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Chapter 20: Empathy

In Noël Carroll & John Gibson (eds.), The Routledge Companion to Philosophy of Literature. New York: Routledge (2015)

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  1. Simulation, projection and empathy.Dan Zahavi - 2008 - Consciousness and Cognition 17 (2):514-522.
    Simulationists have recently started to employ the term "empathy" when characterizing our most basic understanding of other minds. I agree that empathy is crucial, but I think it is being misconstrued by the simulationists. Using some ideas to be found in Scheler's classical discussion of empathy, I will argue for a different understanding of the notion. More specifically, I will argue that there are basic levels of interpersonal understanding - in particular the understanding of emotional expressions - that are not (...)
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  • Empathy, Embodiment and Interpersonal Understanding: From Lipps to Schutz.Dan Zahavi - 2010 - Inquiry: An Interdisciplinary Journal of Philosophy 53 (3):285-306.
    When it comes to understanding the nature of social cognition, we have—according to the standard view—a choice between the simulation theory, the theory-theory or some hybrid between the two. The aim of this paper is to argue that there are, in fact, other options available, and that one such option has been articulated by various thinkers belonging to the phenomenological tradition. More specifically, the paper will contrast Lipps' account of empathy—an account that has recently undergone something of a revival in (...)
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  • Narrative explanation.J. David Velleman - 2003 - Philosophical Review 112 (1):1-25.
    A story does more than recount events; it recounts events in a way that renders them intelligible, thus conveying not just information but also understanding. We might therefore be tempted to describe narrative as a genre of explanation. When the police invite a suspect to “tell his story,” they are asking him to explain the blood on his shirt or his absence from home on the night of the murder; and whether he is judged to have a “good story” will (...)
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  • Empathy with Fictions.James Harold - 2000 - British Journal of Aesthetics 40 (3):340-355.
    IT IS DIFFICULT for me to read Pride and Prejudice without empathizing either with Elizabeth Bennet, or sometimes with her father, Mr Bennet. Not only do my own responses to and opinions of the events and characters of the book at times resemble theirs, but even when they do not, I find myself seeing the event from Elizabeth’s or Mr Bennet’s point of view. For example, at the close of the book, Elizabeth’s former dislike of Mr Darcy has completely vanished, (...)
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  • In Sympathy with Narrative Characters.Alessandro Giovannelli - 2009 - Journal of Aesthetics and Art Criticism 67 (1):83-95.
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  • Empathy, sympathy, care.Stephen Darwall - 1998 - Philosophical Studies 89 (2-3):261–282.
    In what follows, I wish to discuss empathy and sympathy’s relevance to ethics, taking recent findings into account. In particular, I want to consider sympathy’s relation to the idea of a person’s good or well-being. It is obvious and uncontroversial that sympathetic concern for a person involves some concern for her good and some desire to promote it. What I want to suggest is that the concept of a person’s good or well-being is one we have because we are capable (...)
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  • Empathic engagement with narrative fictions.Amy Coplan - 2004 - Journal of Aesthetics and Art Criticism 62 (2):141–152.
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  • The Moral Emotions.Jesse Prinz - 2009 - In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion. Oxford University Press.
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  • Narrative Explanation.J. David Velleman - 2003 - Philosophical Review 112 (1):1-25.
    A story does more than recount events; it recounts events in a way that renders them intelligible, thus conveying not just information but also understanding. We might therefore be tempted to describe narrative as a genre of explanation. When the police invite a suspect to “tell his story,” they are asking him to explain the blood on his shirt or his absence from home on the night of the murder; and whether he is judged to have a “good story” will (...)
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  • Empathy.Karsten Stueber - 2008 - Stanford Encyclopedia of Philosophy.
    Despite its linguistic roots in ancient Greek, the concept of empathy is of recent intellectual heritage. Yet its history has been varied and colorful, a fact that is also mirrored in the multiplicity of definitions associated with the empathy concept in a number of different scientific and non-scientific discourses. In its philosophical heyday at the turn of the 19th to the 20th century, empathy had been hailed as the primary means for gaining knowledge of other minds and as the method (...)
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  • Empathy for Objects1.Gregory Currie - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. pp. 82.
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  • Empathy as a Route to Knowledge.Derek Matravers - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy. Philosophical and Psychological Perspectives. Oxford University Pres. pp. 19.
    Is it epistemologically better to feel an emotion that someone is having, rather than just believing he or she is having the emotion? This is the question that Derek Matravers is raising.
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  • Autism, Morality and Empathy.Frédérique De Vignemont - unknown
    The golden rule of most religions assumes that the cognitive abilities of perspective-taking and empathy are the basis of morality. One would therefore predict that people that display difficulties in those abilities, such as people with psychopathy and autism, are impaired in morality. But then why do autistics have a sense of morality while psychopaths do not, given that they both display a deficit of empathy? We would like here to refine some of the views on autism and morality. In (...)
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