Abstract

This article, which appeared in the Library of Living Philosophers series, is a thought experiment that imagines Danto’s analytical framework reaching well beyond what he had called the “drab” state of philosophy in the early 2000s. It describes, in minimalist terms, what he saw as the fundamental project of all philosophy -- regardless of the specific theoretical content any particular philosopher might put forth. It discusses his central (and still underdeveloped) notion of representation, and his quasi-Hegelian view of how art theory has been altered by its own recently emerging self-consciousness. It draws out the implications of his Argument from Intelligibility, which informs Danto’s interest in human self-consciousness, in autonomy, and (somewhat speculatively) in “spirit.”