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  1. The Human Motor: Energy, Fatigue, and the Origins of Modernity.Anson Rabinbach - 1992 - University of California Press.
    Science once had an unshakable faith in its ability to bring the forces of nature—even human nature—under control. In this wide-ranging book Anson Rabinbach examines how developments in physics, biology, medicine, psychology, politics, and art employed the metaphor of the working body as a human motor. From nineteenth-century theories of thermodynamics and political economy to the twentieth-century ideals of Taylorism and Fordism, Rabinbach demonstrates how the utopian obsession with energy and fatigue shaped social thought across the ideological spectrum.
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  • Sport, Hegemony and the Middle Class: The Victorian Mountaineers.David Robbins - 1987 - Theory, Culture and Society 4 (4):579-601.
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  • Camera Lucida : reflections on photography.Roland Barthes - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
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  • The Beautiful, the Sublime and the Picturesque in Eighteenth-Century British Aesthetic Theory.Walter John Hipple - 1958 - Journal of Aesthetics and Art Criticism 17 (2):278-279.
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  • Die Vergangenheit der Kunst: Strategien der Nachträglichkeit im 18. Jahrhundert.Peter Geimer - 2002
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  • New Images of the Natural in France: A Study in European Cultural History 1750-1800.D. G. Charlton - 1984 - Cambridge University Press.
    The latter half of the eighteenth century saw radical changes in the way nature - both external and human nature - was perceived. It is these new perceptions, these new images of the 'the natural' that this book examines: new appreciations of the 'sublime' wildness of landscape; new revelations by the life sciences of natural creative fecundity; new assertions of the innocence of 'natural man', as illustrated by the noble savage, the contented peasant, the happy family; a new sense of (...)
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  • Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite.Marjorie Hope Nicolson - 1960 - Journal of Aesthetics and Art Criticism 19 (1):108-109.
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  • On Photography.Susan Sontag - 1978 - Journal of Aesthetics and Art Criticism 36 (4):514-515.
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  • Exit the frog, enter the human: physiology and experimental psychology in nineteenth-century astronomy.Jimena Canales - 2001 - British Journal for the History of Science 34 (2):173-197.
    This paper deals with one of the first attempts to measure simple reactions in humans. The Swiss astronomer Adolph Hirsch investigated personal differences in the speed of sensory transmission in order to achieve accuracy in astronomy. His controversial results, however, started an intense debate among both physiologists and astronomers who disagreed on the nature of these differences. Were they due to different eyes or brains, or to differences in skill and education? Furthermore, they debated how to eliminate them. Some, for (...)
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  • (1 other version)The picturesque.Christopher Hussey - 1927 - [Hamden, Conn.]: Archon Books.
    First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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  • (1 other version)The face of nature: Precise measurement, mapping, and sensibility in the work of Alexander Von humboldt.M. Dettelbach - 1999 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 30 (4):473-504.
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  • The Originality of the Avant Garde and Other Modernist Myths.Diane R. Karp - 1988 - Journal of Aesthetics and Art Criticism 46 (3):426-428.
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  • Alexander von Humboldt, Humboldtian science and the origins of the study of vegetation.Malcolm Nicolson - 1987 - History of Science 25 (2):167-194.
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  • The beautiful, the sublime, & the picturesque in eighteenth-century British aesthetic theory.Walter John Hipple - 1957 - Carbondale,: Southern Illinois University Press.
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  • The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760-1800.Malcolm Andrews - 1990 - Journal of Aesthetics and Art Criticism 48 (3):248-250.
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  • (1 other version)The Face of Nature: Precise Measurement, Mapping, and Sensibility in the Work of Alexander von Humboldt.Michael Dettelbach - 1999 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 30 (4):473-504.
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  • La philosophie du Mont Blanc: de l'alpinisme à l'économie immatérielle.Nicolas Giudici - 2000 - Grasset & Fasquelle.
    Au milieu du XVIIIe siècle, lorsqu'il surgit dans un paysage où nul ne l'avait jamais repéré, si ce n'est, vaguement, comme " montagne Maudite ", le mont Blanc symbolise un nouveau regard porté sur la nature, celui de la science, si différent du regard religieux qui tendait à diaboliser le relief. Le XIXe siècle amplifie cette réhabilitation. Les écrivains romantiques se pressent à Chamonix et dans l'Oberland bernois érigés en temples de la nature. L'alpinisme fascine. On y voit la synthèse (...)
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  • Uncertainties in 19th-century positive science+ mosso, Angelo.C. Pogliano - 1982 - Giornale Critico Della Filosofia Italiana 2 (2):207-221.
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