_Thoughts and Utterances_ is the first sustained investigation of two distinctions which are fundamental to all theories of utterance understanding: the semantics/pragmatics distinction and the distinction between what is explicitly communicated and what is implicitly communicated.

A theory of analogy must describe how the meaning of an analogy is derived from the meanings of its parts. In the structure‐mapping theory, the interpretation rules are characterized as implicit rules for mapping knowledge about a base domain into a target domain. Two important features of the theory are (a) the rules depend only on syntactic properties of the knowledge representation, and not on the specific content of the domains; and (b) the theoretical framework allows analogies to be distinguished (...) cleanly from literal similarity statements, applications of abstractions, and other kinds of comparisons.Two mapping principles are described: (a) Relations between objects, rather than attributes of objects, are mapped from base to target; and (b) The particular relations mapped are determined by systematicity, as defined by the existence of higher‐order relations. (shrink)

Objects of Metaphor puts forward a philosophical account of metaphor radically different from those currently on offer. Powerful and flexible enough to cope with the syntactic complexity typical of genuine metaphor, it offers novel conceptions of the relationship between simile and metaphor, the notion of dead metaphor, and the idea of metaphor as a robust theoretic kind. Without denying that metaphor can sometimes be merely ornamental, Guttenplan justifies the view of metaphor as fundamental to language and the study of language. (...) His book will be of great interest not only to philosophers in this field, but also to those working across psychology and linguistics. (shrink)

The unit of metaphor isn’t always a complete sentence; often it is a single word or phrase. In such a case, the word or phrase in question makes a nonstandard, metaphorically determined contribution to the propositional content of the sentence in which it appears, a content whose other ingredients are determined in routine ways by routine recursive procedures of truth-conditional semantics. In this respect, metaphor belongs to semantics. In other respects, it doesn’t belong to semantics at all. To identify what (...) Yeats contributed to the content of his own sentence when he wrote. (shrink)