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  1. (1 other version)The Sound of Bedrock: Lines of Grammar between Kant, Wittgenstein, and Cavell1.Avner Baz - 2015 - European Journal of Philosophy 24 (3):607-628.
    In ‘Aesthetics Problems of Modern Philosophy’ Stanley Cavell proposes, first, that Kant's characterization of judgments of beauty may be read as a Wittgensteinian grammatical characterization, and, second, that the philosophical appeal to ‘what we say and mean’ partakes of the grammar of judgment of beauty. I argue first that the expression of the dawning of an aspect partakes of the grammar of judgments of beauty as characterized by Kant, and may also be seen—on a prevailing way of thinking about concepts (...)
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  • (4 other versions)Philosophical investigations.Ludwig Wittgenstein & G. E. M. Anscombe - 1953 - Revue Philosophique de la France Et de l'Etranger 161:124-124.
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  • On Certainty.Ludwig Wittgenstein, G. E. M. Anscombe, G. H. Von Wright & Denis Paul - 1972 - Mind 81 (323):453-457.
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  • Kant and the Capacity to Judge.Kenneth R. Westphal & Beatrice Longuenesse - 2000 - Philosophical Review 109 (4):645.
    Kant famously declares that “although all our cognition commences with experience, … it does not on that account all arise from experience”. This marks Kant’s disagreement with empiricism, and his contention that human knowledge and experience require both sensation and the use of certain a priori concepts, the Categories. However, this is only the surface of Kant’s much deeper, though neglected view about the nature of reason and judgment. Kant holds that even our a priori concepts are acquired, not from (...)
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  • Epistemic Rules.Paul A. Boghossian - 2008 - Journal of Philosophy 105 (9):472-500.
    According to a very natural picture of rational belief, we aim to believe only what is true. However, as Bernard Williams used to say, the world does not just inscribe itself onto our minds. Rather, we have to try to figure out what is true from the evidence available to us. To do this, we rely on a set of epistemic rules that tell us in some general way what it would be most rational to believe under various epistemic circumstances. (...)
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  • Art as Language: Wittgenstein, Meaning, and Aesthetic Theory.G. L. Hagberg - 1995 - Journal of Aesthetics and Art Criticism 54 (4):388-389.
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  • Kant and the Capacity to Judge: Sensibility and Discursivity in the Transcendental Analytic of the Critique of Pure Reason.Béatrice Longuenesse - 1998 - Princeton University Press.
    "Kant and the Capacity to Judge" will prove to be an important and influential event in Kant studies and in philosophy.
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  • The second person.Donald Davidson - 1992 - Midwest Studies in Philosophy 17 (1):255-267.
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  • Wittgenstein on rules and private language.Saul A. Kripke - 1982 - Revue Philosophique de la France Et de l'Etranger 173 (4):496-499.
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  • (3 other versions)Tractatus logico-philosophicus.Ludwig Wittgenstein - 1922 - Filosoficky Casopis 52:336-341.
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  • On Wittgenstein's Kantian solution of the problem of philosophy.Hanne Appelqvist - 2016 - British Journal for the History of Philosophy 24 (4):697-719.
    ABSTRACTIn 1931 Wittgenstein wrote: ‘the limit of language manifests itself in the impossibility of describing the fact that corresponds to a sentence without simply repeating the sentence’. Here, Wittgenstein claims, ‘we are involved … with the Kantian solution of the problem of philosophy’. This paper shows how this remark fits with Wittgenstein's early account of the substance of the world, his account of logic, and ultimately his view of philosophy. By contrast to the currently influential resolute reading of the Tractatus, (...)
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  • X—Wittgenstein's Builders.R. Rhees - 1960 - Proceedings of the Aristotelian Society 60 (1):171-186.
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  • (1 other version)Shostakovich's Tenth symphony and the musical expression of cognitively complex emotions.Gregory Karl & Jenefer Robinson - 1997 - In Jenefer Robinson (ed.), Music & meaning. Ithaca [N.Y.]: Cornell University Press.
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  • (3 other versions)Tractatus Logico-Philosophicus.Ludwig Wittgenstein - 2023 - Nordic Wittgenstein Review 11.
    Tractatus Logico-Philosophicus by Ludwig Wittgenstein: three parallel tree-structured editions. (1) Tree-structured arrangement of the German text, edited by David G. Stern, Joachim Schulte and Katia Saporiti. (2) Tree-structured arrangement of the English translation by Ogden and Ramsey, edited by David G. Stern. (3) Tree-structured arrangement of the English translation by Pears and McGuinness, edited by David G. Stern.
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  • Philosophical Grammar.Ludwig Wittgenstein, Rush Rhees & Anthony Kenny - 1975 - Philosophy and Rhetoric 8 (4):260-262.
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  • (1 other version)The Sound of Bedrock: Lines of Grammar between Kant, Wittgenstein, and Cavell.Avner Baz - 2016 - European Journal of Philosophy 24 (2):607-628.
    In ‘Aesthetics Problems of Modern Philosophy’ Stanley Cavell proposes, first, that Kant's characterization of judgments of beauty may be read as a Wittgensteinian grammatical characterization, and, second, that the philosophical appeal to ‘what we say and mean’ partakes of the grammar of judgment of beauty. I argue first that the expression of the dawning of an aspect partakes of the grammar of judgments of beauty as characterized by Kant, and may also be seen—on a prevailing way of thinking about concepts (...)
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  • (2 other versions)Must we mean what we say?Stanley Cavell - 1969 - New York,: Scribner.
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  • Critique of the Power of Judgment.Hannah Ginsborg, Immanuel Kant, Paul Guyer & Eric Matthews - 2002 - Philosophical Review 111 (3):429.
    This new translation is an extremely welcome addition to the continuing Cambridge Edition of Kant’s works. English-speaking readers of the third Critique have long been hampered by the lack of an adequate translation of this important and difficult work. James Creed Meredith’s much-reprinted translation has charm and elegance, but it is often too loose to be useful for scholarly purposes. Moreover it does not include the first version of Kant’s introduction, the so-called “First Introduction,” which is now recognized as indispensable (...)
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  • Is the feeling of unity that Kant identifies in his third critique a type of inexpressible knowledge?Adrian Moore - 2007 - Philosophy 82 (3):475-485.
    Kant, in his third Critique, confronts the issue of how rule-governed objective judgement is possible. He argues that it requires a particular kind of aesthetic response to one's experience. I dub this response 'the Feeling of Unity', and I raise the question whether it is a type of inexpressible knowledge. Using David Bell's account of these matters as a touchstone, I argue that it is.
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  • Wittgenstein and the Limits of Musical Grammar.H. Appelqvist - 2013 - British Journal of Aesthetics 53 (3):299-319.
    This paper offers a Kantian reading of Wittgenstein’s later conception of rules. Building on the continuity of Wittgenstein’s comparison between a sentence and a musical theme, the paper argues that central elements of the Kantianism one may find in Wittgenstein’s early philosophy carry over to his mature conception of grammar. Moreover, this Kantian reading offers a novel perspective on the puzzle about the normativity of Wittgenstein’s later notion of rules. It is argued that the normativity of an aesthetic judgement, understood (...)
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  • Why does Wittgenstein say that ethics and aesthetics are one and the same?Hanne Appelqvist - 2013 - In Peter Sullivan & Michael Potter (eds.), Wittgenstein's Tractatus: history and interpretation. Oxford: Oxford University Press.
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  • Against Content Normativity.Kathrin Glüer & Åsa Wikforss - 2009 - Mind 118 (469):31-70.
    As meaning's claim to normativity has grown increasingly suspect the normativity thesis has shifted to mental content. In this paper, we distinguish two versions of content normativism: 'CE normativism', according to which it is essential to content that certain 'oughts' can be derived from it, and 'CD normativism', according to which content is determined by norms in the first place. We argue that neither type of normativism withstands scrutiny. CE normativism appeals to the fact that there is an essential connection (...)
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  • Lawfulness without a Law.Hannah Ginsborg - 1997 - Philosophical Topics 25 (1):37-81.
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  • (1 other version)Rule-following without Reasons: Wittgenstein’s Quietism and the Constitutive Question.Crispin Wright - 2007 - Ratio 20 (4):481–502.
    This is a short, and therefore necessarily very incomplete discussion of one of the great questions of modern philosophy. I return to a station at which an interpretative train of thought of mine came to a halt in a paper written almost 20 years ago, about Wittgenstein and Chomsky,[1] hoping to advance a little bit further down the track. The rule-following passages in the Investigations and Remarks on the Foundations of Mathematics in fact raise a number of distinct issues about (...)
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  • The art of judgement.David Bell - 1987 - Mind 96 (382):221-244.
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  • The Blue and Brown Books.Ludwig Wittgenstein - 1958 - Philosophy 34 (131):367-368.
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  • W.Hans-Johann Glock - 1996 - In Hans Johann Glock (ed.), A Wittgenstein Dictionary. Blackwell. pp. 386–390.
    This book addresses three kinds of readers. Academics working inside or outside philosophy should find explanations of key terms and issues in Wittgenstein's work, and be able to find out what impact it might have on their own. At the end of entries, I sometimes indicate briefly what impact it has actually had, but for detailed information one should consult the items listed in the Bibliography of Secondary Sources. Students working on Wittgenstein or related topics (Frege, Russell, philosophical logic, metaphysics, (...)
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  • Lectures and Conversations on Aesthetics, Psychology and Religious Belief.Ludwig Wittgenstein & Cyril Barrett - 1968 - Journal of Aesthetics and Art Criticism 26 (4):554-557.
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  • A Sceptical Guide to Meaning and Rules.M. Kusch & K. Vermeir - 2008 - Tijdschrift Voor Filosofie 70 (3):616.
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