Michael Holquist's masterly study draws on all of Bakhtin's known writings, providing a comprehensive account of his achievement. This edition includes a new introduction, concluding chapter and a fully updated bibliography.Mikhail Bakhtin's ideas have influenced thinking in literary studies, anthropology, linguistics, psychology and social theory. Michael Holquist's masterly study draws on all of Bakhtin's known writings providing a comprehensive account of his achievement. Widely acknowledged as an exceptional guide to Bakhtin and dialogics, this book now includes a new introduction, concluding (...) chapter and a fully updated bibliography. He argues that Bakhtin's work gains coherence through his commitment to the concept of dialogue, examining Bakhtin's dialogues with theorists such as Saussure, Freud, Marx and Lukacs, as well as other thinkers whose connection with Bakhtin has previously been ignored.Dialogism also includes dialogic readings of major literary texts, Mary Shelley's Frankenstein, Gogol's The Notes of a Madman and Fitzgerald's The Great Gatsby, which provide another dimension of dialogue with dialogue. (shrink)

Bartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.

Derrida often insists that ethics must be the experience and encounter of a certain impossible. A proposition all the more troubling, as it is proposed by Derrida in the context of a return precisely to the conditions of possibility of ethics. It will appear that returning to the possibilities of ethics implies a return to its limits, to its aporias, which are both constitutive and incapacitating, possibilizing and impossibilizing. The purpose of this paper is to begin exploring this aporetic structure (...) of ethics and to identify how it is tied to the impossible. I will pursue this inquiry by reconstituting how Derrida appropriates Heidegger's expression of "possibility of the impossible," and by reconstituting the aporias of the law, of moral decision, of responsibility, and of an ethics of hospitality as welcome of the event of otherness. ABSTRACT FROM AUTHOR]; Copyright of Research in Phenomenology is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to alls.). (shrink)

While some lament the slide of Western culture into relativism and nihilism and others celebrate the trend as a liberating sort of progress, Charles Taylor calls on us to face the moral and political crises of our time, and to make the most ...

Displaying an impressive command of complex materials, Seyla Benhabib reconstructs the history of theories from a systematic point of view and examines the origins and transformations of the concept of critique from the works of Hegel to Habermas. Through investigating the model of the philosophy of the subject, she pursues the question of how Hegel´s critiques might be useful for reforumulating the foundations of critical social theory.

One of the foremost religious and social philosophers of the twentieth century, Martin Buber also wrote extensively on sociological subjects, particularly as these affected his philosophical concerns. Collected here, these writings offer essential insights into the human condition as it is expressed in culture and society. Buber's central focus in his sociological work is the relation between social interaction, or intersubjectivity, and the process of human creativity. Specifically, Buber seeks to define the nature and conditions of creativity, the conditions of (...) authentic intersubjective social relations that nurture creativity in society and culture. He attempts to identify situations favorable to creativity that he believes exist to some extent in all cultures, though their fullest development occurs only rarely. Buber considers the combination of open dialogue between human and human and a dialogue between man and God to be necessary for the crystallization of the common discourse that is essential for holding a free, just, and open society together. Important for an understanding of Buber's thought, these writings—touching on education, religion, the state, and charismatic leadership—will be of profound value to students of sociology, philosophy, and religion. (shrink)

Modernity's Consciousness of Time and Its Need for Self- Reassurance In his famous introduction to the collection of his studies on the sociology of ...

Truth, semblance, reconciliation -- The dialectic of modernism and postmodernism -- Art and industrial production -- Ethics and dialogue.

Now that the more overtly political controversies of the recent past have subsided in Telos, it is possible to examine the deeper theoretical issues that lie behind them. Despite the importance of the manifest political content of those controversies — and they were indeed important — it is my contention that the fractiousness of the discussion can only be accounted for in terms of the underlying theoretical situation. What was in fact happening with those debates was that the old theoretical- (...) political consensus that had more or less united Telos since its inception had fragmented. There had been a shared sense from the beginning, however illusory it might have been, that the Hegelian Marxist or Western Marxist paradigm provided a common project that could encompass the various tendencies within the journal. (shrink)

This book attempts to isolate the question of ethics in the work of Foucault and Lacan and explores its ramifications and implications for the present day.

This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the (...) particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review. (shrink)

A startling look at one of this century's most influential philosophers, the book chronicles every stage of Foucault's personal and professional odyssey, from his early interest in dreams to his final preoccupation with sexuality and the nature of personal identity.

Michael Foucault's writing has shaped the teaching of half a dozen disciplines, ranging from literary criticism to the history of criminology. But none of his books offers a satisfactory introduction to the entire complex body of his work. The Foucault Reader precisely serves that purpose. It contains selections from each area of Foucault's thought, a wealth of previously unpublished writings, and an interview with Foucault during which he discusses his philosophy with unprecedented candor.

Romand Coles here explores the writings of Augustine, Foucault, and Merleau-Ponty in order to fashion an ethos that emphasizes the value of dialogical relationships between the self and others. In his view, each of these thinkers has made significant contributions that must figure in any reconsideration of the relationship between the self, ethics, and power. Whereas Augustine saw depth as the dimension of freedom and truth, according to Coles's reading, Foucault regarded depth as "that dimension in which we rout out (...) the other and constitute ourselves in light of hegemonic norms implanted deep within us." After drawing out those aspects of Foucault's thought which point toward a "dialogical artistic ethics," Coles explores Merleau-Ponty's philosophy of depth, arguing that it elucidates the "intercorporeality" of the world in a way that emphasizes the value of our dialogical relations with different others. In conclusion, he brings the three thinkers together to assess their rhetorical and philosophical similarities and differences, and to argue against the tendency to see all postmodern thought as nihilistic and incapable of developing an ethico-political stance. Coles's highly original work seeks to provide an alternative to the positions that have structured most recent debate in political philosophy. Thus, his book points up difficulties in both the individualist and the communitarian readings of politics and ethics, even as it seriously explores the ethical dimensions and possibilities of postmodernist thought. His attempt to develop an ethos based on a specific conception of selves and the world enables him to cast provocative light on the continuing dialogue between rationalists and relativists about the nature of both selves and our social and political institutions. (shrink)