"The Collected Works of Spinoza provides, for the first time in English, a truly satisfactory edition of all of Spinoza's writings, with accurate and readable translations, based on the best critical editions of the original-language texts, done by a scholar who has published extensively on the philosopher's work. The elaborate editorial apparatus--including prefaces, notes, glossary, and indexes--assists the reader in understanding one of the world's most fascinating, but also most difficult, philosophers. Of particular interest is the glossary-index, which provides extensive (...) commentary on Spinoza's technical vocabulary. A milestone of scholarship more than forty-five years in the making, The Collected Works of Spinoza is an essential edition for anyone with a serious interest in Spinoza or the history of philosophy." --Inside jacket flap. (shrink)

Susan James explores the revolutionary political thought of one of the most radical and creative of modern philosophers, Baruch Spinoza. His Theologico-Political Treatise of 1670 defends religious pluralism, political republicanism, and intellectual freedom. James shows how this work played a crucial role in the development of modern society.

The essays collected in Persecution and the Art of Writing all deal with one problem--the relation between philosophy and politics. Here, Strauss sets forth the thesis that many philosophers, especially political philosophers, have reacted to the threat of persecution by disguising their most controversial and heterodox ideas.

Spinoza and Rembrandt were contemporaries and in fact they were neighbours in Amsterdam. Even though there is no record that they ever met, it is hard to imagine that they never crossed paths. This article seeks to explore common ideas that we can find in the philosopher and the painter. This contributes both to a philosophical examination of Rembrandt and examines the possibility of an aesthetics in Spinoza.

This ambitious study presents Baruch Spinoza (1632-1677) as the most outstanding and influential thinker of modernity--and examines the question of whether he was the "first secular Jew." A number-one bestseller in Israel, Spinoza and Other Heretics is made up of two volumes--The Marrano of Reason and The Adventures of Immanence offered as a set and also separately. Yirmiyahu Yovel, Professor of Philosophy at the Hebrew University of Jerusalem, shows how Spinoza grounded a philosophical revolution in a radically new principle--the philosophy (...) of immanence, or the idea that this world is all there is--and how he thereby anticipated secularization, the Enlightenment, the disintegration of ghetto life, and the rise of natural science and the liberal-democratic state. The Marrano of Reason The Marrano of Reason finds the origins of the idea of immanence in the culture of Spinoza's Marrano ancestors, Jews in Spain and Portugal who had been forcibly converted to Christianity. Yovel uses their fascinating story to show how the crypto-Jewish life they maintained in the face of the Inquisition mixed Judaism and Christianity in ways that undermined both religions and led to rational skepticism and secularism. He identifies Marrano patterns that recur in Spinoza in a secularized context: a "this-worldly" disposition, a split religious identity, an opposition between inner and outer life, a quest for salvation outside official doctrines, and a gift for dual language and equivocation. This same background explains the drama of the young Spinoza's excommunication from the Jewish community in his native Amsterdam. Convention portrays the Amsterdam Jews as narrow-minded and fanatical, but in Yovel's vivid account they emerge as highly civilized former Marranos with cosmopolitan leanings, struggling to renew their Jewish identity and to build a "new Jerusalem" in the Netherlands. (shrink)

Spinoza took it to be an important psychological fact that belief cannot be compelled. At the same time, he was well aware of the compelling power that religious and political fictions can have on the formation of our beliefs. I argue that Spinoza allows that there are ‘good’ and ‘bad’ fictions. His complex account of the imagination and fiction, and their disabling or enabling roles in gaining knowledge of Nature, is a site of disagreement among commentators. The novels of George (...) Eliot (who translated Spinoza's works) represent a significant development for those who aim to resolve such disagreement in favour of the epistemic value of the imagination and fiction. Although Eliot agreed with Spinoza that belief cannot be compelled, she nevertheless affirmed the potential of certain kinds of fiction to be not only compelling but also edifying. The parallel reading of Eliot and Spinoza offered here raises the question of whether his philosophy can accommodate a theory of art in which the artist is seen to be capable of attaining and imparting dependable knowledge. (shrink)

This paper treats a recalcitrant problem in Spinoza scholarship, namely, how to reconcile the conception of 'power' in his political writings with that found in his Ethics. Some have doubted the capacity of Spinoza's political philosophy to yield an adequate normative theory. If he is unable to provide a normative ground for political philosophy then perhaps this exposes a problem in Spinoza's philosophy taken as a whole. I argue that the considerable normative resources of his ethical and political philosophy, as (...) well their continuing relevance today, are best appreciated through attending to his notion of the exemplar. (shrink)

Discourse on Metaphysics and Other Essays contains complete translations of the two essays that constitute the best introductions to Leibniz's complex thought: Discourse on Metaphysics of 1686 and Monadology of 1714. These are supplemented with two essays of special interest to the student of modern philosophy, On the Ultimate Origination of Things of 1697 and the Preface to his New Essays of 1703-1705. The translations are taken from Leibniz, Philosophical Essays, edited and translated by Roger Ariew and Daniel Garber (Hackett, (...) 1989). (shrink)

In what follows, then, I will make four basic points. First, I will take what Spinoza says in the Ethics about an exemplar of human nature as a clear and basic indication of what the purpose of an exemplar is: to transform value from an individual and subjective utility to a universal and objective standard. Second, I will argue that the function of prophecy in the foundation of the state is essentially to fulfil the role of an exemplar, but on (...) a political level; that is, to persuade the individual that his or her interest is only fulfilled through submission to the state's authority. Third, I will show how the history of the Hebrew state exemplifies the tension inherent in an exemplar between its particular imaginative origins and its universal pretensions. Fourth, I will claim that the narrative of the Hebrews' use and misuse of prophecy spoke directly to the Dutch of Spinoza's time and speaks indirectly to the political theorists of our own time. (shrink)

"Dreaming with open eyes" is a tagline for Spinoza's critique of Descartes; the dreams in question are principally those of volition and the active imagination. In this article, I compare the Cartesian theory of imagination as an active, but not fully rational, power of the mind and the Cartesian account of the volitional self to Spinoza's views. Descartes's own dreams and theories of dreaming are the focus of the first part of the article. Thereafter I examine Spinoza's critique of Descartes (...) and his alternative account of imagination. Finally, I argue that there is a positive sense of dreaming with open eyes to be recuperated in Spinoza's thought. Construed positively, to dream with open eyes is to understand dreams and imagination as natural phenomena and so to be able to respond constructively to them in ethical and political, as well as epistemological, life. (shrink)

Spinoza assigns to the imagination a wide-ranging and often disparate looking set of operations. Commentators have long recognized that these operations share a certain proximity to the body and a common tendency to lead people into error. Yet others remark on the apparent thinness of an overarching theme. This article examines the prominent and often underappreciated role of memory in unifying Spinoza’s account of imaginative cognition. The discussion revisits various aspects of imagination in light of their integrated characterization as forms (...) of remembering. The article also assesses reasons other than memory that Spinoza has for grouping them in common. The examination focuses on the intrinsic character of the imagination and its related operations in the Ethics, while occasionally bringing other works into play. (shrink)