Readers new to Santayana may feel puzzled by aspects of Scepticism and Animal Faith (1923). A number of Santayana’s early critics were puzzled as well. Some found the relation between scepticism and common sense troublesome. Others were put off by Santayana’s indirect poetic style and his lack of “clarity.” In this paper I reflect on these topics, as well as the relation between his poetic style and his vision of philosophical truth and sublimity. This should illuminate his “discovery” of essence, (...) which he re-enacts in this book and which holds the key to understanding Santayana’s mature project. (shrink)

Over decades of teaching systematic theology at Union Theological Seminary (New York), Christopher Morse has set out to salvage “dogmatics” as a postmodern theological discipline that nevertheless retains a (more or less literal) construal of the apocalyptic gospel message. This article attempts to clarify this project in conversation with William James’ best-known work on religious belief.

This article, which appeared in the Library of Living Philosophers series, is a thought experiment that imagines Danto’s analytical framework reaching well beyond what he had called the “drab” state of philosophy in the early 2000s. It describes, in minimalist terms, what he saw as the fundamental project of all philosophy -- regardless of the specific theoretical content any particular philosopher might put forth. It discusses his central (and still underdeveloped) notion of representation, and his quasi-Hegelian view of how art (...) theory has been altered by its own recently emerging self-consciousness. It draws out the implications of his Argument from Intelligibility, which informs Danto’s interest in human self-consciousness, in autonomy, and (somewhat speculatively) in “spirit.”. (shrink)

This paper, written from the perspective of a liberal Protestant, addresses Karl Barth’s famous dispute with his predecessor Friedrich Schleiermacher. It claims that despite the vehemence he often employs against Schleiermacher, a careful assessment of Barth reveals an ever-shifting ambivalence. Barth’s dismissal was very much a heated reaction amidst post-war circumstances, and Schleiermacher served as a symbol for aspects of pre-war culture and theology that are not necessarily reflective of Schleiermacher’s original project. Later in his career, Barth seems to have (...) yearned to rehabilitate aspects of that very project. (shrink)

Throughout his lengthy career Arthur Danto made significant and original contributions to action theory, historical narrative, and epistemology. He became best known however for his work as an art critic in the Nation, Artnews and elsewhere, and for his philosophical publications on art theory, beginning with his early (1964) article “The Artworld.” In fact, Danto’s views on art are emblematic of his overall philosophy: he managed to reconcile conflicting philosophical sensibilities without short-schrifting them. He appreciates both Hegel and postmodernism, but (...) his own philosophy is a good deal less radical than most postmodernisms in that he denies that philosophy is a radically historicist enterprise. (shrink)

Walter Wink is well-known for his exposition of what he has called “the third way” in Christian ethics, and his three-volume theological work expounding the nature of “the dominating powers that be” has left a lasting mark on Christian (post)liberalism -- not just in North America but elsewhere as well. However there is a vexing philosophical tension in Wink’s work, one that is even reflected in the fading of mainline Protestantism as a social force. This short piece was an early (...) effort to call attention to this challenge. (shrink)

“Philosophy as a way of life” has its roots in ancient ethics and has attracted renewed interest in recent decades. The aim in this paper is to construct a contemporized image of Socrates, consistent with the textual evidence. The account defers concern over analytical/theoretical inquiry into virtue, in favor of a neo-existentialist process of self-examination informed by the virtue of what is called “moral seriousness.” This process is modeled on Frankfurt’s hierarchical account of self-identification, and the paper suggests an expansion (...) of Frankfurt’s concept of a person to include “full” personhood, in which the apprehended “meaning” of one’s “whole life” is taken as a necessary condition for eudaimonia (meaning of life) and is characterized by phenomenological transcendence. In addition, the importance to the self-examination process of the informed scrutiny of a community of philosophers is discussed. (shrink)

Dewey’s view of art “as experience” takes the art object proper to be distinct from the physical artifact. The "work of art" is a label for a set of perceptual procedures in relation to a complex "situation" – one that is pregnant with vitality and saturated with “pervasive quality.” This qualitative trait is organic rather than merely mechanical in that the informed percipient’s sensibilities have already been sufficiently “funded” with a repertoire of emotionally imbued responses that culminate in a distinctive (...) “consummatory” experience. This account intends to combine classic notions of intrinsicality and instrumentality into a general story about art, which gets elevated into an honorific trait of human life generally -- all within a naturalistic framework. (shrink)

This is an excellent book, meant for an informed lay readership. But one of the hesitations a some might harbor is that it lacks a prose style suitable to the widest audience. More thoughtful readers on the other hand will recognize here a challenge worth taking up rather than a deficiency needing editorial rescue. The favorable reception this book has received from hundreds of students and parishioners attests to the fact that its audience is wide enough to have a considerable (...) impact. So for them at least, the book's style befits its content. -/- And as for others, it may be no deep deficiency on any reader's part if s/he cannot fathom a particular style. (Think about discussions over the complexities of Greek exegesis: are only Greek scholars said to get to heaven?) St Therese of Lisieux would probably have little interest in a book like Christopher Morse's - and this says nothing about her spiritual status. But then this alone says nothing about the quality of Morse's finished project either. It hardly means that, in a book like this, many might not find just what they are seeking. (shrink)

This book by Paul F. M. Zahl, Dean of Cathedral Church of the Advent (Episcopal) in Birmingham, Alabama, is billed as “an exercise in New Testament theology.” Jesus, Zahl declares, was “the First Christian,” and this can be so only because the relation between Jesus and his Judaic background is not what mainstream biblical scholars have thought. Zahl sees the historical Jesus as mainly discontinuous with his own Judaic context and (or, it seems, because) he thinks that this is the (...) only way the Christian faith can offer more than simply “Judaism for gentiles.” Despite some very good material in the book, Zahl seems unaware that the conservative Protestant reliance on Romans as a primary lens for interpreting the mission of the historical Jesus has faced serious challenges in recent decades, and though Zahl is not unaware of “higher criticism,” his book reflects only a rather limited engagement with it. (shrink)

Walter Wink’s last major theological book is the culmination of an expanding vision that took three decades to formulate, based upon what he takes to be a seminal historical moment. This was the “mutation in God-consciousness” that is said to occur with the appearance of “son of man” terminology in the first book of Ezekiel. Drawing upon that language, Wink wants to claim that we can relate to God as human beings only because God is truly Human – in fact, (...) Wink announces that only God is truly human. In this bold pronouncement, Wink not only draws inspiration from Ludwig Feuerbach – he stands Feuerbach virtually on his head. (shrink)

Victor Kestenbaum, already well-known for his _Phenomenological Sense of John Dewey_ (1977), has anthologized his own treatment of Dewey, along with Gadamer, Michael Oakeshott, John Findlay, and Wallace Stevens, under the theme of transcendence. Kestenbaum sees this an unappreciated insight from Dewey, which he carries beyond strictly Deweyan issues.

This aims to be a prophetic book. In his previous work from 1998, Tom Beaudoin had begun articulating, on behalf of his own generation, a quest that reflected GenXers' irreverence toward social institutions, which have typically failed to address the spiritual dimensions of their own experience. Beaudoin began to notice that many of his own cohort were getting lost in hyperspace, collapsing their real identity into a virtual artifice. Since then, in the age of internet and Instagram, this has only (...) been magnified for GenY and GenZ (etc), and nowadays this makes Beaudoin’s worries seem as poignant as the prophet Jeremiah’s. One of Beaudoin’s challenge, which he only began to address in this book, has been how to articulate a prophetic voice without lapsing into a moralizing posture which, for his demoralized young audience, would surely de-authenticate it. (shrink)

Important work on the relation of pragmatic ethics and aesthetics, such as Steven Fesmire's _John Dewey and Moral Imagination: Pragmatism in Ethics,_ misses an important feature of the entire issue unless non-mimetic representation is invoked to explain the relation between what Dewey would call the "problem" and the "solution" presented in experience. This cannot be elaborated within a Rortyan neo-pragmatism, nor can it be addressed without attending to the "spiritual" aspect of moral agency.