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  1. Philosophical Investigations.Ludwig Wittgenstein - 1953 - New York, NY, USA: Wiley-Blackwell. Edited by G. E. M. Anscombe.
    Editorial preface to the fourth edition and modified translation -- The text of the Philosophische Untersuchungen -- Philosophische untersuchungen = Philosophical investigations -- Philosophie der psychologie, ein fragment = Philosophy of psychology, a fragment.
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  • Remarks on the Foundations of Mathematics.Ludwig Wittgenstein - 1956 - Oxford: Macmillan. Edited by G. E. M. Anscombe, Rush Rhees & G. H. von Wright.
    Wittgenstein's work remains, undeniably, now, that off one of those few philosophers who will be read by all future generations.
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  • Remarks on the foundations of mathematics.Ludwig Wittgenstein - 1956 - Oxford [Eng.]: Blackwell. Edited by G. E. M. Anscombe, Rush Rhees & G. H. von Wright.
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  • The Origins of Logic: One to Two Years.Jonas Langer - 1986 - Orlando, San Diego and New York: Academic Press.
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  • Zettel.Ludwig Wittgenstein - 1967 - Oxford,: Blackwell. Edited by G. E. M. Anscombe & G. H. von Wright.
    Zettel, an en face bilingual edition, collects fragments from Wittgenstein's work between 1929 and 1948 on issues of the mind, mathematics, and language.
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  • Wittgenstein on the Foundations of Mathematics.Crispin Wright - 1980 - Cambridge, Mass.: Harvard University Press.
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  • Wittgenstein on following a rule.John McDowell - 1984 - Synthese 58 (March):325-364.
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  • Wittgenstein on rules and private language: an elementary exposition.Saul A. Kripke - 1982 - Cambridge, Mass.: Harvard University Press.
    In this book Saul Kripke brings his powerful philosophical intelligence to bear on Wittgenstein's analysis of the notion of following a rule.
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  • One Act or Two? Hannah Ginsborg on Aesthetic Judgement.Paul Guyer - 2017 - British Journal of Aesthetics 57 (4):407-419.
    Hannah Ginsborg rejects my ‘two-acts’ interpretation of Kant’s conception of aesthetic judgement as untrue to Kant’s text and as philosophically problematic, especially because it entails that every object must be experienced as beautiful. I reject her criticisms, and argue that it is her own ‘one-act’ interpretation that is liable to these criticisms. But I also suggest that her emphasis on Kant’s ‘transcendental explanation’ of pleasure as a self-maintaining mental state suggests an alternative to the common view that pleasure is a (...)
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  • Wittgenstein on Going On.Hannah Ginsborg - 2020 - Canadian Journal of Philosophy 50 (1):1-17.
    In a famous passage from the Philosophical Investigations, Wittgenstein describes a pupil who has been learning to write out various sequences of numbers in response to orders such as “+1” and “+2”. He has shown himself competent for numbers up to 1000, but when we have him continue the “+2” sequence beyond 1000, he writes the numerals 1004, 1008, 1012. As Wittgenstein describes the case: We say to him, “Look what you’re doing!” — He doesn’t understand us. We say “You (...)
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  • In Defence of the One-Act View: Reply to Guyer.Hannah Ginsborg - 2017 - British Journal of Aesthetics 57 (4):421-435.
    I defend my ‘one-act’ interpretation of Kant’s account of judgments of beauty against recent criticisms by Paul Guyer. Guyer’s text-based arguments for his own ‘two-acts’ view rely on the assumption that a claim to the universal validity of one’s pleasure presupposes the prior existence of the pleasure. I argue that pleasure in the beautiful claims its own universal validity, thus obviating the need to distinguish two independent acts of judging. The resulting view, I argue, is closer to the text and (...)
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  • Wittgenstein on rules and private language.Saul A. Kripke - 1982 - Revue Philosophique de la France Et de l'Etranger 173 (4):496-499.
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