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  1. Politeness, Power and Provocation: How Humour Functions in the Workplace.Janet Holmes - 2000 - Discourse Studies 2 (2):159-185.
    This article examines verbal humour in routine interactions within professional workplaces, using material recorded in four New Zealand government departments. The problem of defining humour is discussed, followed by a brief outline of the theoretical models which underpin the analysis of the various functions which humour serves in professional organizations. Humour can express positive affect in interaction. It can also facilitate or `licence' more negative interpersonal communicative intent. While politeness theory can account for the former, as a means of expressing (...)
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  • Gender Trouble: Feminism and the Subversion of Identity.Judith Butler & Suzanne Pharr - 1990 - Hypatia 5 (3):171-175.
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  • (3 other versions)Gender Trouble: Feminism and the Subversion of Identity.Judith Butler - 1989 - Routledge.
    Ever since feminist theory introduced the distinction between sex and gender, the question of what it means to be a woman has preoccupied feminist thought. In ____Gender__ ____Trouble ____ Judith Butler questions whether it is possible to "be" a woman at all or, for that matter, any gender.
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  • (3 other versions)Gender Trouble: Feminism and the Subversion of Identity.Judith Butler - 1989 - Routledge.
    One of the most talked-about scholarly works of the past fifty years, Judith Butler’s _Gender Trouble_ is as celebrated as it is controversial. Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated (...)
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  • (3 other versions)Gender Trouble: Feminism and the Subversion of Identity.Judith Butler - 1989 - Routledge.
    Contemporary feminist debates over the meanings of gender lead time and again to a certain sense of trouble, as if the indeterminacy of gender might eventually culminate in the failure of feminism. Perhaps trouble need not carry such a..
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  • Visual pleasure and narrative cinema.Laura Mulvey - 2010 - In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge.
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  • Versions.[author unknown] - 1908 - The Classical Review 22 (3):101-101.
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  • Dance, ageing and the mirror: Negotiating watchability.Justine Coupland - 2013 - Discourse and Communication 7 (1):3-24.
    Bodily display and self-awareness are generally mediated by restrictive ideologies of youthful beauty. ‘How do I look?’ is therefore a salient question in terms of personal ageing. Dance makes bodies watchable, while ageing has been claimed to make bodies ‘unwatchable’. Ethnographic research conducted amongst a group of older dancers provides an opportunity to study these ideological tensions empirically, by analysing the discursive representations of older dancers and their teacher. ‘The mirror’ is a productive theme in the data, giving access to (...)
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