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Sculpture and Space

In Matthew Kieran & Dominic Lopes (eds.), Imagination, Philosophy, and the Arts. Routledge. pp. 272-290 (2003)

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  1. Picture, Image and Experience. [REVIEW]Sonia Sedivy - 2001 - Philosophical Review 110 (3):472-475.
    Robert Hopkins’s Picture, Image and Experience aims to provide an account of pictorial representation that vindicates the intuitions of the many, namely that pictorial representation is a deeply visual phenomenon, that an explanation of pictorial representation needs to be based on an explanation of our experience of pictures, and that there must be some sense in the idea that pictures resemble their objects. Hopkins proposes that we can show what is correct in these intuitions by explaining pictures as representations that (...)
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  • Mimesis as Make-Believe.Kendall L. Walton - 1990 - Synthese 109 (3):413-434.
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  • The Ecological Approach to Visual Perception.James J. Gibson - 1979 - Houghton Mifflin.
    This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...)
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  • The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
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  • Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.
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  • Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  • The Perception of the Visual World.Norman Malcolm - 1951 - Philosophical Review 60 (4):594.
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  • Art and its Objects.Richard Wollheim - 1971 - New York: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  • Deeper Into Pictures: An Essay on Pictorial Representation.Flint Schier - 1986 - Cambridge University Press.
    This book presents an original theory of the nature of pictorial representation. The most influential recent theory of depiction, put forward by Nelson Goodman, holds that the relation between depictions and what they represent is entirely conventional. Flint Schier argues to the contrary that depiction involves resemblance to the things depicted, providing a sophisticated defence of our basic intuitions on the subject. Canvassing an attractive theory of 'generativity' rather than resemblance, Dr Schier provides a detailed account of depiction, showing how (...)
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  • Painting as an Art.Richard Wollheim - 1987 - Thames & Hudson.
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  • Picture, Image and Experience: A Philosophical Inquiry.Robert Hopkins - 1998 - Cambridge University Press.
    How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be fatal to (...)
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  • Greek Sculpture. [REVIEW]J. M. Cook & R. Carpenter - 1962 - Journal of Hellenic Studies 82 (3):201-202.
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  • Feeling and Form. By Susanne K. Langer, Visiting Professor at the University of Washington. (Routledge and Kegan Paul. Pp. Xvi + 431. With 6 Plates. Price 28s.). [REVIEW]E. F. Carritt - 1955 - Philosophy 30 (112):75-.
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  • The Perception Of The Visual World.James J. Gibson - 1950 - Boston: Houghton Mifflin.
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  • Sculpture.Robert D. Vance - 1995 - British Journal of Aesthetics 35 (3):217-226.
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