Infinite Thought brings together a representative selection of the range of Alain Badiou's work, illustrating the power and diversity of his thought.

Immanuel Kant is one of Alain Badiou’s principle philosophical enemies. Kant’s critical philosophy is anathema to Badiou not only because of the latter’s openly aired hatred of the motif of finitude so omnipresent in post-Kantian European intellectual traditions—Badiou blames Kant for inventing this motif—but also because of its idealism. For Badiou-the-materialist, as for any serious philosophical materialist writing in Kant’s wake, transcendental idealism must be dismantled and overcome. In his most recent works, Badiou attempts to invent a non-Kantian notion of (...) the transcendental, a notion compatible with the basic tenets of materialism. However, from 1988’s Being and Event up through the present, Badiou’s oeuvre contains indications that he hasn’t managed fully to purge the traces of Kantian transcendental idealism that arguably continue to haunt his system—with these traces clustering around a concept Badiou christens “counting-for-one”. The result is that, in the end, Kant’s shadow still falls over Badiouian philosophy—this is despite Badiou’s admirable, sophisticated, and instructive attempts to step out from under it—thus calling into question this philosophy’s self-proclaimed status as materialist through and through. (shrink)

The philosopher replies to reactions provoked by his book about Gilles Deleuze in 1997, that were published by Futur Antérieur.

One establishes oneself within science from the start. One does not reconstitute it from scratch. One does not found it. Alain Badiou, Le Concept de modèle1 [T]here are no crises within science, nor can there be, for science is the pure affirmation of difference. Alain Badiou, "Marque et manque" 2.

: At the center of Catherine's Malabou's study of Hegel is a defense of Hegel's relation to time and the future. While many readers, following Kojève, have taken Hegel to be announcing the end of history, Malabou finds a more supple impulse, open to the new, the unexpected. She takes as her guiding thread the concept of "plasticity," and shows how Hegel's dialectic--introducing the sculptor's art into philosophy--is motivated by the desire for transformation. Malabou is a canny and faithful reader, (...) and allows her classic "maître" to speak, if not against his own grain, at least against a tradition too attached to closure and system. Malabou's Hegel is a "plastic" thinker, not a nostalgic metaphysician. (shrink)

This is a review of William Hasker's 'The Emergent Self' (Ithaca: Cornell University Press, 2001).

This paper was first published in Pli: The Warwick Journal of Philosophy, no. 15, Spring 2004, pp. 199-228.

Schelling argues that the Kantian transcendental apparatus lacks the ability to systematically ground itself. He insists that one must account for the prior emergence of experiential reality in addition to delineating this reality’s structure once constituted, and he presents his genetic model of epistemological subjectivity as a supplement completing the Kantian edifice. Although he never finally arrives at a satisfactory system of his own, Schelling repeatedly attempts, in various ways, to strike a productive compromise between transcendental and historico-genetic approaches to (...) subjectivity. Given that contemporary thinkers are still wrangling with the problem of how to adjudicate between those who make claims regarding the existence of invariant features of subjectivity and those who reject the notion that there are non-empirical, ahistorical constants defining human cognition, Schelling’s struggle with these same issues promises to furnish today’s readers with instructive lessons about the potentials and pitfalls of the endeavor to resolve this impasse. (shrink)

This paper was first published in Pli: The Warwick Journal of Philosophy, no. 15, Spring 2004, pp. 199-228.