- (1 other version)Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.details
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(1 other version)Precis of knowledge and the flow of information.Fred I. Dretske - 1983 - Behavioral and Brain Sciences 6 (1):55-90.details
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The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.details
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Sensation seeking: A comparative approach to a human trait.Marvin Zuckerman - 1984 - Behavioral and Brain Sciences 7 (3):413-434.details
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On mechanisms of cultural evolution, and the evolution of language and the common law.Michael T. Ghiselin - 1982 - Behavioral and Brain Sciences 5 (1):11-11.details
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Emotion, cognitive structure, and action tendency.Nico H. Frijda - 1987 - Cognition and Emotion 1 (2):115-143.details
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Neurocognitive poetics: methods and models for investigating the neuronal and cognitive-affective bases of literature reception.Arthur M. Jacobs - 2015 - Frontiers in Human Neuroscience 9:138374.details
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Aesthetics and Predictive Processing: Grounds and Prospects of a Fruitful Encounter.Jacopo Frascaroli, Helmut Leder, Elvira Brattico & Sander Van de Cruys - 2024 - Philosophical Transactions of the Royal Society B 379 (20220410).details
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The uncanny advantage of using androids in cognitive and social science research.Karl F. MacDorman & Hiroshi Ishiguro - 2006 - Interaction Studies. Social Behaviour and Communication in Biological and Artificial Systemsinteraction Studies / Social Behaviour and Communication in Biological and Artificial Systemsinteraction Studies 7 (3):297-337.details
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Does play matter? Functional and evolutionary aspects of animal and human play.Peter K. Smith - 1982 - Behavioral and Brain Sciences 5 (1):139-155.details
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(1 other version)Are species intelligent?: Not a yes or no question.Jonathan Schull - 1990 - Behavioral and Brain Sciences 13 (1):63-75.details
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Combining universal beauty and cultural context in a unifying model of visual aesthetic experience.Christoph Redies - 2015 - Frontiers in Human Neuroscience 9.details
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Play, Skill, and the Origins of Perceptual Art.Mohan Matthen - 2015 - British Journal of Aesthetics 55 (2):173-197.details
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Probaility and information.Patrick Suppes - 1983 - Behavioral and Brain Sciences 6 (1):81-82.details
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Curiosity and the pleasures of learning: Wanting and liking new information.Jordan Litman - 2005 - Cognition and Emotion 19 (6):793-814.details
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Why information?Freg I. Dretske - 1983 - Behavioral and Brain Sciences 6 (1):82-90.details
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Content: Semantic and information-theoretic.Paul M. Churchland & Patricia S. Churchland - 1983 - Behavioral and Brain Sciences 6 (1):67-68.details
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Liking versus Complexity: Decomposing the Inverted U-curve.Yağmur Güçlütürk, Richard H. A. H. Jacobs & Rob van Lier - 2016 - Frontiers in Human Neuroscience 10.details
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What makes a metaphor literary? Answers from two computational studies.Arthur M. Jacobs & Annette Kinder - 2018 - Metaphor and Symbol 33 (2):85-100.details
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The aesthetic stance - on the conditions and consequences of becoming a beholder.Maria Brincker - 2014 - In Alfonsina Scarinzi (ed.), Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy. Dordrecht: Springer. pp. 117-138.details
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Some untoward consequences of Dretske's “causal theory” of information.Kenneth M. Sayre - 1983 - Behavioral and Brain Sciences 6 (1):78-79.details
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Taxonomy of Individual Variations in Aesthetic Responses to Fractal Patterns.Branka Spehar, Nicholas Walker & Richard P. Taylor - 2016 - Frontiers in Human Neuroscience 10.details
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IV—Aesthetic Experience as a Metacognitive Feeling? A Dual-Aspect View.Jérôme Dokic - 2016 - Proceedings of the Aristotelian Society 116 (1):69-88.details
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Can information be objectivized?Ralph Norman Haber - 1983 - Behavioral and Brain Sciences 6 (1):70-71.details
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Liking for happy- and sad-sounding music: Effects of exposure.E. Glenn Schellenberg, Isabelle Peretz & Sandrine Vieillard - 2008 - Cognition and Emotion 22 (2):218-237.details
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The Mere Exposure Phenomenon: A Lingering Melody by Robert Zajonc.Richard L. Moreland & Sascha Topolinski - 2010 - Emotion Review 2 (4):329-339.details
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Beauty and the beholder: the role of visual sensitivity in visual preference.Branka Spehar, Solomon Wong, Sarah van de Klundert, Jessie Lui, Colin W. G. Clifford & Richard P. Taylor - 2015 - Frontiers in Human Neuroscience 9.details
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Are the sources of interest the same for everyone? Using multilevel mixture models to explore individual differences in appraisal structures.Paul J. Silvia, Robert A. Henson & Jonathan L. Templin - 2009 - Cognition and Emotion 23 (7):1389-1406.details
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On the Relation between the General Affective Meaning and the Basic Sublexical, Lexical, and Inter-lexical Features of Poetic Texts—A Case Study Using 57 Poems of H. M. Enzensberger.Susann Ullrich, Arash Aryani, Maria Kraxenberger, Arthur M. Jacobs & Markus Conrad - 2017 - Frontiers in Psychology 7.details
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Aesthetic perception and its minimal content: a naturalistic perspective.Ioannis Xenakis & Argyris Arnellos - 2014 - Frontiers in Psychology 5.details
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Information and belief.Barry Loewer - 1983 - Behavioral and Brain Sciences 6 (1):75-76.details
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What Is Art Good For? The Socio-Epistemic Value of Art.Aleksandra Sherman & Clair Morrissey - 2017 - Frontiers in Human Neuroscience 11.details
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Crossing boundaries: toward a general model of neuroaesthetics.Manuela Maria Marin - 2015 - Frontiers in Human Neuroscience 9:156097.details
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The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure.Claudia Muth, Marius H. Raab & Claus-Christian Carbon - 2015 - Frontiers in Psychology 6.details
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Global Image Properties Predict Ratings of Affective Pictures.Christoph Redies, Maria Grebenkina, Mahdi Mohseni, Ali Kaduhm & Christian Dobel - 2020 - Frontiers in Psychology 11.details
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A Theoretical Framework for How We Learn Aesthetic Values.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2020 - Frontiers in Human Neuroscience 14:565629.details
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Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations during the Aesthetic Judgment of Representational Paintings.Cinzia Di Dio, Martina Ardizzi, Davide Massaro, Giuseppe Di Cesare, Gabriella Gilli, Antonella Marchetti & Vittorio Gallese - 2015 - Frontiers in Human Neuroscience 9:154298.details
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Appraisal components and emotion traits: Examining the appraisal basis of trait curiosity.Paul J. Silvia - 2008 - Cognition and Emotion 22 (1):94-113.details
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Futurist Art: Motion and Aesthetics As a Function of Title.Stefano Mastandrea & Maria A. Umiltà - 2016 - Frontiers in Human Neuroscience 10.details
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Outline of a Theory of Scientific Aesthetics.Gustavo E. Romero - 2018 - Foundations of Science 23 (4):795-807.details
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Inferring Master Painters' Esthetic Biases from the Statistics of Portraits.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.details
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Intense Beauty Requires Intense Pleasure.Aenne A. Brielmann & Denis G. Pelli - 2019 - Frontiers in Psychology 10.details
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Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure.Kirill Fayn, Carolyn MacCann, Niko Tiliopoulos & Paul J. Silvia - 2015 - Frontiers in Psychology 6.details
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The Shivers of Knowledge.Félix Schoeller - 2015 - Human and Social Studies 4 (3):26-41.details
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A psycho-historical research program for the integrative science of art.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):163-180.details
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Changing the Tune: Listeners Like Music that Expresses a Contrasting Emotion.E. Glenn Schellenberg, Kathleen A. Corrigall, Olivia Ladinig & David Huron - 2012 - Frontiers in Psychology 3.details
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Aesthetic Responses to Exact Fractals Driven by Physical Complexity.Alexander J. Bies, Daryn R. Blanc-Goldhammer, Cooper R. Boydston, Richard P. Taylor & Margaret E. Sereno - 2016 - Frontiers in Human Neuroscience 10.details
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Art and Science: A Philosophical Sketch of Their Historical Complexity and Codependence.Nicolas J. Bullot, William P. Seeley & Stephen Davies - 2017 - Journal of Aesthetics and Art Criticism 75 (4):453-463.details
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The Eye is Listening: Music-Induced Arousal and Individual Differences Predict Pupillary Responses.Bruno Gingras, Manuela M. Marin, Estela Puig-Waldmüller & W. T. Fitch - 2015 - Frontiers in Human Neuroscience 9.details
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The neuroaesthetics of prose fiction: pitfalls, parameters and prospects.Michael Burke - 2015 - Frontiers in Human Neuroscience 9:155173.details
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