interpretarse como una teoría crítica de la apariencia. Finalmente, se resalta la relevancia de este hilo conductor para interpretar su propuesta teórica, especialmente en un contexto contemporáneo donde descifrar la apariencia se vuelve esencial para comprender múltiples dimensiones y problemáticas de nuestras sociedades. (shrink)

In this paper, I propose a reflection on the motif of mana in the framework of the proto-history of Th. W. Adorno and Max Horkheimer’s Dialectic of Enlightenment (1944). The Melanesian concept will allow us readers to seek the philosophical potential of pain, and the memory of a living Nature, as elements proper to the captive part of enlightenment: The necessary counterpart of a dialectic that would ultimately lead us to treasure the will of the enlightened project and, therefore, the (...) hope for a transformative praxis. (shrink)

This paper aims to demonstrate the contemporary relevance of Adorno’s thought for business ethicists working in the critical tradition by showing how his critique of modern social life anticipated, and offers continuing illumination of, recent technological transformations of capitalism. It develops and extrapolates Adorno’s thought regarding three central spheres of modern society, which have seen radical changes in light of recent technological developments: work, in which employee monitoring has become ever more sophisticated and intrusive; leisure consumption, in which the algorithmic (...) developments of the culture industry have paved the way for entertainment products to dominate us; and political discourse, in which social media has exacerbated the anti-democratic tendencies Adorno warned of in the mid-twentieth century. We conclude by presenting, as a rejoinder to these developments, the contours of an Adornian ethics of resistance to the reification and dehumanisation of such developments. (shrink)

After the attempt at collaboration between the Frankfurt School and the Vienna Circle failed in the late 1930s, Adorno stood at the forefront of critical theory’s polemics against ‘positivism’. Given these later polemical exchanges, some of the tendencies common to both movements have remained overlooked. Among these is their opposition to the phenomenological tradition. This paper focusses on certain features common to Schlick’s and Adorno’s critical responses to Husserl. The Machians, including Adorno’s supervisor Hans Cornelius, were targeted by Husserl’s onslaught (...) against psychologism in 1900. The young Schlick’s Machian background had motivated his contribution to the Psychologismusstreit, in the context of which he launched a series of objections against Husserl’s ‘independence theory of truth’. Adorno’s later doctoral dissertation under Cornelius was also motivated by the effort to defend his master against Husserl’s objections. Schlick’s criticisms intensified in later works, where Husserl’s epistemology of intuition is seen as yet another instance of the widespread confusion between knowledge and acquaintance. Schlick’s warnings against Husserl’s turn towards the irrationalist fashions of his day find their echo in Adorno’s ‘Metakritik’. Apart from their broad agreement in how they understand Husserl’s positioning within his context, Schlick and Adorno also develop a similar criticism of Husserl’s account of intuition as failing in its aspiration to discover unmediated givenness, which it confuses with mediated conceptual knowledge. Unfortunately, while Adorno explicitly acknowledges Schlick’s critique of Husserl, he also misconstrues it as a scientistic rejection of metaphysical nonsense, thus failing to acknowledge the proximity to his approach. (shrink)

This essay considers the catastrophe of anthropogenic climate change in relation to two possible critical-theoretic dispositions. The first, represented by an emblematic passage from Adorno, retains the hope for the realization of a “rational society.” The second, represented by a complementary passage from Foucault, enjoins critical theory to abandon any ambition toward criticizing or transforming society at a totalizing level. We argue that the unfolding climate catastrophe demands a conception of critical theory more in line with the first disposition, and (...) that the relevance of the skeptical disposition is likewise seriously undermined if climate change is taken into account. (shrink)

En este texto pretendo explorar cómo el pensamiento, una vez establecido como dominante en una determinada época histórica, puede perder su capacidad crítica original y transformarse en un instrumento de perpetuación del statu quo. En primer lugar, abordo la relación entre lenguaje y ciencia, considerando cómo la instrumentalización del lenguaje puede influir en la dirección de la ciencia y limitar su potencial transformador y crítico. En segundo lugar, profundizo en el problema de la razón instrumental y su impacto en el (...) dominio de la naturaleza, es decir, cómo la racionalidad instrumental puede conducir a una cosificación de la naturaleza y a una pérdida de la sensibilidad hacia el entorno. Finalmente, pretendo analizar cómo esta forma de pensamiento puede influir en las relaciones humanas, en la cultura, en la idea de progreso y en la concepción misma del individuo, afectando su capacidad de acción autónoma y su potencial emancipador. A través de este análisis me propongo arrojar luz sobre la compleja dinámica entre Ilustración, racionalidad y pensamiento administrado, y cómo esta interrelación puede impactar en la configuración de la sociedad y en el desarrollo de los individuos. (shrink)

This article aims to provide an elaboration of Theodor Adorno’s notion of exact fantasy and its function within his idea of genuine philosophical thought. It is divided into two main parts. In the first one, I explore the features of the notion of fantasy through a comparison of its understanding in Walter Benjamin’s and Adorno’s bodies of work. I further explicate what features Adorno takes over from Benjamin and where the authors’ ideas diverge. I present the role of fantasy in (...) Adorno’s thought as a non-transparent and emotional element of thinking that is responsible for the active arrangement of elements into constellations, which his individual essays are the embodiment of. In the second part, I follow Adorno’s criticism of the situation of late capitalist society in the light of the feature of lack of fantasy that is according to him caused by the influence of modern mass culture. I put this feature in connection to his examination of the phenomenon of boredom, depicting fantasy as an intellectual faculty which enhances intellectual freedom and resists the ”neurotic feelings” inherent in boredom. In the conclusion, I try to defend the possibility of the validity of Adorno’s insights despite their unconcealed intellectual elitism. (shrink)

The main aim of this dissertation is to examine whether or not Judith Butler’s feminist philosophy (Queer theory) can be interpreted as what Theodor W. Adorno called a dialectical or immanent critique of dialectics. The rationale behind this examination can be found in two essays published by Carrie Hull (1997) and Marcel Stoetzler (2005). In these essays, both authors suggest that Butler’s argument (Gender Trouble 1999[1990]) would benefit significantly from being juxtaposed with Adorno’s reconceptualisation of dialectics as ‘negative dialectics’ (Negative (...) Dialectics 1990[1966]). However, while Hull and Stoetzler provide convincing arguments, their claims are, at best, superficial. Thus, this dissertation addresses this particular lack in state-of-the-art by thoroughly examining Hull’s and Stoetzler’s suggested reading of Butler with Adorno (and vice versa). ; The first chapter deals exclusively with Adorno’s theoretical development and negative dialectics. It focuses on how Adorno’s general philosophical outlook can be interpreted as a critical enterprise aimed at correcting the ‘wrongness of the present’, to show how and where society, politics, or philosophy has failed to live up to what they claim to have achieved e.g. how the notion of a shared national identity fails to consider the diverseness of the individuals it encompasses. Adorno’s central issue is thus with ‘Identity Thinking’ (1990), a mode of thinking aimed at providing an account of everything from a unified perspective. ; The second chapter, as preparation for the third (on Butler), is divided into two shorter examinations of Michel Foucault and Jacques Derrida, two figures whose works have greatly inspired Butler. Foucault and Adorno converge around their shared criticism of social structures, which permits nothing but themselves. Derrida and Adorno converge in their shared mode of criticism that seeks to, in Derrida’s words, deconstruct a text or a theory from within. Hence, by juxtaposing Foucault’s and Derrida’s critical philosophies with Adorno’s negative dialectics, the notion that Butler can be juxtaposed with Adorno is secured by drawing a straight line from Butler’s theoretical inspirations. ; The third chapter engages in a close reading of Butler and subsequently (relying heavily on Hull and Stoetzler) in a critical reinterpretation that reads Butler not as an anti-dialectical thinker but instead as an ambiguous dialectical thinker. Butler interpreted this paves the way for reading Butler’s feminism firmly within Adorno’s negative dialectics. Adding Adorno’s account of materiality to Butler, while still keeping Butler’s criticism of feminism’s ‘totalizing gestures’ (1999) intact, makes it more apparent how Butler’s argument contains a materialist account and gives materiality a more prominent place in Butler’s argument. The lack of materiality in Butler has been criticised by other feminists (New Materialism) since the publication of Gender Trouble. Thus, by adding Adorno to Butler, this criticism is met head-on. ; The conclusion goes beyond the initial scope of the dissertation by showing how Butler, with Adorno, can be juxtaposed with those critics who want to turn contemporary feminism away from the notion that ‘everything is culture/language’ (Butler) and instead focus on materiality and matter (New Materialism; Karen Barad). By reading Butler not against but with New Materialism, the dichotomy between culture and nature turns into a productive difference rather than something that is an unsurmountable contradiction. (shrink)

This article reconstructs and defends Theodor Adorno’s social theory by motivating the central role of abstract domination within it. Whereas critics such as Axel Honneth have charged Adorno with adhering to a reductive model of personal domination, I argue that the latter rather understands domination as a structural and de-individualized feature of capitalist society. If Adorno’s social theory is to be explanatory, however, it must account for the source of the abstractions that dominate modern individuals and, in particular, that of (...) value. While such an account remains undeveloped in Adorno, Marx provides resources for its development, in positing the constitution of value neither in production nor exchange alone, but in the social totality. This article argues that Marx’s account is compatible with Adorno’s, and that it may be used to render Adorno’s theory of domination more credible on explanatory grounds. (shrink)

Este artículo realiza un trabajo exploratorio sobre algunos aspectos filosóficos presentes en la obra Minima Moralia de Th. W. Adorno. Se pretende rescatar los principales elementos relacionados a su crítica del valor como realidad totalizadora, dando cuenta de las consecuencias concretas manifestadas en la vida social y de las posibilidades asequibles para superar tal estado. Se parte de la hipótesis de que Minima Moralia constituye un elemento central de la crítica del valor en la versión de Adorno. En primer lugar, (...) se presenta el contexto de publicación del escrito adorniano. A continuación, se investiga el papel de la experiencia en el pensamiento crítico del pensador. Después se precisa la importancia de la teoría de la apariencia e inversión real en la comprensión de este universo social, para cerrar el escrito con un análisis de las posibilidades objetivas de trascender lo dado y el papel de la felicidad en la Teoría crítica. (shrink)

As genealogy has gained greater disciplinary recognition over the last two decades, it has become increasingly common to call any historically oriented philosophy, such as Theodor W. Adorno’s, “genealogy.” In this article, I show that Adorno’s philosophy indeed performs genealogy’s defining functions of “problematization” and “possibilization.” Moreover, it does so in unique ways that constitute a significant contribution to genealogical practice. Adorno’s method, here called “tragic genealogy,” is particularly well-suited to the genealogical analysis of traditional philosophical problems and to the (...) critical reanimation of declining, but ethically significant, values. Nevertheless, I also argue that Adorno’s philosophy cannot be assimilated into genealogical practice without rejecting or revising some of its Hegelian influences, particularly its philosophy of history and its modal metaphysics. (shrink)

This paper attempts to show how Adorno’s thought can illuminate our reflections on the future of work. It does so by situating Adorno’s conception of genuine activity in relation to his negativist critical epistemology and his subtle account of the distinction between true and false needs. What emerges is an understanding of work that can guide our aspirations for the future of work, and one we illustrate via discussions of creative work and care work. These are types of work which (...) cater to persistent human needs, albeit ones that are distorted under present social conditions. Adorno’s thought helps us to understand why this is the case. (shrink)

This paper examines the differences and affinities between Karl Popper’s critical rationalism and Theodor Adorno’s critical theory through renewed attention to the original documents of their 1961 debate. While commentaries often describe the Popper-Adorno encounter as a theoretical disappointment, I reveal a confrontation between conceptually opposed programs of social research. Though both theorists are committed to critique as a political and epistemological struggle for human freedom, their conceptions of this struggle are starkly different. In the original seminar papers, we find (...) a conflict between critique as a practice of social rationality (Popper) and a critique of social rationality itself (Adorno). The versions of critical rationalism and critical theory meeting in this debate thus emphasize opposite dimensions of a reflexive practice of immanent critique. In closing, I suggest dissolving this conceptual tension by recovering the educational orientation of critique. (shrink)

This paper studies the conflict between critical rationalism and critical theory in Karl Popper and Theodor Adorno’s 1961 debate by analyzing their shared rejection of Karl Mannheim’s sociology of knowledge. Despite the divergences in their respective projects of critical social research, Popper and Adorno agree that Mannheim’s sociology of knowledge is uncritical. By investigating their respective assessments of this research program I reveal a deeper similarity between critical rationalism and critical theory. Though both agree on the importance of critique, they (...) are less concerned with the development of critical consciousness as a focus of this project. In this way, Mannheim’s sociology of knowledge, particularly in its formative stages, revolves around a set of problems relatively inaccessible to critical rationalism and critical theory, since it is centrally concerned with identifying and cultivating the possibility of critique in society. In closing, I gesture to the importance of political education in Mannheim’s early work, suggesting that a return to these experimental texts will yield resources for political thought today. (shrink)

Este libro promete ser una contribución para el estudio de la teoría crítica en general y para el análisis de la historia de la Escuela de Frankfurt en particular. Todos los trabajos que están contenidos en este volumen hacen parte del amplio marco teórico de la teoría crítica de la sociedad. Muchos siguen las huellas de los fundadores de esta tendencia, mientras que otros se presentan como críticos de la misma y unos cuantos más tratan de vincular problemas y contextos (...) de relevancia a los conceptos más destacados que se empezaron a construir hace cien años en Frankfurt. Encontramos como buena excusa para su publicación precisamente el año centenario del Instituto de Investigación Social. Además, hemos creído conveniente organizar los materiales en secciones que van desde la historia de la Escuela de Frankfurt hasta la consideración de algunos interrogantes de actualidad motivados por el desarrollo de la teoría crítica. No obstante, con esto no pretendemos establecer límites absolutos de clasificación. Confesamos que nuestra forma de organizar los ensayos responde simplemente a criterios editoriales más que a cuestiones teóricas y conceptuales. Claramente las intersecciones entre los estudios aquí presentados son amplias y hacen que cada una de las propuestas pueda dialogar con las otras en función de sus evidentes parecidos de familia. (shrink)

This article aims to explore the connection between freedom and language in T.W. Adorno's Notes to Literature, presenting freedom as a liberation of our way of thinking that has the potential to arrive at an unrestrained interpretation of art and representation of the intellectual experience. I also attempt to show some of Adorno's insights into language and freedom in The Essay as a Form and their role in his essays about Valéry and Proust. Namely I focus on the problematics of (...) the suspension of the subject of the artist within the production of the work of art. Through showing the connection between Adorno's insights into problematics of language, freedom and suspension of subject I hope to contribute to the explication of one of the constructive steps of Adorno's philosophy. (shrink)

Adorno asocia la concepción hegeliana del espíritu a la concepción en última instancia formal de la subjetividad de Kant y del Fichte de la Grundlage. La subjetividad no puede ser infinita: al sujeto siempre se le opone el objeto. Aunque pretende superar el subjetivismo de la concepción kantiana y fichteana del sujeto, la unidad del sujeto y el objeto que define al "espíritu" de Hegel es todavía un sujeto; fuera de este sujeto resiste siempre algo no-idéntico que le es irreductible; (...) un idealismo absoluto es como tal, pues, imposible. En una línea con esto, Adorno considera que la Lógica hegeliana carece de contenido y permanece, a pesar de sus pretensiones materiales, una teoría puramente formal. Ahora bien, Adorno no ofrece un análisis detallado de la argumentación de Hegel en contra de la concepción formal de la subjetividad que proponen Kant y el primer Fichte. Hegel diferencia la subjetividad vacía obtenida por abstracción a partir del sujeto empírico respecto de la subjetividad absoluta o espíritu. Adorno rastrea la esencia del idealismo absoluto en la relación entre sensibilidad e inteligibilidad; para Hegel, sin embargo, la clave del idealismo absoluto reside en la unidad entre ser y pensar, o, lo que para Hegel es en última instancia lo mismo, entre ser y determinidad. (shrink)

The philosophical model of constellation has been applied to contemporary musical form, but it reveals too many limitations when confronted with late Adorno’s model of informal music. Once the component of heteronomy, in hierarchical and centered structures of traditional music, has been overcome, it reemerges in the opposite type, the decentered, non-hierarchical or free structures, between the opposites of serialism and aleatoric music. Therefore, the model of informal music, as an "image of freedom", pursues the realization of a musical-aesthetic nominalism (...) that is subtracted from all forms of heteronomy, ancient or modern. To do this, it has to achieve the 'actually constructed totality' of the work, integrating in it the opposite of free subjectivity. (shrink)

Jaakko Nevasto has offered a number of thoughtful criticisms of our attempt to show that Adorno’s work can fruitfully be brought to bear on topics in business ethics. After welcoming his constructive clarifications, we attempt to defuse Nevasto’s main objections and defend our application of Adorno, focusing in particular on the topics of moral epistemology, needs, and the possibility of genuine activity – and thus good work – within capitalist society.

During the late 1930s, the failed attempt at collaboration between the Frankfurt School and the Vienna Circle culminated in Horkheimer’s 1937 paper ‘The Latest Attack on Metaphysics’. Horkheimer ([1937] 1972), relying on a caricature of positivism as espousing an uncritical myth of the given, drew far-reaching conclusions concerning positivism’s conservative prohibition of the radical questioning of appearances. Horkheimer (1940) later applied some of these criticisms to Dilthey’s conception of Verstehen, while presenting Logical Empiricism as dismissing Dilthey’s proposals nothing more than (...) poetry. By examining Neurath’s unpublished reply to Horkheimer, and drawing on Uebel’s (2019) account of Logical Empiricism’s stance towards Verstehen, this chapter will attempt to dispel Horkheimer’s caricature. I will highlight a parallel between Neurath’s attitude towards (i) claims about Verstehen in social science and (ii) Horkheimer’s proposals for the use of Vernunft by a ‘supra-scientific’ Critical Theory. Neurath argues that once Horkheimer’s objections to ‘positivism’ are reformulated in non-metaphysical terms, they point towards a genuine problem concerning science’s relation to social praxis. For Neurath, the problem can be addressed from within (rather than, as Horkheimer would have it, from above) empirically-minded investigations in the history and sociology of science. (shrink)

ABSTRACT In this paper, I will offer some examples of the effectiveness of Adorno’s concept of mimesis for an analysis of extreme violence and for a defence of democratic institutions against possible regressions into authoritarian regimes. I will start by reading the concept of mimesis through the lens of the interlacement between the concepts of play and power. My aim is twofold: first, I wish to further the analysis of Adorno’s concept of mimesis by showing that it can be interpreted (...) as a form of play, which either empowers subjectivity or becomes a means of domination; second, I will use these speculations to highlight the relevance of Horkheimer and Adorno’s explanation of anti-Semitic violence when seen through the lens of the concept mimesis. Before concluding, I will briefly highlight Adorno’s ideas about what makes democracy vulnerable to potential regressions into extreme violence, and examine what can be done practically – from an Adornian perspective – to avoid regression: defending democratic institutions, and working towards a removal of those barriers that obstruct genuine mimetic experience and self-reflection. (shrink)

In this critical review I explore the anti-intentionalist stance Adorno offers in his aesthetics, specifically focusing on his Notes to Literature, and the internal limits to this stance. Adorno rejects the primacy of authorial intentionalism: The presuppositions of its aesthetic methodology, he claims, place the individual in a position of epistemic priority, without exploring the social totalities which constitute the conditions of the presentation of aesthetic knowledge by any such individual. The role of the creator for Adorno is inherently mediated (...) within the context of such totalities. -/- This is not to wholly discount the role of creative intentions, however. Rather, Adorno frames the artist as a ‘bearer’ and a ‘representative of the total social subject’. In this context he allows for a qualified form of subjectivity, construed as a mode of creativity produced by a particular kind of “achieved self-awareness” or disposition of consciousness towards an “estrangement of meaning”. Indeed, the loss of the stronger presupposition that the subject acts as an authentic expository force can lead to a realization that objectivity by this means constitutes a “loss”, Adorno claims, which creates the possibility for pursuing a critical stance to facilitate the capacity for creating autonomous works of art. Creators of autonomous works acknowledge “the paradoxical relationship of the autonomous work to its commodity character” (‘Valery’s Deviations’), namely an awareness of their inherent reification. The self-alienating yet autonomous work is described by Adorno as possessing and demonstrating tacit yet genuine ‘wants’, but this is framed by the demands of the human condition to recognize how ill-fitting the forces of social production are upon and towards securing them. Aesthetic intentions and the subjects which channel them can be critically valuable if they allude to or exposit the contradictions between these demands and those forces. (shrink)

The Frankfurt School addresses the anxieties of modernity.

Reeves and Sinnicks present Theodor Adorno as a philosopher with a sombre message to business ethics. Capitalist markets distort our needs and work in business organisations stultifies our moral capacities. Thus, the discipline’s self-understanding must be revised, and supplemented with reflections on what would be good work: free creative activity. After raising some questions about their interpretation of Adorno’s writings on human needs, I argue that the paper does not contain all the necessary resources to support its ferociously critical claims. (...) Once such resources are made available, however, the appeal to a notion of good work is no longer viable. (shrink)

Given his view that the modern world is ‘radically evil’, Adorno is an unlikely contributor to business ethics. Despite this, we argue that his work has a number of provocative implications for the field that warrant wider attention. Adorno regards our social world as damaged, unfree, and false and we draw on this critique to outline why the achievement of good work is so rare in contemporary society, focusing in particular on the ethical demands of roles and the ideological nature (...) of management’s self-understanding. Nevertheless, we show that Adorno’s comments on activities such as art and philosophy mean that it is possible to draw on his work in a way that contributes constructively to the conversation about good and meaningful work within business ethics. (shrink)

Beginning with the influential discussion of the dialectic of progress found in Amy Allen’s The End of Progress, this paper outlines some difficulties encountered by critical theories of normative justification drawing on the early Frankfurt School. Characterizing Adorno and Horkheimer’s critical social theory as a dialectical reflection eschewing questions of normative foundations, I relate their well-known treatment of the dialectic of enlightenment reason and myth to their critique of capitalist society as a negative totality. By exploring the concepts of historical (...) development used by Adorno and Horkheimer to describe both the progressive domination of capitalism, and the formation and cultivation of reflective consciousness, I trace the importance of progression and its inseparable relationship to regression in these early versions of critical theory. The dialectical social theory found here recognizes the persistence of social contradictions on both a methodological level and on the level of theory’s development and expression, a connection potentially obscured by a division of historical progress according to its temporal orientation. Particularly in Adorno’s later work, an opposition to the negative social totality requires notions of cultivation and learning which work against the prevailing forms of conceptual thinking, including the concern for the stability of rational foundations. (shrink)

Since the 1980s, there have been many attempts to bring together Critical Theory of Frankfurtian strain and French theories generally referred to as poststructuralist. The present text seeks to readdress the problem of their tricky articulation by taking a look at some vicissitudes those two currents of thought underwent in Brazil. In addition to the risk – embedded in the Parisian passion for dissolution – of positivizing atrocious aspects of Brazilian society related to the country’s multi-secular informality and backwardness, what (...) is at stake is the adequate understanding of the meaning and relevance of dialectical criticism in a peripheral country, in other words, the capacity to weigh the influx and gravitation of foreign ideas and forms in a society of inorganic culture, the possibility, finally, of critically verifying the supposed universality of hegemonic theories and categories in light of a cultural experience amassed under a heterodox modernization. (shrink)

This dissertation aims to analyze, clarify, and reconstruct the concept of class consciousness by developing a dialectical account of political agency at work in the concept. I defend a dialectical account of agency, that includes both the way in which individuals come together to form groups, but also the capacity of a collective to transform social conditions. I argue that this account of political agency is necessary in order to understand the possibility of social transformation or change. I trace the (...) development of the relationship between consciousness and agency in the early tradition of Western Marxism, focusing primarily on the account of class consciousness given by Georg Lukács in History and Class Consciousness. Against his account of the world historical agency of a unified proletariat, however, I defend Theodor Adorno’s insistence on nonidentity, and the importance of unreconciled groups in capitalist society. In order to understand these groups, such as the vanguard, party, or proletariat, we must understand the way in which individuals form groups, as well as their inherent collectivity. -/- My account of the political agency at work in the concept of class consciousness is broadly speaking pluralist. I argue that a multiplicity of methodologies is needed in order to arrive at a complete picture of the concept. I defend an account of class consciousness that is neither reductive nor deflationary with respect to other dimensions of social domination. This class forward approach seeks to build intersectional political coalitions in order to undertake revolutionary action. Successful revolutionary social transformation is never guaranteed in advance; however, the concept of class consciousness, reconstructed through the lens of political agency, offers conceptual resources to address the problems of today, for the sake of a better tomorrow. (shrink)

PDF with introduction and front and back materials. Abstract: A provocative examination of the consequences of Levinas’s and Adorno’s thought for contemporary ethics and political philosophy. This book unfolds a dialogue between Emmanuel Levinas and Theodor W. Adorno, using their thought to address contemporary environmental and social-political situations. Eric S. Nelson explores the “non-identity thinking” of Adorno and the “ethics of the Other” of Levinas with regard to three areas of concern: the ethical position of nature and “inhuman” material others (...) such as environments and animals; the bonds and tensions between ethics and religion and the formation of the self through the dynamic of violence and liberation expressed in religious discourses; and the problematic uses and limitations of liberal and republican discourses of equality, liberty, tolerance, and their presupposition of the private individual self and autonomous subject. Thinking with and beyond Levinas and Adorno, this work examines the possibility of an anarchic hospitality and solidarity between material others and sensuous embodied life. -/- “This is an extremely impressive, original, and thorough treatment of two key twentieth-century thinkers and their applicability to the most pressing social and political issues of our time.” — Jeffrey A. Bernstein, author of Leo Strauss on the Borders of Judaism, Philosophy, and History -/- “This book is an excellent and timely contribution to political and environmental philosophy, located around a nuanced historical and philosophical approach to Levinas and Adorno. It will be of great interest to anyone concerned with these figures or with the current moment.” — Martin Shuster, author of Autonomy after Auschwitz: Adorno, German Idealism, and Modernity. (shrink)

This chapter touches upon the damaging impact of neoliberal reason on institutions of higher education, and my efforts as a teacher to help turn things around by re-vitalizing the classroom. After a critique of current neoliberal ‘borderline times’, the chapter takes the reader on a journey of diffractive re-imaginings in which I share some of my experiences of co-learning with undergraduates in an American feminist-philosophical classroom. My central argument is that the neoliberalism-induced crisis in education can be affirmatively counteracted through (...) experimentations with various posthuman and new materialist theories, and the Harawayan-Baradian methodology of diffraction in particular. Furthermore, informed by the impression that theory and pedagogical praxis go hand in hand in many contemporary feminist new materialisms, I zoom in on daily acts of resistance against the neoliberal corporatization of the American university, acts that actualized themselves as feminist new materialist pedagogies. Three examples of diffractive pedagogical strategies are then discussed in detail. (shrink)

The philosophical significance of rhythm in the United States has been undermined from both sides of what Adorno and Horkheimer called the ‘dialectic of enlightenment’. When rhythm has not been falsely exalted, promising a fetishised, racialised ‘return’ to the body, it has been devalued through the tainted associations of rhythmic synchronisation with fascist regimes and the demand for compliance. In this article, I engage these issues as they inflect the politics of musical form. Adorno’s notorious critique of jazz – developed (...) across a wide range of essays spanning three decades (1933-1962) – has been rightly disparaged, but his concept of the politics of metric regularity has not been repudiated. In what follows, I provide an analysis of how metric regularity works for Adorno as a concept – its limitations and presuppositions. Adorno opens up new critical thought about rhythm by taking seriously the problem of the bass drum in jazz and its historical and structural relation to the military march. However, he gets seriously wrong the different implications of marching rhythm for African-American (and therefore American) history, failing to understand its radical difference from the dangers of European fascism for its victims. -/- Transnational rhythmic forms in the black diaspora (including the United States) and the interracial experiences that these forms enable, at least as in-principle possibilities, continually contest the ‘the divisions between life and thought’ that have been taken for granted by majoritarian philosophy in the West. From this perspective, the segregation of intellect from feel (a technical term among musicians to indicate those normatively right aesthetic choices that nevertheless emerge in excess of predetermined rules is not tenable given the polyrhythmic background that must be presupposed in order for any piece of diasporic music, including and especially in the United States, to be intelligible. (shrink)