Abstract

Argues that Tacitus’ shaped his account of Seneca and the characterization of Nero within his social environment according to features characteristic of Seneca’s conception of friendship. Surprisingly, Tacitus assigns to Nero an active power: The emperor drives a ubiquitous inversion of the social values promoted by his mentor. Patterns of Seneca’s social thought are adduced to characterize not only the portrayed emperor but also the political institution itself.