- The Artful Species: Aesthetics, Art, and Evolution.Stephen Davies - 2012 - Oxford, GB: Oxford University Press.details
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Inner Vision: An Exploration of Art and the Brain.Semir Zeki - 2002 - Journal of Aesthetics and Art Criticism 60 (4):365-366.details
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Eugene Delacroix's Theory of Art.George P. Mras - 1968 - Journal of Aesthetics and Art Criticism 26 (4):548-548.details
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The Clockwork Muse: The Predictability of Artistic Change.Colin Martindale - 1992 - Journal of Aesthetics and Art Criticism 50 (2):171-173.details
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Meaning.Herbert Paul Grice - 1957 - Philosophical Review 66 (3):377-388.details
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Historical ontology.Ian Hacking - 2002 - Cambridge, Mass.: Harvard University Press.details
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Supersizing the mind: embodiment, action, and cognitive extension.Andy Clark (ed.) - 2008 - New York: Oxford University Press.details
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The Varieties of Reference.Gareth Evans - 1982 - Oxford: Oxford University Press. Edited by John Henry McDowell.details
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Not by Genes Alone: How Culture Transformed Human Evolution.Peter J. Richerson & Robert Boyd - 2005 - Chicago University Press.details
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Descartes' Error: Emotion, Reason, and the Human Brain.Antonio R. Damasio - 1994 - Putnam.details
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An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
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The pleasures of aesthetics: philosophical essays.Jerrold Levinson - 1996 - Ithaca, NY: Cornell University Press.details
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Understanding pictures.Dominic Lopes - 1996 - New York: Oxford University Press.details
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The Civilizing Process.Norbert Elias - 1939/1969 - New York: Urizen Books.details
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Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.details
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Beyond the brillo box: the visual arts in post-historical perspective.Arthur Coleman Danto - 1992 - New York: Farrar Straus Giroux.details
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The Puzzle of Imaginative Resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55.details
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The Nature of Fiction.Gregory Currie - 1990 - Cambridge University Press.details
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Fakes and forgeries.Nan Stalnaker - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.details
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Aesthetic universals.Denis Dutton - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge. pp. 203--214.details
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Imagination as simulation: Aesthetics meets cognitive science.Gregory Currie - 1995 - In Martin Davies & Tony Stone (eds.), Mental Simulation. Blackwell.details
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The Poverty of Historicism.Karl R. Popper - 1957 - London,: Routledge.details
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Beyond Aesthetics: Philosophical Essays.Noël Carroll - 2001 - New York: Cambridge University Press.details
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13 Emotions and epistemic evaluations.Christopher Hookway - 2002 - In Peter Carruthers, Stephen Stich & Michael Siegal (eds.), The Cognitive Basis of Science. New York: Cambridge University Press. pp. 251.details
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Interpreting Figurative Meaning. Gibbs Jr & Herbert L. Colston - 2012 - Cambridge University Press.details
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The Transformation of the Avant-Garde: The New York Art World, 1940-1985.Diana Crane - 1987 - University of Chicago Press.details
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Value in Art.Robert Stecker - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 307--324.details
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Value in Art.Robert Stecker - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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Intention in Art.Paisley Livingston - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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Aesthetics and cognitive science.Gregory Currie - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 706--721.details
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Authenticity in art.Denis Dutton - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 258--274.details
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From perception to production: A multilevel analysis of the aesthetic process.Gerald C. Cupchik - 1992 - In Gerald C. Cupchik & János László (eds.), Emerging visions of the aesthetic process: psychology, semiology, and philosophy. New York, NY, USA: Cambridge University Press. pp. 61--81.details
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Echo objects: the cognitive work of images.Barbara Maria Stafford - 2007 - Chicago: University of Chicago Press.details
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Embodiment and cognitive science.Raymond W. Gibbs - 2006 - New York ;: Cambridge University Press.details
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A Cognitive Approach to the Earliest Art.Johan de Smedt & Helen de Cruz - 2011 - Journal of Aesthetics and Art Criticism 69 (4):379-389.details
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The Intentional Stance.Daniel Clement Dennett - 1981 - MIT Press.details
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The interpretation of texts, people and other artifacts.Daniel C. Dennett - 1990 - Philosophy and Phenomenological Research 50:177-194.details
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The ontology of musical works and the authenticity of their performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
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The aesthetic relevance of authors' and painters' intentions.Stephen Davies - 1982 - Journal of Aesthetics and Art Criticism 41 (1):65-76.details
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Interpreting contextualities.Stephen Davies - 1996 - Philosophy and Literature 20 (1):20-38.details
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First Art and Art’s Definition.Stephen Davies - 1997 - Southern Journal of Philosophy 35 (1):19-34.details
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Authors' intentions, literary interpretation, and literary value.Stephen Davies - 2006 - British Journal of Aesthetics 46 (3):223-247.details
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The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.details
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The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge, Mass.: Harvard University Press.details
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The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.details
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After the End of Art: Contemporary Art and the Pale of History.Arthur Coleman Danto - 1997 - Princeton University Press.details
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Arts and minds.Gregory Currie - 2004 - New York: Oxford University Press.details
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The extended mind.Andy Clark & David J. Chalmers - 1998 - Analysis 58 (1):7-19.details
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Farewell to an Idea: Episodes from a History of Modernism.T. J. Clark - 2004 - Journal of Aesthetics and Art Criticism 62 (3):297-298.details
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Clement Greenberg's Theory of Art.T. J. Clark - 1982 - Critical Inquiry 9 (1):139-156.details
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