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  1. Analytical symbols and geometrical figures in eighteenth-century calculus.Giovanni Ferraro - 2001 - Studies in History and Philosophy of Science Part A 32 (3):535-555.
    Leibnizian-Newtonian calculus was a theory that dealt with geometrical objects; the figure continued to play one of the fundamental roles it had played in Greek geometry: it susbstituted a part of reasoning. During the eighteenth century a process of de-geometrization of calculus took place, which consisted in the rejection of the use of diagrams and in considering calculus as an 'intellectual' system where deduction was merely linguistic and mediated. This was achieved by interpreting variables as universal quantities and introducing the (...)
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  • Collected Papers of Charles Sanders Peirce: Pragmatism and pragmaticism and Scientific metaphysics.Charles Sanders Peirce - 1960 - Cambridge: Belknap Press.
    Charles Sanders Peirce has been characterized as the greatest American philosophic genius. He is the creator of pragmatism and one of the founders of modern logic. James, Royce, Schroder, and Dewey have acknowledged their great indebtedness to him. A laboratory scientist, he made notable contributions to geodesy, astronomy, psychology, induction, probability, and scientific method. He introduced into modern philosophy the doctrine of scholastic realism, developed the concepts of chance, continuity, and objective law, and showed the philosophical significance of the theory (...)
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  • Aufbau/Bauhaus: Logical Positivism and Architectural Modernism.Peter Galison - 1990 - Critical Inquiry 16 (4):709-752.
    On 15 October 1959, Rudolf Carnap, a leading member of the recently founded Vienna Circle, came to lecture at the Bauhaus in Dessau, southwest of Berlin. Carnap had just finished his magnum opus, The Logical Construction of the World, a book that immediately became the bible of the new antiphilosophy announced by the logical positivists. From a small group in Vienna, the movement soon expanded to include an international following, and in the sixty years since has exerted a powerful sway (...)
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  • Graphical method and discipline: Self-recording instruments in nineteenth-century physiology.Soraya de Chadarevian - 1993 - Studies in History and Philosophy of Science Part A 24 (2):267-291.
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  • (1 other version)The 'shared manifold' hypothesis: From mirror neurons to empathy.Vittorio Gallese - 2001 - Journal of Consciousness Studies 8 (5-7):33-50.
    My initial scope will be limited: starting from a neurobiological standpoint, I will analyse how actions are possibly represented and understood. The main aim of my arguments will be to show that, far from being exclusively dependent upon mentalistic/linguistic abilities, the capacity for understanding others as intentional agents is deeply grounded in the relational nature of action. Action is relational, and the relation holds both between the agent and the object target of the action , as between the agent of (...)
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  • The Physiology and Psychology of Temperament: Pragmatism in Context.Francesca Bordogna - 2001 - Journal of the History of the Behavioral Sciences 37:3-25.
    This paper traces William James's famous “temperament thesis” according to which the philosophical stance that individuals take depends on their “temperaments.” It seeks to understand James's conception of temperament by locating James within a set of contemporary investigations that linked the sources of mental, and even higher, intellectual processes to the physiological and organic constitution of the individual. The paper argues that James understood temperament along the reflex-arc model and discusses the implications of that physiological account of temperament for James's (...)
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  • Visualization and Cognition: Thinking with Eyes and Hands.B. Latour - 1986 - Knowledge and Society 6:1--40.
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  • La création de la chaire d' Etude de l'« Evolution des êtres organisés » a la Sorbonne en 1888.Marc Viré - 1979 - Revue de Synthèse 100 (95-96):377-391.
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  • What is an Emotion?William James - 1884 - Mind 9:188.
    A perfectly matched layer (PML) absorbing material composed of a uniaxial anisotropic material is presented for the truncation of finite-difference time-domain (FDTD) lattices. It is shown that the uniaxial PML material formulation is mathematically equivalent to the perfectly matched layer method published by Berenger (see J. Computat. Phys., Oct. 1994). However, unlike Berenger's technique, the uniaxial PML absorbing medium presented in this paper is based on a Maxwellian formulation. Numerical examples demonstrate that the FDTD implementation of the uniaxial PML medium (...)
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  • Zur Begründung einer animistischen Ästhetik, [2].Alfred Werner - 1914 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 9:469-501.
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  • The Dynamogenic Factors in Pacemaking and Competition.N. Triplett - 1899 - Philosophical Review 8:78.
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  • (1 other version)On the Co‐Creation of Classical and Modern Physics.Richard Staley - 2005 - Isis 96 (4):530-558.
    While the concept of “classical physics” has long framed our understanding of the environment from which modern physics emerged, it has consistently been read back into a period in which the physicists concerned initially considered their work in quite other terms. This essay explores the shifting currency of the rich cultural image of the classical/modern divide by tracing empirically different uses of “classical” within the physics community from the 1890s to 1911. A study of fin‐de‐siècle addresses shows that the earliest (...)
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  • (1 other version)On the Co‐Creation of Classical and Modern Physics.Richard Staley - 2005 - Isis 96 (4):530-558.
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  • (1 other version)General Physiology, Experimental Psychology, and Evolutionism.Judy Johns Schloegel & Henning Schmidgen - 2002 - Isis 93 (4):614-645.
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  • (1 other version)General Physiology, Experimental Psychology, and Evolutionism.Judy Johns Schloegel & Henning Schmidgen - 2002 - Isis 93 (4):614-645.
    This essay aims to shed new light on the relations between physiology and psychology in the late nineteenth and early twentieth centuries by focusing on the use of unicellular organisms as research objects during that period. Within the frameworks of evolutionism and monism advocated by Ernst Haeckel, protozoa were perceived as objects situated at the borders between organism and cell and individual and society. Scholars such as Max Verworn, Alfred Binet, and Herbert Spencer Jennings were provoked by these organisms to (...)
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  • The Protoplasmic Theory of Life and the Vitalist-Mechanist Debat.Gerald Nelson - 1969 - Isis 60:272-292.
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  • Zur Begründung einer animistischen Ästhetik, [1].Alfred Werner - 1914 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 9:392-432.
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  • Blood, Dirt, and Nomograms: A Particular History of Graphs.Thomas Hankins - 1999 - Isis 90:50-80.
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  • Late Nineteenth Century Lamarckism and French Sociology.Snait Gissis - 2002 - Perspectives on Science 10 (1):69-122.
    : The transfer of modes of thought, concepts, models, and metaphors from Darwinian and Lamarckian evolutionary biology played a significant role in the mergence, constitution, and legitimization of sociology as an autonomous discipline in France at the end of the nineteenth century. More specifically, the Durkheimian group then came to be recognized as "French sociology." In the present paper, I analyze a facet of the struggle among various groups for this coveted status and demonstrate that the initial adherence to and (...)
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  • The Protoplasmic Theory of Life and the Vitalist-Mechanist Debate.Gerald L. Geison - 1969 - Isis 60 (3):273-292.
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  • (1 other version)On the aesthetic education of man.Friedrich Schiller - 1954 - Mineola, N.Y.: Dover Publications. Edited by Reginald Snell.
    A classic of 18th-century thought, Schiller’s treatise on the role of art in society ranks among German philosophy’s most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society—and of the French Revolution, in particular—to define the relationship between beauty and art. Schiller’s proposal of art as fundamental to the development of society and the individual remains an influential concept, and this volume offers his philosophy’s clearest, most relevant expression. Translated and with (...)
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  • Aesthetics and the spatial sense of self.Richard A. Etlin - 1998 - Journal of Aesthetics and Art Criticism 56 (1):1-19.
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  • The Guts of the Matter: Infusoria from Ehrenberg to Bütschli, 1838-1876. [REVIEW]Frederick B. Churchill - 1989 - Journal of the History of Biology 22 (2):189-213.
    We began our survey at a time when Ehrenberg's functional principles concerning the design of all organisms prevailed in interpreting the taxonomic place and internal structure of Infusoria. Other options existed, such as Dujardin's sarcode theory and Siebold's cellular analogy, but these were not persuasive for reasons both relevant to and in addition to the microscopic observations. By mid-century other considerations, including the continuing search for complex life cycles and manifestations of sex, dictated the microscopist's rendering of infusorians. Müller and (...)
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  • Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893.Conrad Fiedler, Adolf Göller, Adolf von Hildebrand, August Schmarsow & Robert Vischer - 1994 - Getty Research Institute.
    These pioneering essays provide an overview of psychological aesthetics and Kunstwissenschaft.
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  • Das ästhetische Miterleben und die Empfindungen aus des Körperinneren.Karl Groos - 1909 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 4:161-182.
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  • Zur "ästhetischen Mechanik".Theodor Lipps - 1906 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 1:1-29.
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  • Vorlesungen über die Ästhetik: Mit einer Einführung hrsg.Georg Wilhelm Friedrich Hegel - 1971
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  • The Age of Lamarck: Evolutionary Theories in France, 1790-1830.Pietro Corsi & Jonathan Mandelbaum - 1990 - Journal of the History of Biology 23 (1):155-156.
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  • (1 other version)La vie psychique des micro-organismes.Binet Binet - 1888 - Revue Philosophique de la France Et de l'Etranger 25:218.
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  • (1 other version)Die entwickelungsgeschichtliche Betrachtungsweise in der Aesthetik.Johannes Volkelt - 1903 - Philosophical Review 12:220.
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