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  1. A Theory of Semiotics.Robert Scholes - 1977 - Journal of Aesthetics and Art Criticism 35 (4):476-478.
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  • Philosophical Problems of Classical Film Theory.George M. Wilson - 1991 - Philosophical Review 100 (3):506.
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  • Iconology: Image, Text, Ideology.W. J. T. Mitchell - 1987 - University of Chicago Press.
    "[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language.... The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, _Times Literary Supplement_.
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  • Meaning in the Visual Arts: Papers in and on Art History.Erwin Panofsky - 1955 - University of Chicago Press.
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  • The Reconfigured Eye: Visual Truth in the Post-Photographic Era.William J. Mitchell - 1994 - MIT Press.
    Continuing William Mitchell's investigations of how we understand, reason about, anduse images, The Reconfigured Eye provides the first systematic, critical analysis of the digitalimaging revolution.
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  • Burning with Desire: The Conception of Photography.Geoffrey Batchen - 1997 - MIT Press.
    " In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
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  • Semiotics and the theoretical foundations of multimedia.John H. Connolly & Iain W. Phillips - 2002 - Semiotica 2002 (141).
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  • Marks, Traces, "Traits," Contours, "Orli," and "Splendores": Nonsemiotic Elements in Pictures.James Elkins - 1995 - Critical Inquiry 21 (4):822-860.
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  • (1 other version)More about metaphor.Max Black - 1977 - Dialectica 31 (3‐4):431-457.
    An elaboration and defense of the “interaction view of metaphor” introduced in the author's earlier study, “Metaphor” . Special attention is paid to the explication of the metaphors used in the earlier account.The topics discussed include: selection of the “targets” of the theory; classification of metaphors; how metaphorical statements work; relations between metaphors and similes; metaphorical thought; criteria of recognition; the “creative” aspects of metaphors; the ontological status of metaphors.Metaphors are found to be more closely connected with background models than (...)
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  • Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.
    The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington.
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  • Of grammatology.Jacques Derrida - 1976 - Baltimore: Johns Hopkins University Press. Edited by Gayatri Chakravorty Spivak.
    "One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years (...)
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  • Science in action: how to follow scientists and engineers through society.Bruno Latour - 1987 - Cambridge: Harvard University Press.
    In this book Bruno Latour brings together these different approaches to provide a lively and challenging analysis of science, demonstrating how social context..
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  • Ekphrasis: The Illusion of the Natural Sign.Murray Krieger & Joan Krieger - 2019 - Johns Hopkins University Press.
    As he examines the conflict between the spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign.".
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  • What is philosophy?(Slovak translation of an essay by Deleuze and Guattari).G. Deleuze & F. Guattari - 1994 - Filozofia 54 (1):41-47.
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