“What is an emotion?” William James asked that question in the title of an essay he wrote in 1884, and his answer was that an emotion is a sensation brought about by bodily disturbance. Writing as a psychologist, he was concerned to help turn his discipline into a science. But as a philosopher writing about religious faith, by contrast, James argued that emotions must be understood in terms of such large and fuzzy issues as “the meaning of life.” The philosophy (...) of emotions and emotions research has since gone off in two quite different directions, one a broad-based perennial philosophical concern with the proper place of the emotions in ethics and living well, the other an increasingly sophisticated pursuit of the latest ammunition and theoretical weaponry in the biological and neurological sciences. (shrink)

The idea of an intentional object, or an object of thought, gives rise to a dilemma for theories of intentionality. Either intentional objects are existing objects, in which case it is impossible, contrary to appearances, to think about something which does not exist. Or some intentional objects are non‐existent real objects. But this requires an obscure and implausible metaphysics. I argue that the way out of this dilemma is to deny that being an intentional object is being an entity of (...) any kind. ‘Object’ here does not mean thing or entity. Rather, to say that something is an intentional object is just to say that it is an object of thought (or other intentional state or act) for a subject. It is further argued that theories of intentionality should not dispense with the idea of an intentional object. (shrink)

DO WE CHOOSE OUR EMOTIONS? Can we be held responsible for our anger? for feeling jealousy? for falling in love or succumbing to resentment or hatred? The suggestion sounds odd because emotions are typically considered occurrences that happen to us: emotions are taken to be the hallmark of the irrational and the disruptive. Controlling one’s emotion is supposed to be like the caging and taming of a wild beast, the suppression and sublimation of a Freudian "it.".

It is a daunting task to tell the story of the lives emotions lead, how they are rooted in the deeper folds of the person’s psyche and wax and wane over a lifetime. Wollheim’s book is at times a daring attempt to cast an analytic philosopher in the role of narrator of this fascinating but hard to follow story. Two related story lines run through his book. One repeatedly criticizes contemporary philosophers for turning a blind eye to the psychological reality (...) and developmental nature of desire and emotion. The other, containing the book’s main project, develops an account of the characteristic history of an emotion from its origins in a satisfied or frustrated desire, to the formation of an attitude that lies at the core of an emotion, and finally to the fantasized critic in moral emotions such as shame and guilt. How we rate the success of the project depends in no small part on how we assess the relation between these two themes. (shrink)

This note aims to clarify which arguments do, and which arguments do not, tell against Conceptualism, the thesis that the representational content of experience is exclusively conceptual. Contrary to Sean Kelly's position, conceptualism has no difficulty accommodating the phenomena of color constancy and of situation‐dependence. Acknowledgment of nonconceptual content is also consistent with holding that experiences have nonrepresentational subjective features. the crucial arguments against conceptualism stem from animal perception, and from a distinction, elaborated in the final section of the paper, (...) between content which is objective and content which is also conceived of by its subject as objective. (shrink)

Stocker intends this book to redress the common failures of contemporary moral philosophers to see the importance of emotions for their field. His aim is not merely to point out deficiencies in current thinking about emotions and their place in ethics, however. It is also to show how emotions are important for ethics. The book is divided into ten chapters, four of which are written in collaboration with Elizabeth Hegeman, an anthropologist and psychoanalyst. The first seven present criticisms of current (...) thinking and argue for some general theses about the way emotions are related to values. The last three examine specific emotions, notably, compassion, pity, pride, shame, and anger. They serve to substantiate the general theses about the way emotions are related to values that the first seven chapters promote. In this review I will concentrate on the material in these first seven chapters. Though some of it is jointly authored, I will for convenience' sake mostly refer just to Stocker as the author. (shrink)