This paper discusses possible correspondences between neuroscientific findings and phenomenologically informed methodologies in the investigation of kinesthetic empathy in watching dance. Interest in phenomenology has recently increased in cognitive science (Gallagher and Zahavi 2008 ) and dance scholars have recently contributed important new insights into the use of phenomenology in dance studies (e.g. Legrand and Ravn (Phenomenology and the Cognitive Sciences 8(3):389–408, 2009 ); Parviainen (Dance Research Journal 34(1):11–26, 2002 ); Rothfield (Topoi 24:43–53, 2005 )). In vision research, coherent neural (...) mechanisms for perceptual phenomena were uncovered, thus supporting correlation of phenomenology and neurophysiology Spillmann (Vision Research 49(12):1507–1521, 2009 ). Correspondingly, correlating subjects’ neurophysiological data with qualitative responses has been proposed as a means to research the human brain in the study of consciousness (Gallagher and Zahavi 2008 ), with similar issues in clinical psychology Mishara (Current Opinion in Psychiatry 20(6):559–569, 2007 ) and biology Kosslyn et al. (American Psychologist 57:341–351, 2002 ). Yet the relationship between neuroscience and qualitative research informed by phenomenology remains problematic. How qualitative research normally handles subjective experiences is difficult to reconcile with standard statistical analysis of objective data. Recent technological developments in cognitive neuroscience have inspired a number of researchers to use more naturalistic stimuli, outside the laboratory environment, such as dance, thereby perhaps helping to open up the cognitive sciences to more phenomenologically informed approaches. A question central to our research, addressed here, is how the phenomenal experiences of a dance audience member, as accessed by qualitative research methods, can be related to underlying neurophysiological events. We outline below some methodological challenges encountered in relating audiences’ first-person accounts of watching live dance performance to neurophysiological evidence of their experiences. (shrink)

Ever since I first saw a dance performance I have wondered why it is that I am sometimes fascinated and touched by some people moving about on a stage, while at other times it leaves me completely indifferent. I will argue that an answer to this question has to be searched for in the way sensory stimuli are processed in the brain. After all, all our actions, perceptions and feelings are mediated and controlled by the brain. The thoughts and feelings (...) evoked by a dance performance are no exception and thus they too have a neural substrate in the brain. (shrink)

Humans, being highly social creatures, rely heavily on the ability to perceive what others are doing and to infer from gestures and expressions what others may be intending to do. These perceptual skills are easily mastered by most, but not all, people, in large part because human action readily communicates intentions and feelings. In recent years, remarkable advances have been made in our understanding of the visual, motoric, and affective influences on perception of human action, as well as in the (...) elucidation of the neural concomitants of perception of human action. This article reviews those advances and, where possible, draws links among those findings.Acronyms and DefinitionsApparent motion: perception of smooth motion from brief, successive exposures of static imagesChameleon effect: tendency for people to mimic the actions of others without even knowing itCommon coding principle: theory that perceiving and acting share common mental representationsDynamic noise: an array of randomly positioned dots that can camouflage perception of PL animations when the noise dots are sufficiently denseEvent-related potential : electrical brain activity registered from the scalpExtrastriate body area : brain region activated when a person views a human body or body partsFunctional magnetic resonance imaging : widely used technique that reveals brain activation patterns based on hemodynamic responses to neural activityInversion effect: difficulty of perceiving PL animations when they are shown upside downKinematics: analysis of the motions of objects without regard to the forces producing themMirror neurons: brain cells responsive when an animal engages in an activity or when it watches another animal engaged in that activityPoint-light animations: biological activity portrayed by small light tokens placed on the major body parts of an actorPositron emission tomography : brain imaging technique that uses radioactively labeled tracers to allow visualization of active brain areasSpatiotemporal jitter: means of degrading perception of PL animations, where the relative timing and positions of the moving dots are perturbedSuperior temporal sulcus : region of the cortex the posterior portion of which contains neurons selectively responsive to human activityTemplate-matching model: theory that perception of biological motion results from concatenation of static views of the bodyTranscranial magnetic stimulation : technique producing a brief disruption of neural processing. (shrink)

Focusing especially on Science and the Modern World, this article explores Whitehead's understanding of the social contexts and repercussions of mathematical and scientific abstraction. It investigates his remarks on the need to offset pernicious practices of abstraction in the context of a renewed concern with the link between conceptuality and materiality in social theory. Whitehead's inquiry into the problematic legacy of Galileo and scientific materialism is then contrasted with a different diagnosis of the abstractive maladies of modern society, the one (...) put forward under the Marxist rubric of `real abstraction'. While both stances allow us to explore the social repercussions of abstractive practices, it is argued that an understanding of the practically abstract character of capitalism permits us to identify the limits of Whitehead's pedagogical wish to reform our culture of abstraction. (shrink)