This edition includes two important texts illustrating Kants's view of history along with notes and a comprehensive bibliography.

In this study Friedrich Waismann gives a systematic presentation of insights into philosophical problems which can be achieved by clarifying the language in which the problems are posed. Much of the material and the method itself derive from Wittgenstein's work in the early 30s. The book was originally envisaged as a lucid and well organized account of Wittgenstein's distinctive form of linguistic philosophy to enable the Vienna Circle to incorporate these valuable methods into their own programme of analysis. The project (...) evolved over many years into a wide-ranging survey of the dissolution of many philosophical problems and the construction of a systematic philosophical grammar. Waismann shows in detail how puzzlement can be removed by careful description of the uses of the terms employed in framing problems. At the same time, he sketches a general framework for analysis of language, including chapters on names, general terms, logical operators, propositions, questions, etc. This book is an authoritative presentation of Wittgenstein's influential philosophy of language in a format much easier to follow than his own intricate and elusive texts. Waismann exhibits clearly the merits of this method of philosophizing. This book should serve as an important and useful text for those who wish to understand the method and power of linguistic philosophy. It has no equal as an introduction to Wittgenstein's philosophy. (shrink)

A milestone in the development of post-war Marxist thought.

This powerful critique of Marx's historical materialism - as a theory of power, as an account of history, and as a political theory -has been revised to take note of the profound intellectual and political changes that have occurred since the first edition was published. Reviews from the first edition 'Giddens draws upon a formidable knowledge of anthropology, archaeology, geography, and philosophy to demonstrate the limitations of Marxism and to formulate his own interpretation of the history of societies ... He (...) does a masterful job of setting his theory within a historical and critical framework of writings on Marx. His clarity of thought and his deft and often humorous handling of the unavoidable jargon of sociology and Marxist political theory makes this book a critical work of the highest quality.' Journal of International Law and Politics 'By contrast with many practictioners in the rather murky area of social theory, Giddens clearly seeks to make himself understood, and he has the useful quality of provoking one to argument. He has let light into some dark places.' The Times Higher Education Supplement 'Although Marx, Durkheim, and Weber continue to fill more index space than any other authors, Critique is Giddens's most explicit and committed statement of his own conceptualization of social theory ... It is his most original and therefore most vulnerable book, at once a cause for celebration and an invitation to critical reappraisal of the author's entire theoretical project.' Environment and Planning. (shrink)

This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...) author suggests that natural vision depends on the eyes in the head on a body supported by the ground, the brain being only the central organ of a complete visual system. When no constraints are put on the visual system, people look around, walk up to something interesting and move around it so as to see it from all sides, and go from one vista to another. That is natural vision—and what this book is about. (shrink)

En 32 romans, publiés entre 1934 et 1982, cet auteur d'origine australienne a élaboré autour de son protagoniste principal, l'inspecteur Roderick Allen de Scotland Yard, un ensemble de romans policiers d'enquête dans la meilleure tradition britannique.