Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In _Parables for the Virtual_ Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing (...) and assessing William James’s radical empiricism and Henri Bergson’s philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, _Parables for the Virtual _tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan’s acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument. _Parables for the Virtual_ will interest students and scholars of continental and Anglo-American philosophy, cultural studies, cognitive science, electronic art, digital culture, and chaos theory, as well as those concerned with the “science wars” and the relation between the humanities and the sciences in general. (shrink)

In this book Jaeggi draws on phenomenological analyses grounded in modern conceptions of agency, along with recent work in the analytical tradition, to reconceive of alienation as the absence of a meaningful relationship to oneself and ...

'There is something absolute about the letters between you & me; … The letter is a form of communion of the soul-spirit – … one that is faded & yet unimpeded, complete’, wrote Martin Heidegger to his fiancée Elfride Petri shortly before their wedding. In the course of a marriage that lasted almost sixty years Martin and Elfride were often apart, and the letter thus remained a vital means of communication right through to the final years. The letters he sent (...) her are snapshots of the ups and downs, the crises and everyday minutiae from Heidegger’s life: their engagement, the building of the Cabin at Todtnauberg, the part he played in the two world wars, the difficulties of his early professional career, their financial problems, his dealings with women, and his constant concern with expounding his ideas. Apart from three letters now in the hands of the German Literature Archive in Marbach, Elfride Heidegger kept all of the countless letters and cards from her husband locked away in a wooden chest. After reading them one final time, in 1977 she gave the key to this chest to her granddaughter Gertrud Heidegger on condition that she should not open it until after Elfride’s death. After years spent deciphering, transcribing and ordering the letters with the help of her father and her uncle, Gertrud Heidegger has here made a selection of them available to the public and added a commentary that provides relevant background material. This selection from the many letters written by Martin Heidegger to his wife provides an invaluable insight into their life together, their friendships and relationships, and sheds fresh light on the ideas and beliefs of one of the twentieth century’s greatest philosophers. (shrink)

During the twelfth and thirteenth centuries, great new trends of Jewish thought emerged whose widely varied representatives--Kabbalists, philosophers, and astrologers--each claimed that their particular understanding revealed the actual secret of the Torah. They presented their own readings in a coded fashion that has come to be regarded by many as the very essence of esotericism. Concealment and Revelation takes us on a fascinating journey to the depths of the esoteric imagination. Carefully tracing the rise of esotericism and its function in (...) medieval Jewish thought, Moshe Halbertal's richly detailed historical and cultural analysis gradually builds conceptual-philosophical force to culminate in a masterful phenomenological taxonomy of esotericism and its paradoxes. Among the questions addressed: What are the internal justifications that esoteric traditions provide for their own existence, especially in the Jewish world, in which the spread of knowledge was of great importance? How do esoteric teachings coexist with the revealed tradition, and what is the relationship between the various esoteric teachings that compete with that revealed tradition? Halbertal concludes that, through the medium of the concealed, Jewish thinkers integrated into the heart of the Jewish tradition diverse cultural influences such as Aristotelianism, Neoplatonism, and Hermeticisims. And the creation of an added concealed layer, unregulated and open-ended, became the source of the most daring and radical interpretations of the tradition. (shrink)