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  1. Interpretation and Construction: Art, Speech, and the Law.Robert Stecker - 2003 - Malden, MA: Wiley-Blackwell.
    _Interpretation and Construction_ examines the interpretation and products of intentional human behavior, focusing primarily on issues in art, law, and everyday speech. Focuses on artistic interpretation, but also includes extended discussion of interpretation of the law and everyday speech and communication. Written by one of the leading theorists of interpretation. Theoretical discussions are consistently centered around examples for ease of comprehension.
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  • The Philosophy of Literature.Peter Lamarque - 2008 - Malden, MA: Wiley-Blackwell.
    By exploring central issues in the philosophy of literature, illustrated by a wide range of novels, poems, and plays, _Philosophy of Literature_ gets to the heart of why literature matters to us and sheds new light on the nature and interpretation of literary works. Provides a comprehensive study, along with original insights, into the philosophy of literature Develops a unique point of view - from one of the field's leading exponents Offers examples of key issues using excerpts from well-known novels, (...)
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • On the (so-called) puzzle of imaginative resistance.Kendall Lewis Walton - 2006 - In Shaun Nichols (ed.), The Architecture of the Imagination. Oxford University Press. pp. 137-148.
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  • The Test of Time: An Essay in Philosophical Aesthetics.Anthony Saville - 1982 - Revue Philosophique de la France Et de l'Etranger 176 (2):269-270.
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  • Aesthetics: Problems in the Philosophy of Criticism.Monroe C. Beardsley - 1958 - Philosophy 36 (136):80-81.
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  • Interpretation and Construction: Art, Speech and the Law.Robert Stecker, Matthew Kieran, Berys Gaut & Paisley Livingston - 2005 - Philosophical Quarterly 55 (218):150-155.
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  • The Metaphysics of Beauty.Nick Zangwill - 2002 - Journal of Aesthetics and Art Criticism 60 (4):358-360.
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