- An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
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An Ontology of Art.Andy Hamilton - 1990 - Philosophical Quarterly 40 (161):538-541.details
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An Ontology of Art.Nicholas Wolterstorff - 1991 - Journal of Aesthetics and Art Criticism 49 (1):79-81.details
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An Ontology of Art, by Gregory Currie. [REVIEW]Jerrold Levinson - 1992 - Philosophy and Phenomenological Research 52 (1):215-222.details
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On Criticism.Noël Carroll - 2008 - Routledge.details
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On Criticism.Noël Carroll - 2009 - Journal of Aesthetics and Art Criticism 67 (4):421-423.details
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Aesthetics and Psychobiology.D. E. Berlyne - 1973 - Journal of Aesthetics and Art Criticism 31 (4):553-553.details
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The Refutation O F Relativism.Monroe C. Beardsley - 1983 - Journal of Aesthetics and Art Criticism 41 (3):265-270.details
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The Classification of Critical Reasons.Monroe C. Beardsley - 1968 - The Journal of Aesthetic Education 2 (3):55.details
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On the generality of critical reasons.Monroe C. Beardsley - 1962 - Journal of Philosophy 59 (18):477-486.details
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Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism.Elena Alessandri, Victoria J. Williamson, Hubert Eiholzer & Aaron Williamon - 2015 - Frontiers in Psychology 6.details
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Of the standard of taste.David Hume - 1875 - In Essays, Moral, Political, and Literary. Indianapolis: Liberty Press. pp. 226-249.details
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Grundzuge der physiologischen psychologie.W. Wundt - 1893 - Philosophical Review 2:637.details
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Beardsley, Sibley, and critical principles.George Dickie - 1987 - Journal of Aesthetics and Art Criticism 46 (2):229-237.details
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Of the Standard of Taste.David Hume - unknowndetails
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Processing fluency and aesthetic pleasure: Is beauty in the perceiver's processing experience?Rolf Reber, Norbert Schwarz & Piotr Winkielman - 2004 - Personality and Social Psychology Review 8 (4):364-382.details
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rundzüge der physiologischen Psychologie. [REVIEW]Wilhelm Wundt - 1893 - Ancient Philosophy (Misc) 4:472.details
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Aesthetic empiricism and the challenge of fakes and ready-mades.Gordon Graham - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 11--21.details
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