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  1. Le pli: Leibniz et le Baroque.Gilles Deleuze - 1988 - Les Editions de Minuit.
    Le pli a toujours existé dans les arts, mais le propre du Baroque est de porter le pli à l'infini. Si la philosophie de Leibniz est baroque par excellence, c'est parce que tout se plie, se déplie, se replie. Sa thèse la plus célèbre est celle de l'âme comme " monade " sans porte ni fenêtre, qui tire d'un sombre fond toutes ses perceptions claires : elle ne peut se confondre que par analogie avec l'intérieur d'une chapelle baroque, de marbre (...)
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  • Foucault.Gilles Deleuze - 1986 - Univ of Minnesota Press.
    Examines the philosophical foundations of Foucault's writings and discusses his views on knowledge, punishment, power, and subjectivation.
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  • (1 other version)Francis Bacon: The Logic of Sensation.Gilles Deleuze - 2003 - Univ of Minnesota Press.
    Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. In considering Bacon, Deleuze (...)
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  • Image or Time? The Thought of the Outside in The Time Image (Deleuze and Blanchot).Marie-Claire Ropare-Wuilleumier - 2009 - In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
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  • (2 other versions)L'Espace littéraíre.Maurice Blanchot - 1968 - [Paris,]: Gallimard.
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