- (2 other versions)Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.details
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(1 other version)Truth by Convention.W. V. Quine - 1976 - In Willard Van Orman Quine (ed.), The ways of paradox, and other essays. Cambridge: Harvard University Press. pp. 90–124.details
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Convention: A Philosophical Study.David Kellogg Lewis - 1969 - Cambridge, MA, USA: Wiley-Blackwell.details
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Vision and Painting: The Logic of the Gaze.Norman Bryson - 1984 - Journal of Aesthetics and Art Criticism 43 (2):219-221.details
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Perspective, Convention and Compromise.Robert Hopkins - 2003 - In Heiko Hecht Margaret Atherton & Schwartz Robert (eds.), Looking into Pictures. MIT Press. pp. 145-165.details
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Demonstratives: An Essay on the Semantics, Logic, Metaphysics and Epistemology of Demonstratives and other Indexicals.David Kaplan - 1989 - In Joseph Almog, John Perry & Howard Wettstein (eds.), Themes From Kaplan. New York: Oxford University Press. pp. 481-563.details
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Psychosemantics: The Problem of Meaning in the Philosophy of Mind.Jerry A. Fodor - 1987 - MIT Press. Edited by Margaret A. Boden.details
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(1 other version)Understanding Pictures.Domenic Lopes - 2000 - Mind 109 (433):158-162.details
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Art and Representation: New Principles in the Analysis of Pictures.John Willats - 1999 - Journal of Aesthetics and Art Criticism 57 (1):99-100.details
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Nelson Goodman's ‘languages of art’: A study.Anthony Savile - 1971 - British Journal of Aesthetics 11 (1):3-27.details
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El Greco's eyesight: Interpreting pictures and the psychology of vision.Robert Hopkins - 1997 - Philosophical Quarterly 47 (189):441-458.details
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